Vincent Bach Bach Trumpet Mouthpiece Group II, 10 1/2C Prices

Special Edition Bach 10 1/2C Trumpet Mouthpiece in 24K gold & silver This is a Genuine, NEW, in the box, Special Edition Bach 10 1/2C Trumpet Mouthpiece with a 24K gold overlay. 10 1/2C cup with a 27 throat and #10 backbore. It has a 15.90mm medium cup with a medium wide rim. This mouthpiece, one of the most widely used mouthpieces in the world, produces studio tone, perfect for lead trumpet and upper register work. This Special Edition model was microscopically handcrafted with 24K gold on the rim, cup, backbore, shank and outer ring to give you a unique, one-of-a-kind mouthpiece.

A carefully selected Bach mouthpiece can help improve a trumpet player's embouchure, attack, tonguing and endurance. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. "Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." Vincent BachModel No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Description 8-1/2 / Deep / 16.10 mm / Medium wide, lowered toward the outside. Med. sharp inside edge. / Slightly smaller in diameter than No. 7; produces a full, round tone. Preferred by players with a sensitive embouchure and by those whose work is very strenuous. 8-1/2A / Very deep / 16.10 mm / Medium wide with rounded inner edge. / Produces a full, velvety tone. Suitable for cantilena playing. 8-1/2B / Medium deep / 16.10 mm / Medium wide, lowered toward the outside. Medium sharp edge. / Like No. 7B but with a cup diameter just enough smaller to facilitate production of the high tones. 8-1/2C / Medium / 16.10 mm / Medium wide, well rounded. / Medium C cup provides flexibility and easy response. Clear, brilliant tone throughout the register. 8-3/4 / Deep / 16.10 mm / Medium wide, not too sharp. / Produces a tone of great volume and Teutonic character. Very effective in symphonic work and opera. 8-3/4C / Medium / 16.10 mm / Medium wide, slightly flat. / Similar to No. 7C, but with a slightly smaller cup diameter. Response helps endurance for players who suffer from fatigue. 9 / Deep / 16.05 mm / Medium wide, lowered toward the outside. / The same style and rim as No. 7, but with smaller cup diameter. 9A / Very deep / 16.05 mm / Medium wide, well rounded. / Produces a mellow, sweet tone. 9B / Medium deep / 16.05 mm / Medium wide, lowered toward the outside. / Corresponds with No. 9. Slightly darker tone. Players with narrow lips who tire quickly feel relieved when using this model. 9C / Medium / 16.05 mm / Medium wide, lowered toward the outside. / Similar in size to No. 9 but produces a more brilliant, open tone. Free high register, easy response. Suitable for strenuous all-round work by players with narrow lips. 9D / Medium shallow / 16.05 mm / Medium wide, lowered toward the outside. / Similar in size to No. 9 and in tone to the more brilliant No. 7D. Players with narrow, sensitive lips get satisfactory results with this model. Recommended for the extreme high register. 10 / Deep / 16.00 mm / Fairly wide with rather broad, flat surface. / Similar to No. 7, but smaller in size and with a broad, flat rim. Suitable for players with fleshy, soft lips. 10B / Medium deep / 16.00 mm / Fairly wide with rather broad, flat surface. / Same size as No. 10 but with warmer tone. Gives good results to players with heavy, thick lipsespecially those who become easily fatigued. 10C* / Medium / 16.00 mm / Fairly wide with rather broad, flat surface. / Same rim as No. 10, but with a medium C cup. Especially designed for high notes and sparkling brilliancy. 10-1/2A / Very deep / 15.90 mm / Medium wide, well rounded. / Produces the mellow, rich lyric cornet tone favored by players of the Italian school. 10-1/2C* / Medium / 15.90 mm / Medium wide. / Fine high register, resonating low register. Particularly useful to players without a strong embouchure. Ideal for C trumpet. 10-1/2CW / Medium / 15.90 mm / Extra wide, high toward the inner edge. / Size, cup shape, and playing qualities are similar to the No.10-1/2C. Cushion rim recommended for players who use heavy pressure. 10-1/2D / Medium shallow / 15.90 mm / Medium wide, high toward the inner edge. / Similar in size to No. 10-1/2C, with a shallower cup for more brilliance an

A carefully selected Bach mouthpiece can help improve a trumpet player's embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world.

Bach Trumpet Mouthpiece Group II 10-1/2C

Rim shape is described for each individual model. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. "A" cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F. "A" Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone. "B" Models have medium deep cups, #7 backbores, and have a full, Teutonic tone with great volume. "C" Models have medium cups, #10 backbores, and are preferred by many players that alternate between Bb, C and D trumpet. "D" Models have medium-shallow cups, #76 backbores, and produce a sparkling, brilliant tone, especially in the high register. Artists who continually play in the

Mouthpiece, Trumpet, Bach Silver Plate, 10-1/2 C Cup: Medium; Cup Diameter: 15.90mm