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The revolutionary r16 from zoom is now reborn as the r24 with added features including a built-in sampler, drum machine, 8 additional recording tracks and 6 channels of phantom-power.

Master output: 400 Watts 4 Ohms, With USB 2.0 Terminal and LCD, 5-Band graphic equalizer, Each channel tone control.

Presonus ACP88 8 Channel compressor, limiter, and gate The ACP88 gives you total dynamics control for multi-tracking and live sound reinforcement. Eight compressor/limiters deliver transparent dynamics control. Eight full featured gates seamlessly control unwanted noise and bleed-through. Control vocals, tame drums, protect speakers, tighten the low-end – all from just two rack spaces of powerful processing. Features • Eight Full Featured Compressor/Limiters • Eight Full Featured Gates • Side Chain on Every Channel • Trigger Inputs on Every Channel • Balanced/Unbalanced I/O • Comprehensive Linking via Unique Power Summing Bus • Takes the Place of Multiple Processors • Crystal Clear Compression&Gating for Multi-Tracking&Live Sound • Allows Spectral Processing&Gate Keying via Separate Jacks • +4/-10 Stereo Operating Level

Built-in DSP effects processor : 10 RQ (reference-quality) low noise microphone inputs with insert points : Channels 11/12 and 13/14 with dual switchable stereo line inputs : 3-band EQ on all channels : LED clip, signal, mute indication : One pre-fader monitor send : One post-fader effects send : Precision 60 mm faders on input channels and stereo master outputs : Control room output : Global 48 volt phantom power, tape to control room and tape to mix assignments : Stereo outputs with 1/4 unbalanced and XLR balanced connectors : Rugged console design : Universal switching power supply

The ART Voice Channel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency.

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The 12-channel Mackie Onyx 1220i FireWire Recording Mixer combines the benefits of a powerful computer interface with the tactile, hands-on control of a sleek, space-saving premium analog mixer. Proven, professional features like four Onyx mic preamps and classic Perkins EQ only accentuate the mixer’s ample connectivity and clear-cut workflow. Plus, compatibility with all major DAWS, including Pro Tools M-Powered™ allows you to send channels, aux sends or master L/R signals discretely to your Mac or PC for recording. It’s a premium analog mixer that integrates seamlessly with your favorite DAW. A better way to record — Onyx-i.

The PreSonus Studio Channel is a professional channel strip combining a Class A tube preamplifier, a VCA-based compressor, and a 3-band parametric equalizer. The Studio Channel is perfect for all levels of studios. Ideal for all types of microphones, instruments, keyboards, and synths, the PreSonus Studio Channel has the sonic power and flexibility to achieve any tone you can dream of, including luscious in-your-face vocals, crystal-clear acoustic guitars, fat, solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks, and more. Enhance your signal path The Presonus Studio Channel was designed to outperform preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big, fat, tube tonality but also complete control of your tone and sounds.

The ART 355 Dual Channel 31-Band EQ boasts a rugged, all-steel chassis that occupies 2U rackspace and fits standard 19" racks. The 335 has a long list of impressive features that includes constant Q circuitry, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, balanced XLR and 1/4" and unbalanced RCA input and output connections, adjustable high-pass and low-pass filters, variable input level controls, signal clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch.

A portable 3-channel mixer with phantom power, the FMX-32 is designed for use by the professional videographer. The small (1.96 x 6.69 x 4.33 inches), all metal, battery operated (6-“AA”) mixer can be attached directly to the camera with supplied hook-and-loop mounting tape. The FMX-32 has the following features: enhanced circuitry for improved signal-to-noise ratio, 5-step LED array for easy signal monitoring, a 12V DC input for external power (BC-27), switchable input limiter to reduce the possibility of overload distortion, channel-addressable outputs and a 1/4" monitor headphone jack with level control.

Mono channels have 3-band EQ with swept mid-range, 75Hz (18 dB/octave) low-cut filter, inserts and phantom power Two stereo channels with 4-band EQ 4 AUX sends, AUX 1 & 2 with XLR and 1/4" phone output jacks 2 stereo AUX returns with effect to monitor PAD on 4 mono channels to handle difficult signals Polarity reverse switch on two channels Main Stereo and Mono output with XLR and 1/4" phone jacks Mono output with variable low pass filter for subwoofer Tape input can be routed to AUX 1 and AUX 2 Record output with trim control for level matching Mini stereo I/O for MD, MP3 player/recorder Built-in switching power supply with universal connector, 100-240VAC, 50/60Hz BNC connector for gooseneck lamp The Impact 12.4X is an easy-to-use mixing console that provides all the features you need for the project studio and live sound reinforcement. It has 14 ultra-quiet Mic preamps with high headroom and phantom power, and two stereo line channels. All mono channels feature inserts and low-cut switches. A 3-band EQ with swept-mid on mono channels and 4-band EQ on stereo channels gives you greater control over your mix. Four Aux sends and two stereo Aux returns can be used to connect a variety of outboard Signal Processors or to create special mixes to send to the performers´ monitor Speakers. An onboard 32-bit stereo digital effects processor features 16 programs plus one main parameter control, tap control and foot switch jacks. Output is through XLR or 1/4" phone jacks and is selectable as stereo or mono output, with mono doubling as a subwoofer output. The added feature of mini stereo input/output makes this Mixer perfect for anyone connecting MP3, MD or computer audio or recording devices. The Impact 12.4X is ideal for houses of worship, small to medium-sized halls and project studios.

8 Channels, Bridgeable

PRESONUS STUDIO CHANNEL PRO AUDIO 1CH STRIP COMPRESSOR XLR & TRS CABLES SYSTEM SKU: PRESONUS-PACKAGE41 This Package Includes the Following Items: 1 x PreSonus Studio Channel 1-Channel Class A Vacuum Tube Preamp 1 x Pyle PPFMXLR15 15ft. XLR Male to XLR Female Microphone Cable 1 x Pyle PPFMXLR15 15ft. Variable VCA compressor Gain and Frequency controls (low and high bands) Shelving/peak switches (low and high bands) Switchable pre-/post-compressor Bypass switch Master level control Backlit VU meter Gain Reduction to Meter switch (selects gain reduction or output gain) 1 unbalanced ? line input 1 balanced XLR mic input 1 balanced ? line output 1 balanced XLR line output 1 digital expansion-card slot 1U 19? rack-mountable, rugged steel chassis XLR Male to XLR Female Microphone Cable

The Aviom A-16II Personal Mixer allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer is a 16-channel digital mixer which gives each performer completely independent control over channel volume, grouping, pan, and stereo spread, as well as master volume and tone. Every performer gets a completely customized monitor or cue mix. Each user can save and recall up to sixteen custom mixes as presets in their Personal Mixer.The stereo output from the A-16II can be used to drive virtually any output device-from wired or wireless in-ears or headphones to powered floor wedges, an amplifier, or spot monitors.Audio is taken from an existing console, using a combination of up to 16 direct outs, inserts, auxes, or groups. These sixteen channels are fed to a Pro16 Input Module, such as the AN-16/i, and are then distributed digitally to an unlimited number of Personal Mixers using Cat-5e cables.

Powerful internal 150W RMS amp can power internal speakers plus up to four PM-100 Personal Stage Monitors using the two External Speaker outputs. Balanced 1/4" TRS and XLR input jacks (can be used simultaneously if desired), Volume control, 3-band EQ controls (High, Mid, Bass), front baffle Power On and Clipping LED indicators. High powered Headphone Output and convenient 1/4" balanced Line Output for daisy chaining with other PM-200A, or connecting to mixers and PA's. Amplifier's integrated low-noise/distortion MOSFET outputs offer thermal, short circuit, and anti-thump on/off protection. Externally selectable 115VAC or 230VAC operations Can be mounted on a mic stand with optional stand mount adapter (sold separately)

An ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications, the Behringer XENYX XL3200 4 Bus Mixer features an intuitive layout and color-coded control control interface designed for ease of use. Built around Behringer's proven XENYX high-headroom, and featuring low noise mic preamps and warm, musical EQ, the XL3200 combines professional features, dramatic styling and astounding value.

19" rack mounted club mixer 5 stereo channels 8 line, 3 microphone, 2 convertible phono/line, RCA inputs 3-band rotary line EQ control per channel with cut feature Fully-removable, user-replaceable Rail-Glide Crossfader Assignable crossfader Rotary gain control per channel Dual display with bright LED Push-button cueing with cue/PGM fader control Rotary master, zone, balance & cue volume controls Master, zone & record RCA outputs Balanced master output XLR-.25" combo microphone input 2 band rotary microphone EQ control with cut feature Rotary microphone volume control Auto talk-over feature Face plate located .25" headphone input

Mono channels have 3-band EQ with swept mid-range, 75Hz (18 dB/octave) low-cut filter, inserts and phantom power Two stereo channels with 4-band EQ 4 AUX sends, AUX 1 & 2 with XLR and 1/4" phone output jacks 2 stereo AUX returns with effect to monitor PAD on 4 mono channels to handle difficult signals Polarity reverse switch on two channels Main Stereo and Mono output with XLR and 1/4" phone jacks Mono output with variable low pass filter for subwoofer Tape input can be routed to AUX 1 and AUX 2 Record output with trim control for level matching Mini stereo I/O for MD, MP3 player/recorder Built-in switching power supply with universal connector, 100-240VAC, 50/60Hz BNC jack for 12V gooseneck lamp Optional Rack-mounting kit for IMPACT 8X only, model name ER8IM The Impact 8.4X is an easy-to-use mixing console that provides all the features you need for the project studio and live sound reinforcement. It has 10 ultra-quiet Mic preamps with high headroom and phantom power, and two stereo line channels. All mono channels feature inserts and low-cut switches. A 3-band EQ with swept-mid on mono channels and 4-band EQ on stereo channels gives you greater control over your mix. Four Aux sends and two stereo Aux returns can be used to connect a variety of outboard Signal Processors or to create special mixes to send to the performers' monitor Speakers. An onboard 32-bit stereo digital effects processor features 16 programs plus one main parameter control, tap control and foot switch jacks. Output is through XLR or 1/4" phone jacks and is selectable as stereo or mono output, with mono doubling as a subwoofer output. The added feature of mini stereo input/output makes this Mixer perfect for anyone connecting MP3, MD or computer audio or recording devices. The Impact 8.4X is ideal for houses of worship, small to medium-sized halls and project studios.

Soundcraft's MFXi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA. 8, 12 and 20 mono input MFXi mixers are empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects (see opening page). All MFXi mixers include 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source. For increased versatility, each model in the MFXi range has two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can be used for effects sends or to provide a foldback monitor mix for artists.

The Nady PMX-1600 —16 Channel/4 Bus Powered Mixer w/DSP Effects is one of the finest powered mixing units on the market today. This unit was developed using the expertise of professional sound engineers and working musicians. The PMX-1600 powered mixer has superior performance and greater flexibility than any other powered mixer in its price range.

Combining professional features, dramatic styling and astounding value, the Behringer XENYX XL1600 4 Bus Mixer features an intuitive layout and color-coded control interface designed for ease of use. Built around Behringer's proven XENYX high-headroom, low noise mic preamps and warm, musical EQ, the XL1600 is an ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications.

The ultra-compact Mackie Onyx 820i FireWire Recording Mixer combines the benefits of a powerful computer interface with the tactile, hands-on control of a sleek, space-saving premium analog mixer. Proven, professional features like three Onyx mic preamps and classic Perkins EQ only accentuate the mixer’s ample connectivity and clear-cut workflow. Plus, compatibility with all major DAWs, including Pro Tools M-Powered™ allows you to send channels, aux sends or master L/R signals discretely to your Mac or PC for recording. It’s a premium analog mixer that integrates seamlessly with your favorite DAW. A better way to record — Onyx-i.

The XR 8600 powered mixer include many of the latest technological developments from Peavey engineering. Incorporating a pair of 600 Watt amplifiers, dual 7-band EQ, digital effects, FLS (Peavey's award-winning Feedback Locating System), DDT sp...

The Dv2 Usb Is A Ground Breaking 2-Channel Preamp Midi Mixer With Built-In 4X4 Sound Card So Djs Can Play And Mix Music From Their Favorite Computer Software, Yet Still Have The Hands-On Hardware Control From A Compact, 2-Channel Mixer. Plus, With A Built-In Sound Card Djs Can Start Mixing Right Away Without Having To Purchase Extra Equipment. All The Features Found On The Dv2 Usb Were Intuitvely Designed For The Most Experience Djs By Fellow Djs. Features Such As; Balanced Outputs, Long-Life Optical Fader, Rotary Kills, And Reverable Crossfader And Channel Faders With Adjustable Curve.The Crossfader Was Factory Tested For Over 1 Million Crossfades Back-And-Forth And Never Quit Working.

The XR 1212 from Peavey is a console-style powered-mixer that's ideal for any situation where an experienced sound person may not be present at all times.

3-Band EQ with sweepable mids / Dual DSP with 100 digital multi-effects / Talkback mic input / 6 Aux sends / 20Hz - 20kHz Frequency Response

Simply put, Mackie Control Pro Series controllers give your music production software what it needs to feel complete.

TASCAM's IF-FW/DM mkII is the first 32-channel audio interface to use a single FireWire cable to get in and out of the computer. The card is compatible with TASCAM's DM-3200 and DM-4800 digital consoles, turning them into the ultimate front-end for computer workstation recording. The card supports resolutions up to 96kHz/24-bit without changing the incredible 32-in/32-out channel count.For recording engineers and musicians who are comfortable working on a mixing console, the DM-3200 and DM-4800 is the control center for their studio. The IF-FW FireWire Interface Card is integrated into the mixer, bypassing the need for expensive audio interfaces. They provide 32x32 audio and remote control over recording software like Logic Pro, Cubase, Nuendo, SONAR, and Digital Performer, adding transport, jog/shuttle, fader, panning, aux control and more. All of this control is a single button press away from normal mixer operations, making DAW software control simply another fader layer of these po

ALESIS MULTIMIX 8 LINE, 19" 1 HE Linemixer, 8x Stereo-Line in (jack), 1x XLR Mic in, Send, Pan and Volume adjustable, Signal/Clip LED per channel, Master Effekt Send-Return, Master LED PA/Live Equipment / Rack- and small Mixers

The Soundcraft EPM8 is a 8x2 frame size mixer that places emphasizes on quality, audio performance, and an easy to understand, uncluttered control surface. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly transparent GB30 mic preamps-designed by Graham Blyth and used on the larger LX7ii and GB Series consoles-feature high-resolution adjustment over a wide gain range of 55dB, and provide a stunning +22dB headroom through the console. True professional 48-volt phantom power caters to condenser microphones of all types. Unique signal monitoring watches for overload in several channel strip locations and illuminates the LED more brightly as the signal approaches peak. 60mm high-quality faders are used. The monitor and headphone outputs work in parallel so that performers can listen on phones while an engineer listens to studio monitors.