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In this brief but staggering two-act, playwright Norris demonstrates his skill at drawing out the dark truth that lurks beneath the surface of the “perfect” family. His crackling satire takes dead aim at the self-satisfied, left-leaning American upper-middle class and its many self-delusions.            On a winter afternoon, Kelly and Clay—an attractive, prosperous, seemingly happy couple with a four-year-old daughter and a newborn baby—must explain to a visitor the events of the previous Thanksgiving, on which, so it seems, someone or something had been gnawing at the avocados on their kitchen table. In the course of this holiday gathering—attended by Clay’s mother, a well-meaning but clueless first-grade teacher who spouts pointless liberal bromides; his brother, a plastic surgeon with a nihilistic streak and a taste for martinis; and his brother's girlfriend, a sexy Balkan immigrant with a love for all things American (racism included)—the recent past is unearthed along with revelations of failed marriages, fraternal hatred, infidelity and venereal disease, in the form of their daughter’s nasty genital infection. And it’s a comedy. As the story is gradually unfolded to their visitor, a Muslim cab driver, his relationship to the events becomes increasingly clear, as does the emptiness of the family’s supposed benevolence and sensitivity.            With its crashing emotion and cutting humor, this vicious dissection of the comfortable progressive life lays bare the lies that people use to feel righteous even as they veer off a genuinely ethical path.

" Click here to view images from the book The Barrymores: Hollywood's First Family documents the history of America's acting dynasty in words and pictures with never-before-seen photos from the Barrymore collection. Including beautiful portraits from John and Dolores's honeymoon, film stills, and dozens of other rare photographs, this collection is the first to fully present the glamour and the legend that is Barrymore. Spanning over six generations, two continents, and three centuries, the family of actors that would be known as the Barrymores has become an icon of the American stage and screen. From Elizabethan England to present-day Hollywood, there has never been a more talented, romantic, and complex family tree. When Herbert Blyth changed his name to Maurice Barrymore to spare his family the embarrassment of his chosen profession of acting, he unknowingly gave name to an acting tradition that would combine four respected theater families: the Lanes, the Blyths, the Drews, and the Costellos. These skills culminated with the births of siblings John, Ethel, and Lionel Barrymore. Beginning their careers on the stage, each moved to the silent screen and "talking pictures" with an ease that could only come from generations of talent. John, especially, became a figure of American adoration. John's marriage to beautiful young ingénue Dolores Costello, also of an acting family, would be a Hollywood union to rival all others. The story of their first embrace during a scene of The Sea Beast -- a kiss that continued long after the director called, "Cut!" -- was the stuff of legend, and their honeymoon to the Galapagos Islands provided a fitting fairytale escape. But the story doesn't stop there. Of their two children, son John Drew Barrymore (collaborator on this book) would follow in the acting tradition, and his daughter Drew Barrymore reigns today as savvy child star turned screen idol and powerful producer.

William Gibson Comedy Characters: 1 male, 1 female Interior Set This is the long-run Broadway hit that gained stardom for Anne Bancroft in the role of girl from the Bronx whose love for a lonesome lawyer brings a few months of happiness into their lives. The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair. "It's a whale of a hit, a bittersweet joy ride." - The New York Mirror . "An absorbing, affectionate, and funny delight." - The New York Daily News

In this brief but staggering two-act, playwright Norris demonstrates his skill at drawing out the dark truth that lurks beneath the surface of the “perfect” family. His crackling satire takes dead aim at the self-satisfied, left-leaning American upper-middle class and its many self-delusions.            On a winter afternoon, Kelly and Clay—an attractive, prosperous, seemingly happy couple with a four-year-old daughter and a newborn baby—must explain to a visitor the events of the previous Thanksgiving, on which, so it seems, someone or something had been gnawing at the avocados on their kitchen table. In the course of this holiday gathering—attended by Clay’s mother, a well-meaning but clueless first-grade teacher who spouts pointless liberal bromides; his brother, a plastic surgeon with a nihilistic streak and a taste for martinis; and his brother's girlfriend, a sexy Balkan immigrant with a love for all things American (racism included)—the recent past is unearthed along with revelations of failed marriages, fraternal hatred, infidelity and venereal disease, in the form of their daughter’s nasty genital infection. And it’s a comedy. As the story is gradually unfolded to their visitor, a Muslim cab driver, his relationship to the events becomes increasingly clear, as does the emptiness of the family’s supposed benevolence and sensitivity.            With its crashing emotion and cutting humor, this vicious dissection of the comfortable progressive life lays bare the lies that people use to feel righteous even as they veer off a genuinely ethical path.

Full Length, DramaCharacters: 5 male, 4 femaleInterior Set In this compelling dramatic triptych, three terminal cancer patients dwell in separate cottages on a hospital grounds. The three are attended and visited by family and close friends: Agnes and her mother Felicity, estranged further by the latter's dementia; Brian and Beverly whose martial complications are exacerbated by Brian's new lover, Mark; and Joe and Maggie, unready for the strain of Joe's impending death and it's effect on their teenage son. "An important, touching and courageous play...Triumphantly turns up...Cristofer writes with the compassion of the undamned. An extraordinarily good Broadway play with meaty roles for actors."-The New York Times "Thunders with life."-ABC TV "By far the finest play of the New York season, beautifully realized drama of sensitive perceptions often as funny as it is moving."-Washington Post "Extraordinary. An overwhelming emotional experience. Truly startling and in its uncompromising way, very funny."-Boston Globe Winner of a Tony Award for Best Play and the Pulitzer Prize.

In What I Think I Did, Larry Woiwode does two things at once: he survives the winter of 1996, the worst in North Dakota’s history, and tells the story of his beginnings as a writer, especially the early days at The New Yorker leading up to the publication of his first book, What I’m Going to Do, I Think.“Act One” revolves around the purchase, installation, and feeding of a giant wood-burning furnace to heat Woiwode’s farm through that winter’s record snow and cold. These acts form a central metaphor for exploring the sources of his writer’s craft and for pulling together the threads of his boyhood and family life. “Act Two” recounts his university life and early New York days, his beginning a writing career, and his friendship with the young Robert DeNiro. The material on the late William Maxwell, of The New Yorker, is riveting. More than almost any other writer, Woiwode has the capacity to astound with his words. In this memoir, he is a

Release Date: October 01, 2004

Release Date: November 01, 2007

Louise Shaffer follows her beloved novels The Three Miss Margarets and The Ladies of Garrison Gardens with an unforgettable tale of poignancy, wit, and high drama. Katie Harder and Randa Jennings live on opposite coasts, have never met, and have almost nothing in common–except that they’re both named after Shakespearean characters. Everything Katie has ever done or possessed–her New York City co-op, her career as a writer for a daytime drama–was given to her by her late mother, in her day a flamboyant soap opera queen. Randa, on the other hand, has escaped the trappings of a difficult past and forged a life as a single mom, juggling her work as a Hollywood business manager with the needs of her precocious eleven-year-old daughter.Life takes an unpredictable turn for these two strangers when they jointly inherit the century-old Venable Opera House, a stately but run-down theater in small-town Georgia. Puzzled at this peculiar legacy, Katie and Randa are at first eager to unload their white elephant. But as they spend more time in the old theater, they come to realize that a rich heritage is at stake. A line of strong women–starting with Juliet Venable in the late nineteenth century–has been responsible for keeping the grand old place up and running. In the face of huge obstacles, including a dying theater culture and their own personal struggles, these singular women have gone to drastic measures to keep the opera house in the family–including burying a devastating family secret that could destroy the carefully cultivated Venable legend forever. Now, as a local contractor seeks to tear down the landmark, Katie and Randa must decide not only if they want to unravel their mysterious connection to the theater and maintain its tradition but if they have what it takes to keep the Venable family legacy alive. A sprawling page-turner about maintaining family honor and lifelong dreams, Family Acts is Louise Shaffer’s most powerful and assured novel to date.

Drama / 6m, 5f / Unit set w. platforms Winner of the American College Theatre Festival, this marvelously theatrical play is the story of a disturbed young man and his friendship with a disenchanted preacher in southern Indiana in the early 1930s. When the boy was young he almost drowned. This trauma and the loss of his mother in the same accident has left him deathly afraid of water. The preacher, set on breaking away from a long line of Kentucky family preachers, is determined not to do what he does best. He works as a mechanic for the boy's father. The town doesn't have a preacher and the women try to persuade him to preach while he tries to persuade the child to wash. When the preacher finally gets the boy in the river and is washing him, the townspeople mistake the scene for a baptism. They descend on the event and, in the confusion, the boy drowns. "A splendid drama by a playwright ... with poetic as well as human feeling." - Variety "The Diviners, which would be meritorious from anyone, is astounding from so young a writer.... Renders the humor and horror of the hinterlands with staggering accuracy.... Compelling." - New York Magazine

Louise Shaffer follows her beloved novels The Three Miss Margarets and The Ladies of Garrison Gardens with an unforgettable tale of poignancy, wit, and high drama. Katie Harder and Randa Jennings live on opposite coasts, have never met, and have almost nothing in common–except that they’re both named after Shakespearean characters. Everything Katie has ever done or possessed–her New York City co-op, her career as a writer for a daytime drama–was given to her by her late mother, in her day a flamboyant soap opera queen. Randa, on the other hand, has escaped the trappings of a difficult past and forged a life as a single mom, juggling her work as a Hollywood business manager with the needs of her precocious eleven-year-old daughter.Life takes an unpredictable turn for these two strangers when they jointly inherit the century-old Venable Opera House, a stately but run-down theater in small-town Georgia. Puzzled at this peculiar legacy, Katie and Randa are at first eager to unload their white elephant. But as they spend more time in the old theater, they come to realize that a rich heritage is at stake. A line of strong women–starting with Juliet Venable in the late nineteenth century–has been responsible for keeping the grand old place up and running. In the face of huge obstacles, including a dying theater culture and their own personal struggles, these singular women have gone to drastic measures to keep the opera house in the family–including burying a devastating family secret that could destroy the carefully cultivated Venable legend forever. Now, as a local contractor seeks to tear down the landmark, Katie and Randa must decide not only if they want to unravel their mysterious connection to the theater and maintain its tradition but if they have what it takes to keep the Venable family legacy alive. A sprawling page-turner about maintaining family honor and lifelong dreams, Family Acts is Louise Shaffer’s most powerful and assured novel to date.

Comic drama Characters: 1 male, 2 female Interior Set Gardner and Fanny Church are preparing to move out of their Beacon Hill house to their summer cottage on Cape Cod. Gardner, once a famous poet, now is retired. He slips in and out of senility as his wife Fanny valiantly tries to keep them both afloat. They have asked their daughter, Mags, to come home and help them move. Mags agrees, for she hopes as well to finally paint their portrait. She is now on the verge of artistic celebrity herself and hopes, by painting her parents, to come to terms with them and they with her. Mags triumphs in the end as Fanny and Gardner actually step through the frame and become a work of art ineffable and timeless. "Beautifully written. . . . A theatrical family portrait that has the shimmer and depth of Renoir portraits." N.Y. Times "A radiant, loving and zestfully humorous play . . . distinctly Chekhovian. Howe captures the same edgy surface of false hilarity, the same unutterable sadness beneath it, and the indomitable valor beneath both." Time

The 50th anniversary edition of Edward Streeter's heartwarming classic, Father of the Bride. Poor Mr. Banks! His jacket is too tight, he can't get a cocktail, and he's footing the bill....He's the father of the bride. Stanley Banks is just your ordinary suburban dad. He's the kind of guy who believes that weddings are simple affairs in which two people get married. But when daddy's little girl announces her engagement to Buckley, Mr. Banks feels like his life has been turned upside down. And any man with a daughter can appreciate Mr. Banks's feelings. Kay: Now, Pops, please. If we're going -- Mr. Banks: -- and what's his last name? I hope it's better than his first one. Kay: Pops, I'm not going to sit here -- Mr. Banks: -- and where the hell does he come from -- and who does he think is going to support him? If it's me he's got another guess coming. And who in God's name -- To say the least, Mr. Banks isn't taking it well, and to make matters worse, he must host cocktail parties with the in-laws-to-be, initiate financial planning talks with Buckley, and moderate family conferences on who will be invited to the reception. Who can blame him when he sinks so low as to offer Kay $1500 to elope? But Mr. Banks holds his peace, and when the last wedding guest has departed from his confetti-matted house, he has his memories, and you have a merry record of his tribulations.

girl/power: While in the custody of Child Protective Services, two underage girls compare their relationships with the men accused of exploiting them.Brotherhood: Upon his release from prison, Von returns to his foster mother's home hoping to build a new life with the remnants of his family. But with the house on the brink of foreclosure, Von must confront the forces of change that have transformed the world he left behind.Deluged: A young woman conducting research on lynching in Louisiana finds herself swept up in a hurricane and dropped onto a plantation off the Mississippi River.Men of All Work: Four black male celebrities meet in "the green room" and share the trials and triumphs they have encountered trying to "make it" in the entertainment industry.

Early on an April morning, eighteen-year-old Billy Frank Gilley, Jr., killed his sleeping parents. Surprised in the act by his younger sister, Becky, he turned on her as well. Billy then climbed the stairs to the bedroom of his other sister, Jody, and said, “We’re free.”But is one ever free after an unredeemable act of violence? The Gilley family murders ended a lifetime of physical and mental abuse suffered by Billy and Jody at the hands of their parents. And it required each of the two survivors–one a convicted murderer, the other suddenly an orphan–to create a new identity, a new life. In this mesmerizing book, bestselling writer Kathryn Harrison brilliantly uncovers the true story behind a shocking and unforgettable crime as she explores the impact of escalating violence and emotional abuse visited on the children of a deeply troubled family. With an artistry that recalls Truman Capote’s In Cold Blood, Norman Mailer’s The Executioner’s Song, and her own The Kiss, Harrison reveals the antecedents of the murders–of a crime of such violence that it had the power to sever past from present–and the consequences for Billy and for Jody. Weaving in meditations on her own experience of parental abuse, Harrison searches out answers to the question of how survivors of violent trauma shape a future when their lives have been divided into Before and After.Based on interviews with Billy and Jody as well as with friends, police, and social workers involved in the case, While They Slept is Kathryn Harrison’s unflinching inquiry into the dark heart of violence in an American family, and a personal quest to understand how young people go on after tragedy–to examine the extent as well as the limits of psychic resilience. The New York Times called Kathryn Harrison’s The Kiss “a powerful piece of writing, a testament to evil and hope.” The same could be said about While They Slept.PRAISE FOR WHILE THEY SLEPT“Harrison does a magnificent job of sorting through the heartbreak of a family tragedy. By adding insights into her own life, she brings us a little closer to understanding the resilience of the human spirit and the irrevocable damage and unforeseen consequences of child and sexual abuse.”–USA Today“The result of Harrison's masterful embellishment is a fascinating and comprehensive examination of the before and after of a brutal triple murder, of the cyclical nature of violence and of the tragic ineffectiveness of our social support systems…While They Slept does not provide the easy answers we hope to discover in ‘just the facts, ’ but it offers instead the richer and more enduring illumination of ‘the story.’”–L.A. Times“Her telling brings moral clarity to the dark fate of a family: the daylight gaze of narrative itself as a form of empathy.”–New York Times Book Review, cover review“A powerful account…This excellent book will be devoured by educators who try to come to grips with the lasting effects of the traumas of childhood.”–Deseret Morning News“Harrison offers careful research and obvious concern… While They Slept’s real horror is in how many potential helpers were aware of the abuse and were unable to help. This is a heartbreaking read.”–Rocky Mountain News“Kathryn Harrison pulls the reader through the story of the 1984 triple murder in Medford–our own backyard–with such speed and excitement it feels like you’re watching an episode of Law & Order: Criminal Intent…Harrison perfectly paces the revelations of new characters, who add critical information and perspective to the Gilley murder.”–Willamette Weekly

Act 1, Scene 1. Ashland, Oregon. Enter WREN LANDRY.Wren has happily fled San Francisco and her nationally-known work as secretive food critic Eno Threlkeld for a few weeks’ vacation to visit her twin brother, Raven. Enter Raven, thrilled to be playing Beatrice in this season’s Much Ado About Nothing.Enter SOPHIE WARD, former investment banker, now goat farmer and cheese monger, followed by a ruthless celebrity chef with a grudge against Eno, a zealous cupcake competitor, a baker who makes aebleskivers everybody covets, a family of Danish immigrants with a fishy back story, and a dubious seer whose predictions might just hold the key to averting disaster.In this mixed-up story of mistaken identities, mysterious loves, miscues, merriment and mayhem, love runs amok on the streets of a Shakespearean festival, and not even the goats on the Tallulah Rose Farm know how it all ends.Join Golden Crown Literary Award winner Robbi McCoy for an unforgettable romp through the comedy of love on the road to happiness and beautiful cheese. No pentameters, iambic or otherwise, were harmed in the writing of this romantic novel.

On the heels of the success of Edward Albee's The Collected Plays of Edward Albee, Overlook brings back--in a stand-alone volume--one of Albee's most cherished plays, a fantastic story of what it means to be alive--winner of the 1975 Pulitzer Prize for Drama. On a deserted stretch of beach, a middle-aged couple relaxes after a picnic lunch and converse idly about home, family, and their life together. She sketches; he naps. Then, suddenly, they are joined by two sea creatures, a pair of lizards from the depths of the ocean, with whom they engage in a fascinating dialogue. The emotional and intellectual reverberations of this bizarre conversation will linger in the heart and the mind long after the curtain falls--or the last page is turned.

On the heels of the success of Edward Albee's The Collected Plays of Edward Albee, Overlook brings back--in a stand-alone volume--one of Albee's most cherished plays, a fantastic story of what it means to be alive--winner of the 1975 Pulitzer Prize for Drama. On a deserted stretch of beach, a middle-aged couple relaxes after a picnic lunch and converse idly about home, family, and their life together. She sketches; he naps. Then, suddenly, they are joined by two sea creatures, a pair of lizards from the depths of the ocean, with whom they engage in a fascinating dialogue. The emotional and intellectual reverberations of this bizarre conversation will linger in the heart and the mind long after the curtain falls--or the last page is turned.

The 50th anniversary edition of Edward Streeter's heartwarming classic, Father of the Bride. Poor Mr. Banks! His jacket is too tight, he can't get a cocktail, and he's footing the bill....He's the father of the bride. Stanley Banks is just your ordinary suburban dad. He's the kind of guy who believes that weddings are simple affairs in which two people get married. But when daddy's little girl announces her engagement to Buckley, Mr. Banks feels like his life has been turned upside down. And any man with a daughter can appreciate Mr. Banks's feelings. Kay: Now, Pops, please. If we're going -- Mr. Banks: -- and what's his last name? I hope it's better than his first one. Kay: Pops, I'm not going to sit here -- Mr. Banks: -- and where the hell does he come from -- and who does he think is going to support him? If it's me he's got another guess coming. And who in God's name -- To say the least, Mr. Banks isn't taking it well, and to make matters worse, he must host cocktail parties with the in-laws-to-be, initiate financial planning talks with Buckley, and moderate family conferences on who will be invited to the reception. Who can blame him when he sinks so low as to offer Kay $1500 to elope? But Mr. Banks holds his peace, and when the last wedding guest has departed from his confetti-matted house, he has his memories, and you have a merry record of his tribulations.

Is keeping a secret from a spouse always an act of infidelity? And what cost does such a secret exact on a family? The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact. Yet in the aftermath of the baby's death, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely- perhaps courageously-idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others-to the grief that is part of every human life but that also carries within it the power to draw us together.Moving, psychologically acute, and gorgeously written, The Grief of Others asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope.

The press called Martin's actions a "crime spree." Already convicted of armed robbery, Martin was facing the death penalty. In less than two weeks the jury would decide his fate. Terrified that his son would be sentenced to die, Phillip did the only thing he felt he could do: in an act of faith and desperation in his garage with the car exhaust running, Phillip made the consummate sacrifice to spare his son the ultimate punishment. Ironically, his suicide presented Martin's with another chance at life; the jury, moved by Martin's loss, spared his life.Phillip's story-like those of the other parents, siblings, children, and cousins chronicled in this book-vividly illustrates the precarious position family members of capital offenders occupy in the criminal justice system. At once outsiders and victims, they live in the shadow of death, crushed by trauma, grief, and helplessness. In this penetrating account of guilt and innocence, shame and triumph, devastating loss and ultimate redemption, the voices of these family members add a new dimension to debates about capital punishment and how communities can prevent and address crime.Restorative justice theory, which views violent crime as an extreme violation of relationships; searches for ways to hold offenders accountable; and meets the needs of victims and communities torn apart by the crime, organizes these narratives and integrates offenders' families into the process of transforming conflict and promoting justice and healing for all. What emerges from hundreds of hours' worth of in-depth interviews with family members of offenders and victims, legal teams, and leaders in the abolition and restorative justice movements is a vision of justice strongly rooted in the social fabric of communities. Showing that forgiveness and recovery are possible in the wake of even the most heinous crimes, while holding victims' stories sacred, this eye-opening book bridges the pain of living in the shadow of death with the possibility of a reparative form of justice.Anyone working with victims, offenders, and their families-from lawyers and social workers to mediators and activists-will find this riveting work indispensable to their efforts.

New York Times bestselling author Tami Hoag returns with a thriller that begins with a shocking crime scene you’ll never forget and follows two relentless detectives on a manhunt that ends in a chilling confrontation with the essence of human evil.It was a crime so brutal, it changed the lives of even the most hardened homicide cops. The Haas family murders left a scar on the community nothing can erase, but everyone agrees that convicting the killer, Karl Dahl, is a start. Only Judge Carey Moore seems to be standing in the way. Her ruling that Dahl’s prior criminal record is inadmissible raises a public outcry—and puts the judge in grave danger.When an unknown assailant attacks Judge Moore in a parking garage, two of Minneapolis’s top cops are called upon to solve the crime and keep the judge from further harm. Detective Sam Kovac is as hard-boiled as they come, and his wisecracking partner, Nikki Liska, isn’t far behind. Neither one wants to be on this case, but when Karl Dahl escapes from custody, everything changes, and a seemingly straightforward case cartwheels out of control.The stakes go even higher when the judge is kidnapped—snatched out of her own bed even as the police sit outside, watching her house. Now Kovac and Liska must navigate through a maze of suspects that includes the stepson of a murder victim, a husband with a secret life, and a rogue cop looking for revenge where the justice system failed.With no time to spare, the detectives are pulled down a strange dark trail of smoke and mirrors, where no one is who they seem and everyone is guilty of Prior Bad Acts.From the Hardcover edition.

New York Times bestselling author Tami Hoag returns with a thriller that begins with a shocking crime scene you’ll never forget and follows two relentless detectives on a manhunt that ends in a chilling confrontation with the essence of human evil.It was a crime so brutal, it changed the lives of even the most hardened homicide cops. The Haas family murders left a scar on the community nothing can erase, but everyone agrees that convicting the killer, Karl Dahl, is a start. Only Judge Carey Moore seems to be standing in the way. Her ruling that Dahl’s prior criminal record is inadmissible raises a public outcry—and puts the judge in grave danger.When an unknown assailant attacks Judge Moore in a parking garage, two of Minneapolis’s top cops are called upon to solve the crime and keep the judge from further harm. Detective Sam Kovac is as hard-boiled as they come, and his wisecracking partner, Nikki Liska, isn’t far behind. Neither one wants to be on this case, but when Karl Dahl escapes from custody, everything changes, and a seemingly straightforward case cartwheels out of control.The stakes go even higher when the judge is kidnapped—snatched out of her own bed even as the police sit outside, watching her house. Now Kovac and Liska must navigate through a maze of suspects that includes the stepson of a murder victim, a husband with a secret life, and a rogue cop looking for revenge where the justice system failed.With no time to spare, the detectives are pulled down a strange dark trail of smoke and mirrors, where no one is who they seem and everyone is guilty of Prior Bad Acts.From the Hardcover edition.

“Vivian” is an attempt to understand what it means to be American Aristocracy. Who decides the hierarchical order? Who is born into a life where one can influence culture? The character of Vivian Garrison, like Hedda Gabler before her, has led a life of daring and decadence, and has returned to her hometown for a life of bourgeois comfort. However, her shadow dream-world and her fantastic past invades to shatter her newfound reality. This play examines how identity is formed by birthright and filial duty, and how the true self is in conflict with the notions and strictures that society, especially family, enforce upon that individual. The character of Vivian pushes beyond all morals and social restrictions and finds a sense of self through transgression.

New York Times bestselling author Tami Hoag returns with a thriller that begins with a shocking crime scene you’ll never forget and follows two relentless detectives on a manhunt that ends in a chilling confrontation with the essence of human evil.It was a crime so brutal, it changed the lives of even the most hardened homicide cops. The Haas family murders left a scar on the community nothing can erase, but everyone agrees that convicting the killer, Karl Dahl, is a start. Only Judge Carey Moore seems to be standing in the way. Her ruling that Dahl’s prior criminal record is inadmissible raises a public outcry—and puts the judge in grave danger.When an unknown assailant attacks Judge Moore in a parking garage, two of Minneapolis’s top cops are called upon to solve the crime and keep the judge from further harm. Detective Sam Kovac is as hard-boiled as they come, and his wisecracking partner, Nikki Liska, isn’t far behind. Neither one wants to be on this case, but when Karl Dahl escapes from custody, everything changes, and a seemingly straightforward case cartwheels out of control.The stakes go even higher when the judge is kidnapped—snatched out of her own bed even as the police sit outside, watching her house. Now Kovac and Liska must navigate through a maze of suspects that includes the stepson of a murder victim, a husband with a secret life, and a rogue cop looking for revenge where the justice system failed.With no time to spare, the detectives are pulled down a strange dark trail of smoke and mirrors, where no one is who they seem and everyone is guilty of Prior Bad Acts.From the Hardcover edition.

In this brief but staggering two-act, playwright Norris demonstrates his skill at drawing out the dark truth that lurks beneath the surface of the “perfect” family. His crackling satire takes dead aim at the self-satisfied, left-leaning American upper-middle class and its many self-delusions.            On a winter afternoon, Kelly and Clay—an attractive, prosperous, seemingly happy couple with a four-year-old daughter and a newborn baby—must explain to a visitor the events of the previous Thanksgiving, on which, so it seems, someone or something had been gnawing at the avocados on their kitchen table. In the course of this holiday gathering—attended by Clay’s mother, a well-meaning but clueless first-grade teacher who spouts pointless liberal bromides; his brother, a plastic surgeon with a nihilistic streak and a taste for martinis; and his brother's girlfriend, a sexy Balkan immigrant with a love for all things American (racism included)—the recent past is unearthed along with revelations of failed marriages, fraternal hatred, infidelity and venereal disease, in the form of their daughter’s nasty genital infection. And it’s a comedy. As the story is gradually unfolded to their visitor, a Muslim cab driver, his relationship to the events becomes increasingly clear, as does the emptiness of the family’s supposed benevolence and sensitivity.            With its crashing emotion and cutting humor, this vicious dissection of the comfortable progressive life lays bare the lies that people use to feel righteous even as they veer off a genuinely ethical path.

About The Author The Reverend Eddie Tyrone Brown, was born In Louisville Kentucky to the union of Eddie and Flora Brown, raised in a religious family, he attended And graduated from Jefferson Country public schools, And attended Simmons Bible College, Rev. Brown has a two-volume work on Christian Baptism by Concern Magazine published in 1981 the forum was a debate on "Does Baptism Save." He also was the minister to the Deacon's Wives and Widow's Counsel, and one of the teachers to the Deacon's Fellowship. He is the former Pastor of the Habakkuk Missionary Baptist Church, Reverend Brown is a member of The Greater Friendship Missionary Baptist Church from birth to the present Thanks be to God, He has made all Of this possible, He is simply Amazing. Corrective Clause Please allow for some grammatical errors this is the Author's first book which he proof-read do to lack of finance Feel free to submit textual corrections to publisher for Future corrections. By Rev. Eddie Tyrone Brown.

Act I The scene iJ laid in the living-room of the Jmail home oj the QUIXANOS in the Richmond or non-'je'toish -ho!'ough of New rork, about five o'clock oj a February afternoon. At centre back iJ a douhle Jtreetdoor giving on a columned veranda in the Colon·ial style. Nailed on the right-hand door-poJt gleams a Mezuzah, a tiny metal c04e, containing a Biblical pauage. On the right of the door iJ a small hatstand holding MENDEL'S overcoat, umbrella., etc. rrhere are two windows, one on either side of the do()!', and three exits, on·e down-stage on the lift leading to the stairs and family bedrooms, and two on the right, the upper leading to KATHLEEN'S bedroom and the lower to the kitchen. Over the st!'eet doo!' is pinned the Sta1'!-and-St!'ipes. On the left wall, in the upper COr1, " oj which is a musicJtana, are bookshe1veJ oj large mouldering H ehrew hooks, and over them iJ hung a Mizrach, or H ehrew picture, to shoJtJ it is the Ealt Wall. Other pictures About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text. Read books online for free at http://www.forgottenbooks.org

In this brief but staggering two-act, playwright Norris demonstrates his skill at drawing out the dark truth that lurks beneath the surface of the “perfect” family. His crackling satire takes dead aim at the self-satisfied, left-leaning American upper-middle class and its many self-delusions.            On a winter afternoon, Kelly and Clay—an attractive, prosperous, seemingly happy couple with a four-year-old daughter and a newborn baby—must explain to a visitor the events of the previous Thanksgiving, on which, so it seems, someone or something had been gnawing at the avocados on their kitchen table. In the course of this holiday gathering—attended by Clay’s mother, a well-meaning but clueless first-grade teacher who spouts pointless liberal bromides; his brother, a plastic surgeon with a nihilistic streak and a taste for martinis; and his brother's girlfriend, a sexy Balkan immigrant with a love for all things American (racism included)—the recent past is unearthed along with revelations of failed marriages, fraternal hatred, infidelity and venereal disease, in the form of their daughter’s nasty genital infection. And it’s a comedy. As the story is gradually unfolded to their visitor, a Muslim cab driver, his relationship to the events becomes increasingly clear, as does the emptiness of the family’s supposed benevolence and sensitivity.            With its crashing emotion and cutting humor, this vicious dissection of the comfortable progressive life lays bare the lies that people use to feel righteous even as they veer off a genuinely ethical path.

First published in 1912, this infamous study helped establish Henry Herbert Goddard as a leading figure in the eugenics movement, which sought to advance the human race through selective breeding. By contrasting two branches of the pseudononymous "Kallikak Family, " Goddard argued for the existence of a hereditary trait, broadly-defined as "feeble-mindedness, " which contributes to crime, poverty, and other social problems. Informed by eugenics research, the United States forcibly sterilized over 65, 000 individuals between 1907 and 1981, and passed the Immigration Act of 1924, which turned away members of "undesirable" racial groups. Goddard's research has since been thoroughly debunked for its sloppy methodology, whereby upper-class fieldworkers were trained to assess feeble-mindedness at-a-glance. The Kallikak Family is widely cited as one of the central texts of the eugenics movement, and as an exemplar of politically-motivated pseudoscience.