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Varese Vintage

Drag City ( April 15, 2003 ), Genre: Rock & Pop

Universal Records (USA) ( February 12, 2002 ), Genre: R&B

EMI Music Distribution

Phantom (Import)

BR Music (Netherlands)

RCA Records (USA) ( January 24, 2006 ), Genre: Oldies

Warner Special Marketing (UK) ( June 06, 2005 ), Genre: Rock & Pop

SINGLES GOING STEADY is a collection of the Buzzcocks' singles, including both A and B-sides.Buzzcocks: Pete Shelley (vocals, guitar, keyboards); Steve Diggle (vocals, guitar); Steve Garvey, Garth Smith (bass); John Maher (drums).Engineers: Alan Wistanley, Doug Bennett, Martin Rushent.Recorded at Eden Studios and Abbey Road Studios, London, England; T.W. Studios, Fulham, England; Olympic Studios, Barnes, England; Strawberry Studios, Stockport, England.The Buzzcocks emerged from Manchester's thriving punk enclave with a succession of startling pop singles. Tight melodies and highly memorable hooklines were enveloped in a breathless group sound full of purpose and drive which contrasted with singer Pete Shelly's dispassionate, almost throwaway, delivery. These eight singles, both a-sides and flips, covered a variety of subject matter, from masturbation ('Orgasm Addict') to 1981 nuspeak ('Everybody's Happy Nowadays'), without recourse to obfuscation. Such seminal recordings have ensured the Buzzcocks' place in a

BR Music (Netherlands)

Lavishly packaged and released both as a physical and digital set, The Rolling Stones Singles (1971-2006) box set collects the amazing run of forty-five 45s the group has issued over the last four decades. Amongst many gems, it includes US chart-toppers such as the irresistible 'Brown Sugar', the beautiful ballad 'Angie' and the floor-filler par excellence 'Miss You', as well as the infectious rockers 'Mixed Emotions' and 'Don't Stop'. The new box set also highlights the band's rock and roll and rhythm'n'blues roots, and showcases their wonderful cover versions of Chuck Berry's 'Let It Rock', the Temptations' 'Ain't Too Proud To Beg', Smokey Robinson and The Miracles' 'Going to a Go-Go', Bob & Earl's 'Harlem Shuffle' and Bob Dylan's 'Like A Rolling Stone'. And it brings the group's compelling story up to date with the soulful 'Streets Of Love', 'Rain Fall Down' and 'Biggest Mistake', their most recent studio recordings. By 1971, The Rolling Stones had topped the UK singles charts eight times and established themselves as the `enfants terribles' of the rock generation. Leaving Britain that year, they became the modern equivalent of wandering minstrels, free to record wherever the fancy took them, from the French Riviera to California via Jamaica, New York and Montserrat. Every single time, the results were astonishing. The rolling groove of 'Tumbling Dice', the garage rock of 'Happy', the anthemic cry of 'It's Only Rock'n'Roll', the falsetto soul of 'Fool To Cry', the sweaty funk of 'Hot Stuff', the heartfelt fluidity of 'Beast Of Burden', the snarling urgency of 'Respectable' and 'Shattered' sound-tracked the seventies. The group grew ever more versatile in the eighties, changing mood and tack and excelling in every genre with every single release. 'Emotional Rescue' bossed the dance-floors, 'Start Me Up' exemplified Keith Richards' on-going mastery of the riff, and, not for the first time, Mick Jagger came over all sensitive on 'Waiting On A Friend' and 'Almost Hear You Sigh'. The Glimmer Twins pulled no punches on 'Undercover Of The Night', 'One Hit (To The Body)' and 'Highwire', their 1991 single, and the singer's most controversial lyric in two decades. In the nineties, The Rolling Stones kept their sticky fingers on the pulse of popular culture. They let remixers Teddy Riley, Deep Dish and Todd Terry loose on the likes of 'Love Is Strong', 'Saint Of Me' and 'Out Of Control', and they featured rapper Biz Markie on the incredibly catchy 'Anybody Seen My Baby?'. And we haven't even mentioned the deep cuts that were singles in the US or Continental Europe only, like the much covered 'Wild Horses', 'Doo Doo Doo Doo Doo (Heartbreaker)', 'She's So Cold', 'Hang Fire', 'Rock And A Hard Place', 'Terrifying' and 'Sex Drive', or the live versions of their sixties hits 'Time Is On My Side' and 'Ruby Tuesday', concert staples issued as A-sides in the eighties and nineties. The set comes in a striking pink box featuring the band's trademark tongue design, styled on the original 7" `house-sleeves'. It's overflowing with all-time classic hits, collectable B-sides and hidden gems. Across 45 CDs, lovingly recreating the original releases in miniature picture sleeves, it contains 173 tracks, 80 of which are not currently available officially. The box also houses a 32-page hardback book packed with memorabilia, period photos and a new essay by renowned journalist, broadcaster and Rolling Stones expert Paul Sexton, as well as an exclusive new interview with Bill Wyman, the band's former bassist and on-going archivist. Many people have specific memories attached to certain Rolling Stones singles and will enjoy reliving them all over again. Many music fans have been trying to replace dog-eared copies of the original 7" and 12" vinyl singles and will love reconnecting with old friends. Many collectors will relish the opportunity to have every single mix and permutation of tracks released on various formats throughout the heady days of the seve

Victory Records (USA)

Virgin Records (Hong Kong)

U2: The Edge, Adam Clayton, Larry Mullen, Jr., Bono .Personnel: The Edge (guitar); Terry Lawless (Wurlitzer organ); Adam Clayton (bass guitar); Larry Mullen, Jr. (drums, percussion).Audio Mixers: Daniel Lanois ; Flood; The Edge; Carl Glanville; Steve Lillywhite; Chris Lord-Alge; Greg Collins ; Nellee Hooper; Andrew Scheps; Rob Jacobs; Shelly Yakus; Simon Gogerly; Simon Osborne; Stephen Harris; Tim Palmer.Recording information: EMI Abbey Road Studios, London, England; Hansa Ton Studios, Berlin, Germany; HQ, Dublin, Ireland; Slane Castle, Co. Meath, Ireland; Sts, Dublin, Ireland; The South Of France; Windmill Lane Recording Studio, Dublin, Ireland.Photographers: Andrew McPherson ; Sheila Rock; Matt Mahurin; Colm Henry; Pennie Smith; Paul Slattery; Anton Corbijn.By the time 2006's U218 SINGLES was released, U2 had been one of rock's reigning behemoths for a good quarter century. Whittling down the group's hefty discography to 18 tracks seems impossible, but U218 SINGLES solves the problem by focusing, as the tit

Sudden Death

Ace (UK)

Kent (UK) ( November 13, 2001 ), Genre: R&B

Polydor (USA) ( January 12, 1993 ), Genre: Country

MSI Music (import) ( June 12, 2006 ), Genre: Rock & Pop

The DIVA is BACK! Fierce and fabulous as ever, RuPaul returns with a brand new single – “Workout” – from her new album Red Hot (European Edition). This CD5 features mixes of both “Workout” and her previous hit “Looking Good, Feeling Gorgeous.” The legendary Junior Vasquez clubs up "Workout" with an anthemic 7:30 remix and Gomi takes the reigns on the spectacular 9:16 mix of "Looking Good Feeling Gorgeous." Also included is Joe Carrano's festive Ragged Radio mix. Both total crowd-pleasing feel-good anthems, "Workout" and "Looking Good, Feeling Gorgeous" exemplify Ru's most recent approach to pop music, which is a touch more political than before, but delivered in a way that personalizes the statement and essentially says, "Here I am, I love me. Why on earth wouldn't you do the same?" RuPaul’s “Workout” is a must-have for any true fan of dance music.

BR Music (Netherlands) ( May 19, 2003 ), Genre: Oldies

1995 release featuring all six of their CD singles for the label, 'Smells Like Teen Spirit', 'Come As You Are', 'In Bloom', 'Lithium', 'All Apologies' and 'Heart-Shaped Box'. 11 of the 19 tracks found here are non-album cuts, including live versions of 'School', 'Drain You', 'Sliver', 'Polly' and 'Been A Son'. Each CD comes in a separate slimline jewel case & together are housed within a full color2 inch x 5 inch x 6 inch full color CD-sized slipcase box.

BR Music (Netherlands) ( October 12, 2000 ), Genre: R&B

Phantom Imports (Germany)

Mute Records

Radioactive Records (UK) ( November 16, 2004 ), Genre: Rock & Pop

One of the most successful guitar bands of the mid-noughties, London four-piece Athlete have always been far more accepted by the chart-buying public than the harsh and often snobbish music press. Indeed, apart from a Mercury Music Prize nomination for their debut, Vehicles and Animals, they are often subjected to the same kind of derision reserved for fellow unfashionable groups Starsailor, Travis, and Coldplay. Of course, the comparisons sparked by their number one album Tourist aren't completely wide of the mark. Top Five single "Wires, " the World War Two-inspired "Black Swan Song, " and the string-soaked "Twenty Four Hours" are indeed the kind of epic anthemic ballads that Chris Martin is notorious for. However, Singles 01-10, their first retrospective, contains tracks from their four studio albums and reveals them as more adventurous than they are given credit for. Early singles "El Salvador" and "Westside" recall the playful observations of Parklife-era Blur, "Superhuman Touch" and "You Got the Style" ar

35*35 Entertainment

SST

MCA Nashville ( January 27, 1998 ), Genre: Country