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Release Date: February 03, 2009

In the mid-1980s, Emmanuel Jal was a seven year old Sudanese boy, living in a small village with his parents, aunts, uncles, and siblings. But as Sudan’s civil war moved closer—with the Islamic government seizing tribal lands for water, oil, and other resources—Jal’s family moved again and again, seeking peace. Then, on one terrible day, Jal was separated from his mother, and later learned she had been killed; his father Simon rose to become a powerful commander in the Christian Sudanese Liberation Army, fighting for the freedom of Sudan. Soon, Jal was conscripted into that army, one of 10, 000 child soldiers, and fought through two separate civil wars over nearly a decade.  But, remarkably, Jal survived, and his life began to change when he was adopted by a British aid worker. He began the journey that would lead him to change his name and to music: recording and releasing his own album, which produced the number one hip-hop single in Kenya, and from there went on to perform with Moby, Bono, Peter Gabriel, and other international music stars.  Shocking, inspiring, and finally hopeful, War Child is a memoir by a unique young man, who is determined to tell his story and in so doing bring peace to his homeland.

Masterworks ( October 06, 2009 ), Genre: Classical

Legacy Recordings ( March 14, 1995 ), Genre: Soundtracks

In the mid-1980s, Emmanuel Jal was a seven year old Sudanese boy, living in a small village with his parents, aunts, uncles, and siblings. But as Sudan’s civil war moved closer—with the Islamic government seizing tribal lands for water, oil, and other resources—Jal’s family moved again and again, seeking peace. Then, on one terrible day, Jal was separated from his mother, and later learned she had been killed; his father Simon rose to become a powerful commander in the Christian Sudanese Liberation Army, fighting for the freedom of Sudan. Soon, Jal was conscripted into that army, one of 10, 000 child soldiers, and fought through two separate civil wars over nearly a decade.  But, remarkably, Jal survived, and his life began to change when he was adopted by a British aid worker. He began the journey that would lead him to change his name and to music: recording and releasing his own album, which produced the number one hip-hop single in Kenya, and from there went on to perform with Moby, Bono, Peter Gabriel, and other international music stars.  Shocking, inspiring, and finally hopeful, War Child is a memoir by a unique young man, who is determined to tell his story and in so doing bring peace to his homeland.

Prospect Park ( September 22, 2009 ), Genre: Heavy Metal

In the mid-1980s, Emmanuel Jal was a seven year old Sudanese boy, living in a small village with his parents, aunts, uncles, and siblings. But as Sudan’s civil war moved closer—with the Islamic government seizing tribal lands for water, oil, and other resources—Jal’s family moved again and again, seeking peace. Then, on one terrible day, Jal was separated from his mother, and later learned she had been killed; his father Simon rose to become a powerful commander in the Christian Sudanese Liberation Army, fighting for the freedom of Sudan. Soon, Jal was conscripted into that army, one of 10, 000 child soldiers, and fought through two separate civil wars over nearly a decade.  But, remarkably, Jal survived, and his life began to change when he was adopted by a British aid worker. He began the journey that would lead him to change his name and to music: recording and releasing his own album, which produced the number one hip-hop single in Kenya, and from there went on to perform with Moby, Bono, Peter Gabriel, and other international music stars.  Shocking, inspiring, and finally hopeful, War Child is a memoir by a unique young man, who is determined to tell his story and in so doing bring peace to his homeland.

Five Finger Death Punch's forthcoming sophomore album, War Is the Answer, is locked and loaded with twelve tracks of raw epic heavy metal. The record's deafening battle cry will undoubtedly rattle the genre to its very core and pull you deep into this War. 5FDP have embarked on quite the journey to reach this point. The Los Angeles quintet's assault on heavy music began in 2007 with the release of their hit debut The Way of the Fist. After forming a "dream team" of metal musicians, the band self-funded the album- producing it entirely themselves. Death Punch eventually signed with The Firm/ Prospect Park. After months of relentless touring--including a show-stealing set at 2008's Mayhem Festival--Five Finger Death Punch became the hottest new band in metal. Five Finger Death Punch has fine-tuned their songs more than ever, and their sound has progressed immensely on their latest offering. Guitarist Zoltan Bathory puts it best: "We've matured but we're still the same band. Maybe we've gotten closer to traditional metal on War Is the Answer." Looking to surpass their DIY debut record, 5FDP decided to enlist some big guns for War. The band produced the album alongside world renowned producer Kevin Churko (Ozzy Osbourne), and attracted legendary mixer Randy Staub (Metallica) to the project as well. Also, the band had grown together as people, performers and songwriters. Singer Ivan Moody relates, "We tried to keep the basic ingredients but expand the sound at the same time. We spent two and a half years on the road together, and these guys have become closer to me than my biological family." The result on War is an expansive collection of unbridled melodic metal. Tracks like "Bulletproof" illustrate Five Finger Death Punch's diversity, switching from spellbinding chorus to neck-snapping solo in a flash. "Burn It Down" is a nihilistic exploration in pure rage--a new storyline with the same popular characters from The Way of the Fist. Meanwhile, "No One Gets Left Behind" is an up-tempo crusher that leaves room for lyrical interpretation. "You can take it literally, or as an underlying theme we often talk about, " relates Zoltan. "We are all soldiers in this human tribe. We used to fight together against the elements of nature to survive, but today that tribal bond is completely forgotten because there are six billion of us now. Indeed, Five Finger Death Punch are poised to take over the landscape. When it comes to how, there is no question--War is the Answer.

Whose side is Pakistan’s military really on? Leaked intelligence records suggest the suspicion of collusion with the Taliban. Controversy surrounds the awarding of an extension to the tenure of Pakistan’s army chief, General Kayani—target of accusations that he has links with factions responsible for anti-coalition violence in Afghanistan.Pakistan’s army is at the forefront of the war on terror, policing the border with Afghanistan and the lawless tribal agencies where Osama bin Laden is said to be hiding, and sporadically mounting offensives to crush the insurgents of the Taliban. In Pakistan recently, thousands have died in suicide attacks as insurgents have brought their war against the pro-Western government to the country’s cities. Its success is seen as critical to the West’s hopes of halting the spread of extremism outside the “AfPak” theater of operations. If the Pakistan army fails to stamp out the insurgency it could become unstoppable, with the drastic spread of global terrorism.Carey Schofield is uniquely placed to comment on the contradictions at the heart of this institution. She spent five years with the Pakistan army, accompanying them on maneuvers and getting to know key figures from junior soldiers to Kayani himself. For five years, she travelled everywhere with them. They even had a uniform made for her. Inside the Pakistan Army is the truth about the army’s vital role as an ally in the war.Carey Schofield is a journalist and author of Inside the Soviet Army. She is a visiting fellow at Oxford University.

Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend.Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life.Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life.To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.

Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend.Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life.Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life.To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.

A visually stunning survey of Blackfoot war artWhen the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan.In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment.This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked.In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.

Between 1864 and 1877, during the height of the Plains Indian wars, Pawnee Indian scouts rendered invaluable service to the United States Army. They led missions deep into contested territory, tracked resisting bands, spearheaded attacks against enemy camps, and on more than one occasion saved American troops from disaster on the field of battle. In War Party in Blue, Mark van de Logt tells the story of the Pawnee scouts from their perspective, detailing the battles in which they served and recounting hitherto neglected episodes. Employing military records, archival sources, and contemporary interviews with current Pawnee tribal members some of them descendants of the scouts Van de Logt presents the Pawnee scouts as central players in some of the army's most notable campaigns. He argues that military service allowed the Pawnees to fight their tribal enemies with weapons furnished by the United States as well as to resist pressures from the federal government to assimilate them into white society. According to the author, it was the tribe's martial traditions, deeply embedded in their culture, that made them successful and allowed them to retain these time-honored traditions. The Pawnee style of warfare, based on stealth and surprise, was so effective that the scouts' commanding officers did little to discourage their methods. Although the scouts proudly wore the blue uniform of the U.S. Cavalry, they never ceased to be Pawnees. The Pawnee Battalion was truly a war party in blue.

Store Search search Title, ISBN and Author This Man's War: The Day-By-Day Record of an American Private on the Western Front by Charles F. Minder Estimated delivery 3-12 business days Format Paperback Condition Brand New Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone! Publisher Description Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interes

American histories have long held that in May 1637---"Connecticut's Birthday"---a small force of English colonists guided by Mohegan Native allies set out to break the back of Pequot dominion in New England. According to Alfred E. Cave's The Pequot War and other accounts, the English and Mohegans supposedly marched "undetected" across multiple Indian territories, and at the Pequot village of Missituc on the Mystic River, trapped and killed between 300 and 700 men, women and children---thus launching the northern English colonies' first "total war" against Native Americans. What new understandings emerge when, for the first time, readers can examine these records and traditions against the actual landscape? What were the realities of New England tribal life, and of Native American war, in the 1600s? If the colonists of Massachusetts Bay and Hartford were in their own words "altogether ignorant" of how to locate, identify, fight, and control Native peoples, how did thoroughly-intermarried Pequots, Mohegans, Narragansetts and others exploit these crucial English blind-spots with astonishing, subtle and yet plainly visible counter-strategies? Why were guns, armor and European assault-tactics the wrong means of war in New England? What were the consequences near and far of the colonies' refusals to adjust? Tracking every step of The Pequot War from its origins to its aftermath and influences, Mystic Fiasco is its most comprehensive and detailed study. Its basis in the landscape exposes the fundamental but unexamined paradigms that hard-wired the American colonial psyche from those days to these. With user-friendly maps and illustrations by renowned historical artist David R. Wagner and the documentary expertise of historian Jack Dempsey, Mystic Fiasco is filled with resources that empower you to go and discover this "Mystic Massacre" and Pequot War for yourself.

Between 1864 and 1877, during the height of the Plains Indian wars, Pawnee Indian scouts rendered invaluable service to the United States Army. They led missions deep into contested territory, tracked resisting bands, spearheaded attacks against enemy camps, and on more than one occasion saved American troops from disaster on the field of battle. In War Party in Blue, Mark van de Logt tells the story of the Pawnee scouts from their perspective, detailing the battles in which they served and recounting hitherto neglected episodes. Employing military records, archival sources, and contemporary interviews with current Pawnee tribal members some of them descendants of the scouts Van de Logt presents the Pawnee scouts as central players in some of the army's most notable campaigns. He argues that military service allowed the Pawnees to fight their tribal enemies with weapons furnished by the United States as well as to resist pressures from the federal government to assimilate them into white society. According to the author, it was the tribe's martial traditions, deeply embedded in their culture, that made them successful and allowed them to retain these time-honored traditions. The Pawnee style of warfare, based on stealth and surprise, was so effective that the scouts' commanding officers did little to discourage their methods. Although the scouts proudly wore the blue uniform of the U.S. Cavalry, they never ceased to be Pawnees. The Pawnee Battalion was truly a war party in blue.

Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend.Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life.Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life.To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.

The Wilderness War is the eagerly awaited fourth volume in Allan W. Eckert’s acclaimed series of narratives, The Winning of America, the violent and monumental description of the wresting of the North American continent from the Indians. Two hundred fifty years had elapsed since the Five Nations, the greatest of the Indian tribes, ceased their continual warfare among themselves and banded together for mutual defense. Their union had created the feared and formidable Iroquois League; their empire stretched from Lake Champlain, across New York to Niagara Falls. Theirs was a remarkable form of representative government that presaged our own, and their wealth lay in the vast, beautiful lands abundant with crops. As warriors they were unsurpassed—even the depredations of the recent French and Indian War could not diminish their prowess. But by 1770 the white men living in their land were fighting among themselves again, and war came once more to the Iroquois land. The Wilderness War begins in 1763 (where the second book in this series, Wilderness Empire, concluded with the English victory over the French in the French and Indian War) and continues through the American Revolution to 1780, by which time the Iroquois League had been ruptured and the Indians dispossessed of their homelands. Their defeat and humiliation occurred despite the valor of their famous war chief Thayendanegea, better known as Joseph Brant, who had allied his tribes with the one man the Iroquois loved and trusted, Sir William Johnson, Colonial Superintendent of Indian Affairs, and subsequently with Johnson’s son and nephew, leaders of the Tory forces in New York. Based on an abundance of primary sources: original letters and notes, diaries and journals, deeds, wills, military records, Indian tribal records, logbooks, newspapers and magazines and government reports, and dominated by the compelling character of Chief Joseph Brant, The Wilderness War gives a factual account (sustained with the suspense and pace of first-rate fiction) of the last years of the Iroquois Empire and the first years of the American nation. Allan W. Eckert has molded the raw facts of history into a moving, perceptive and penetrating narrative. It is filled with the pathos and action, humanity and savagery which were all a part of survival on the expanding American frontier.

Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend.Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life.Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life.To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.

On the eve of a promising future in his homeland, a former street boy (peekin) in Liberia sees his plans disappear when war erupts, the predicted 'fatal rain, ' erupts overnight. Civil War is driven by political and tribal animosities. Crossing armed checkpoints as a displaced person in his country and a refugee in Sierra Leone and Ghana, Mogama (Moses Garswa Matally) leads a band of middle-class and other Liberians fleeing their country's disaster. Loss of identity, changing identities, and travel by foot, bus, boat, and air lead to Buduburam Refugee Camp in Ghana recognized by Ghana and the UN High Commission for Refugees. Christian and Muslim groups bring aid into the camp, where hard floors, unsafe water, hunger and cold test every day. Mogama records on paper, in those times, the disease, distrust, and immeasurable pain of war survivors who have lost almost everything, including their families, in some cases. Refusing to give up, even in his own depression, Mogama agrees to take on other leadership roles, to gather people together and help work continue together for daily needs, physical, relationship, and spiritual. Help from U. S. and others leads to studies in the U. S. at the Southern Baptist Theological Seminary in Louisville, Kentucky. The author is a writer, counselor, teacher, and pastor, whom war made a suffering servant. His messages to others are included in this honest account of rising above what could kill the spirit as well as the body or mind. The author is a well-educated, compassionate, and insightful English-speaking writer. His story moves quickly between his years aged 24 to 28, with clarity, ironic humor, wry insight, and wise observation.

A visually stunning survey of Blackfoot war artWhen the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan.In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment.This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked.In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.

The War of 1812 has been regarded by many historians as a "small naval war" of little importance. Not so to the Indian tribes of the Old Northwest, who joined the British attempt to hold off the expansionist American armies in a desperate effort to retain their tribal lands, promised to them by the British in return for their alliance. The Indian force numbered some sixteen hundred warriors-Shawnees, Winnebagoes, Kickapoos, Potawatomis, Sacs, Ottawas, Muncey Delawares, Ojibwas, and Senecas among them.In September and October of 1813, after holding the frontier against the United States for more than a year, a small force of British and Indians under General Henry Procter and the Shawnee chief Tecumseh was driven from Amherstburg after the Battle of Lake Erie. They retreated to the River Thames. The succeeding engagement at Moraviantown, on October 5, 1813, was the most decisive American victory won on British soil in this war. The death of Tecumseh, who was killed while valiantly defending the field after the British had fled, cost the British-Indian alliance its most effective leader.The story of the campaign has never been fully told from the point of view of the Indians and the British, but innumerable legends have persisted about it, many of them contrasting the courage of the Shawnee chief with the alleged cowardice of Procter. In attempting to dispel the myths, John Sugden searched for surviving records in Britain, Canada, and the United States. He found a major source of information in the little-known minutes of General Procter's court-martial, filed in the Public Record Office at Kew, England.From this and many other sources, both published and unpublished, the author has comprehensively reconstructed the retreat and tackled the major questions: why was Procter compelled to withdraw from Amherstburg after the loss of his squadron on Lake Erie; why and how did Procter and Tecumseh fight at Moraviantown; how was Tecumseh killed; and how did the engagement affect the fortunes of the British, the Indians, and the Americans in the remaining months of the war.Sugden further enhances our knowledge about the great Chief Tecumseh in the definitive account of the circumstances surrounding his death.

During the decades between the Civil War and the establishment of Oklahoma statehood, Choctaws suffered almost daily from murders, thefts, and assaults—usually at the hands of white intruders, but increasingly by Choctaws themselves. This book focuses on two previously unexplored murder cases to illustrate the intense factionalism that emerged among tribal members during those lawless years as conservative Nationalists and pro-assimilation Progressives fought for control of the Choctaw Nation.Devon Abbott Mihesuah describes the brutal murder in 1884 of her own great-great-grandfather, Nationalist Charles Wilson, who was a Choctaw lighthorseman and U.S. deputy marshal. She then relates the killing spree of Progressives by Nationalist Silan Lewis ten years later. Mihesuah draws on a wide array of sources—even in the face of missing court records—to weave a spellbinding account of homicide and political intrigue. She painstakingly delineates a transformative period in Choctaw history to explore emerging gulfs between Choctaw citizens and address growing Indian resistance to white intrusions, federal policies, and the taking of tribal resources.The first book to fully describe this Choctaw factionalism, Choctaw Crime and Punishment is both a riveting narrative and an important analysis of tribal politics.

The Wilderness War is the eagerly awaited fourth volume in Allan W. Eckert’s acclaimed series of narratives, The Winning of America, the violent and monumental description of the wresting of the North American continent from the Indians. Two hundred fifty years had elapsed since the Five Nations, the greatest of the Indian tribes, ceased their continual warfare among themselves and banded together for mutual defense. Their union had created the feared and formidable Iroquois League; their empire stretched from Lake Champlain, across New York to Niagara Falls. Theirs was a remarkable form of representative government that presaged our own, and their wealth lay in the vast, beautiful lands abundant with crops. As warriors they were unsurpassed—even the depredations of the recent French and Indian War could not diminish their prowess. But by 1770 the white men living in their land were fighting among themselves again, and war came once more to the Iroquois land. The Wilderness War begins in 1763 (where the second book in this series, Wilderness Empire, concluded with the English victory over the French in the French and Indian War) and continues through the American Revolution to 1780, by which time the Iroquois League had been ruptured and the Indians dispossessed of their homelands. Their defeat and humiliation occurred despite the valor of their famous war chief Thayendanegea, better known as Joseph Brant, who had allied his tribes with the one man the Iroquois loved and trusted, Sir William Johnson, Colonial Superintendent of Indian Affairs, and subsequently with Johnson’s son and nephew, leaders of the Tory forces in New York. Based on an abundance of primary sources: original letters and notes, diaries and journals, deeds, wills, military records, Indian tribal records, logbooks, newspapers and magazines and government reports, and dominated by the compelling character of Chief Joseph Brant, The Wilderness War gives a factual account (sustained with the suspense and pace of first-rate fiction) of the last years of the Iroquois Empire and the first years of the American nation. Allan W. Eckert has molded the raw facts of history into a moving, perceptive and penetrating narrative. It is filled with the pathos and action, humanity and savagery which were all a part of survival on the expanding American frontier.

In Harvesting Pa Chay's Wheat, Keith Quincy exposes, with damning clarity, what has been long excluded from the official record of America's military involvement in Southeast Asia: the secret war in Laos and its tragic consequences for the Hmong people and their culture. Exploited for the geographical location of their ancestral lands by the French, Americans, Vietnamese, and Chinese and callously manipulated by the same groups because of the nonaggressive, agrarian structure of their tribal units, by the early 1980s virtually the entire Hmong society had fled to Thailand and the United States, making them a people, a culture, a whole way of being, in exile. Keith Quincy's landmark work shows us the how and why of this terrible outcome, lest we forget that when the fighting stops the devastations of war go on.

Five Finger Death Punch's forthcoming sophomore album, War Is the Answer, is locked and loaded with twelve tracks of raw epic heavy metal. The record's deafening battle cry will undoubtedly rattle the genre to its very core and pull you deep into this War. 5FDP have embarked on quite the journey to reach this point. The Los Angeles quintet's assault on heavy music began in 2007 with the release of their hit debut The Way of the Fist. After forming a "dream team" of metal musicians, the band self-funded the album- producing it entirely themselves. Death Punch eventually signed with The Firm/ Prospect Park. After months of relentless touring--including a show-stealing set at 2008's Mayhem Festival--Five Finger Death Punch became the hottest new band in metal. Five Finger Death Punch has fine-tuned their songs more than ever, and their sound has progressed immensely on their latest offering. Guitarist Zoltan Bathory puts it best: "We've matured but we're still the same band. Maybe we've gotten closer to traditional metal on War Is the Answer." Looking to surpass their DIY debut record, 5FDP decided to enlist some big guns for War. The band produced the album alongside world renowned producer Kevin Churko (Ozzy Osbourne), and attracted legendary mixer Randy Staub (Metallica) to the project as well. Also, the band had grown together as people, performers and songwriters. Singer Ivan Moody relates, "We tried to keep the basic ingredients but expand the sound at the same time. We spent two and a half years on the road together, and these guys have become closer to me than my biological family." The result on War is an expansive collection of unbridled melodic metal. Tracks like "Bulletproof" illustrate Five Finger Death Punch's diversity, switching from spellbinding chorus to neck-snapping solo in a flash. "Burn It Down" is a nihilistic exploration in pure rage--a new storyline with the same popular characters from The Way of the Fist. Meanwhile, "No One Gets Left Behind" is an up-tempo crusher that leaves room for lyrical interpretation. "You can take it literally, or as an underlying theme we often talk about, " relates Zoltan. "We are all soldiers in this human tribe. We used to fight together against the elements of nature to survive, but today that tribal bond is completely forgotten because there are six billion of us now. Indeed, Five Finger Death Punch are poised to take over the landscape. When it comes to how, there is no question--War is the Answer.

Five Finger Death Punch's forthcoming sophomore album, War Is the Answer, is locked and loaded with twelve tracks of raw epic heavy metal. The record's deafening battle cry will undoubtedly rattle the genre to its very core and pull you deep into this War. 5FDP have embarked on quite the journey to reach this point. The Los Angeles quintet's assault on heavy music began in 2007 with the release of their hit debut The Way of the Fist. After forming a "dream team" of metal musicians, the band self-funded the album- producing it entirely themselves. Death Punch eventually signed with The Firm/ Prospect Park. After months of relentless touring--including a show-stealing set at 2008's Mayhem Festival--Five Finger Death Punch became the hottest new band in metal. Five Finger Death Punch has fine-tuned their songs more than ever, and their sound has progressed immensely on their latest offering. Guitarist Zoltan Bathory puts it best: "We've matured but we're still the same band. Maybe we've gotten closer to traditional metal on War Is the Answer." Looking to surpass their DIY debut record, 5FDP decided to enlist some big guns for War. The band produced the album alongside world renowned producer Kevin Churko (Ozzy Osbourne), and attracted legendary mixer Randy Staub (Metallica) to the project as well. Also, the band had grown together as people, performers and songwriters. Singer Ivan Moody relates, "We tried to keep the basic ingredients but expand the sound at the same time. We spent two and a half years on the road together, and these guys have become closer to me than my biological family." The result on War is an expansive collection of unbridled melodic metal. Tracks like "Bulletproof" illustrate Five Finger Death Punch's diversity, switching from spellbinding chorus to neck-snapping solo in a flash. "Burn It Down" is a nihilistic exploration in pure rage--a new storyline with the same popular characters from The Way of the Fist. Meanwhile, "No One Gets Left Behind" is an up-tempo crusher that leaves room for lyrical interpretation. "You can take it literally, or as an underlying theme we often talk about, " relates Zoltan. "We are all soldiers in this human tribe. We used to fight together against the elements of nature to survive, but today that tribal bond is completely forgotten because there are six billion of us now. Indeed, Five Finger Death Punch are poised to take over the landscape. When it comes to how, there is no question--War is the Answer.

Five Finger Death Punch's forthcoming sophomore album, War Is the Answer, is locked and loaded with twelve tracks of raw epic heavy metal. The record's deafening battle cry will undoubtedly rattle the genre to its very core and pull you deep into this War. 5FDP have embarked on quite the journey to reach this point. The Los Angeles quintet's assault on heavy music began in 2007 with the release of their hit debut The Way of the Fist. After forming a "dream team" of metal musicians, the band self-funded the album- producing it entirely themselves. Death Punch eventually signed with The Firm/ Prospect Park. After months of relentless touring--including a show-stealing set at 2008's Mayhem Festival--Five Finger Death Punch became the hottest new band in metal. Five Finger Death Punch has fine-tuned their songs more than ever, and their sound has progressed immensely on their latest offering. Guitarist Zoltan Bathory puts it best: "We've matured but we're still the same band. Maybe we've gotten closer to traditional metal on War Is the Answer." Looking to surpass their DIY debut record, 5FDP decided to enlist some big guns for War. The band produced the album alongside world renowned producer Kevin Churko (Ozzy Osbourne), and attracted legendary mixer Randy Staub (Metallica) to the project as well. Also, the band had grown together as people, performers and songwriters. Singer Ivan Moody relates, "We tried to keep the basic ingredients but expand the sound at the same time. We spent two and a half years on the road together, and these guys have become closer to me than my biological family." The result on War is an expansive collection of unbridled melodic metal. Tracks like "Bulletproof" illustrate Five Finger Death Punch's diversity, switching from spellbinding chorus to neck-snapping solo in a flash. "Burn It Down" is a nihilistic exploration in pure rage--a new storyline with the same popular characters from The Way of the Fist. Meanwhile, "No One Gets Left Behind" is an up-tempo crusher that leaves room for lyrical interpretation. "You can take it literally, or as an underlying theme we often talk about, " relates Zoltan. "We are all soldiers in this human tribe. We used to fight together against the elements of nature to survive, but today that tribal bond is completely forgotten because there are six billion of us now. Indeed, Five Finger Death Punch are poised to take over the landscape. When it comes to how, there is no question--War is the Answer.

In Harvesting Pa Chay's Wheat, Keith Quincy exposes, with damning clarity, what has been long excluded from the official record of America's military involvement in Southeast Asia: the secret war in Laos and its tragic consequences for the Hmong people and their culture. Exploited for the geographical location of their ancestral lands by the French, Americans, Vietnamese, and Chinese and callously manipulated by the same groups because of the nonaggressive, agrarian structure of their tribal units, by the early 1980s virtually the entire Hmong society had fled to Thailand and the United States, making them a people, a culture, a whole way of being, in exile. Keith Quincy's landmark work shows us the how and why of this terrible outcome, lest we forget that when the fighting stops the devastations of war go on.

During the decades between the Civil War and the establishment of Oklahoma statehood, Choctaws suffered almost daily from murders, thefts, and assaults—usually at the hands of white intruders, but increasingly by Choctaws themselves. This book focuses on two previously unexplored murder cases to illustrate the intense factionalism that emerged among tribal members during those lawless years as conservative Nationalists and pro-assimilation Progressives fought for control of the Choctaw Nation.Devon Abbott Mihesuah describes the brutal murder in 1884 of her own great-great-grandfather, Nationalist Charles Wilson, who was a Choctaw lighthorseman and U.S. deputy marshal. She then relates the killing spree of Progressives by Nationalist Silan Lewis ten years later. Mihesuah draws on a wide array of sources—even in the face of missing court records—to weave a spellbinding account of homicide and political intrigue. She painstakingly delineates a transformative period in Choctaw history to explore emerging gulfs between Choctaw citizens and address growing Indian resistance to white intrusions, federal policies, and the taking of tribal resources.The first book to fully describe this Choctaw factionalism, Choctaw Crime and Punishment is both a riveting narrative and an important analysis of tribal politics.