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Bach 1C moutpiece for flugelhorn, cup diameter 17, 00mm, medium cup, silver plated, Large diameter, medium cup - good for all-around use.

Large diameter, medium cup good for all-around use. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

Product Features: Musical Instrument Type: Brass Instruments and Accessories; Brass Accessories: Flugelhorn Mouthpieces, Trumpet Mouthpieces; Brass Instrument: Brass Parts and Accessories

The Curry precision mouthpieces have super high tolerances and they produce the most consistent mouthpieces in the industry. The rim and bite are identical for all cups in a given diameter. This allows for effortless switching. Classic mouthpieces are high-tech reproductions of 30 plus year old originals.Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year!The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousand customers, I know of only 3 that own a set of calipers.Each Cup is unique! There is no standard "C cup shape" based on my experience. The shape of the Curry 1C cup is quite a bit more "bucket" shaped than my 1 1/4C cup, which is definitely more of a "bowl" shape. The different cup depths (XS through B cups) within each size were calculated from the original C cup, the exceptions being the "Chicago" models, the Deep Cornets, the Vintage Cornets, and the Flugelhorn cups.The "undercut" of each mouthpiece is unique! the undercut, or backbite, or whatever you want to call it, is the first slope or radius into the cup from the bite (GR Technologies expresses this as the "alpha" angle.) This is the most misunderstood and least discussed area of the mouthpiece. It is the most important part of the mouthpiece in three respects:Clear Articulation. A mouthpiece with a "soft" undercut can hinder clean attacks and slurs. this is usually because players with moderate lip intrusion can feel the inside of the cup with their lips. This results in a "blurred release point" from which the embouchure has trouble vibrating freely. This can result in missed notes and a veiled sound. As the players lip's swell, this problem becomes even more pronounced.Embouchure support. Most players, to some degree, use the undercut to either close or open the aperture. This can vary from player to player, depending on their embouchure strength, teeth formation, and their approach to playing the instrument. The ideal undercut allows both clean articulation and will provide embouchure support when the players needs it.Total Cup Volume. The undercut angle, being at the "widest" inside diameter of the

Large cup for powerful trumpeters. Compact tone of great carrying power. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

Bach 351-1C Trumpet Mouthpiece 1C Bach mouthpieces are designed to meet every conceivable playing need and have for nearly three quarters of a century. Volume and excellent intonation, ease of response in the high and

Large diameter, medium cup good for all-around use. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

Bach 349-1C Cornet Mouthpiece 1C Bach mouthpieces are designed to meet every conceivable playing need and have for nearly three quarters of a century. Volume and excellent intonation, ease of response in the high and

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

A carefully selected Bach mouthpiece can help improve a player s embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities. Vincent Bach

Having a mouthpiece plated in silver is the best comprise between durability and affordability. The Bach Cornet Mouthpiece line allows a performer to find just the right combination of mouthpiece characteristics to achieve their own sound concepts.

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

Bach Trumpet MouthpiecesInsist On a Genuine Bach MouthpieceBach mouthpieces are designed to meet every conceivable playing need and have for nearly three quarters of a century. A Bach mouthpiece will make a poor instrument play well, a good instrument play better. Volume and excellent intonation, ease of response in the high and low register, rich, uniform timbre throughout the range, and resistance calculated to increase the player's endurance - these characteristics explain why the best professional artists choose Bach.Because Bach mouthpieces are the accepted standard of quality, their numbers are familiar everywhere as designations for certain models and types. Although Bach mouthpieces have often been copied, they have never been equaled for precision, tuning, and playing characteristics. Only genuine Bach mouthpieces bear the full inscription VINCENT BACH with one of the model numbers.

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

A beautiful brilliant C trumpet tone that requires little effort to play in the high register, yet with a free low range. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

Brilliant tone, easy high register for trumpeters who have to play forte in the upper range and for players with heavy, weak lips who have difficulty with the high tones. Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

Silver-Plated Depth of Cup: Medium deep Approximate Cup Diameter: 17.00mm Rim Shape: Medium wide "Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." -Vincent Bach

Bach 351 Mouthpiece for flugelhorn, extra large cup for players with robust embouchure. Produces a great volume of tone.

The Curry precision mouthpieces have super high tolerances and they produce the most consistent mouthpieces in the industry. The rim and bite are identical for all cups in a given diameter. This allows for effortless switching. Classic mouthpieces are high-tech reproductions of 30 plus year old originals.Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year!The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousand customers, I know of only 3 that own a set of calipers.Each Cup is unique! There is no standard "C cup shape" based on my experience. The shape of the Curry 1C cup is quite a bit more "bucket" shaped than my 1 1/4C cup, which is definitely more of a "bowl" shape. The different cup depths (XS through B cups) within each size were calculated from the original C cup, the exceptions being the "Chicago" models, the Deep Cornets, the Vintage Cornets, and the Flugelhorn cups.The "undercut" of each mouthpiece is unique! the undercut, or backbite, or whatever you want to call it, is the first slope or radius into the cup from the bite (GR Technologies expresses this as the "alpha" angle.) This is the most misunderstood and least discussed area of the mouthpiece. It is the most important part of the mouthpiece in three respects:Clear Articulation. A mouthpiece with a "soft" undercut can hinder clean attacks and slurs. this is usually because players with moderate lip intrusion can feel the inside of the cup with their lips. This results in a "blurred release point" from which the embouchure has trouble vibrating freely. This can result in missed notes and a veiled sound. As the players lip's swell, this problem becomes even more pronounced.Embouchure support. Most players, to some degree, use the undercut to either close or open the aperture. This can vary from player to player, depending on their embouchure strength, teeth formation, and their approach to playing the instrument. The ideal undercut allows both clean articulation and will provide embouchure support when the players needs it.Total Cup Volume. The undercut angle, being at the "widest" inside diameter of the

Approx Cup dia. 26.26mm Depth of Cup Medium deep Description Extra-large cup for players with a robust embourchure. Model # 3 Rim Shape Medium wide, well rounded.

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

The Curry precision mouthpieces have super high tolerances and they produce the most consistent mouthpieces in the industry. The rim and bite are identical for all cups in a given diameter. This allows for effortless switching. Classic mouthpieces are high-tech reproductions of 30 plus year old originals.Learn About Trumpet Mouthpiece Deign and Construction - HEREThe rim contours of each diameter are unique. Although each rim is consistent within it's size range (ex., Curry 1C rim contour is the same as Curry 1Z rim contour), it is much different than the 1 1/4 rim. For example, if the Curry 1 1/2 C rim is the most comfortable rim you've ever felt, but seems a little "tight", it is wrong to assume that moving to the 1 1/4 size would solve that problem. The correct solution would be to get a custom mouthpiece using the 1 1/2C rim contours. The "tightness" issue could be solved in a couple of ways. The rim profile could simply be moved a few thousandths to the outside, or perhaps the bite radius could be increased which would also give a few thousandths more room. There are others ways to get the "feel" you're looking for, but you shouldn't be concerned with that. I'm the mouthpiece makerInner diameter "numbers" mean very little. Most manufacturers reference charts are expressed in both inches and millimeter sizes. One "major" manufacturer's published "numbers" are totally wrong! In fact, the millimeter conversions in their manual do not match the decimal numbers! And, they've reprinted the same mistakes year after year!The point I'm making here is that every manufacturer has different criteria for measuring the inner diameter. My personal criteria for measuring the inner diameter varies from rim to rim. In my 30 plus years of trumpet playing, I've learned that the feel of a mouthpiece can vary from rim to rim. The spot on your face where you "feel" a 1C rim is much different than the "contact point of the 1 1/2C rim. Although they only vary in "size" by a few thousandths of an inch, the difference in feel can seem like a country mile. Don't get hung up on the numbers too much. If they do matter to you, buy some dial calipers. A good enough pair (Chinese-made are just fine) of calipers will run about $60 in an industrial supply store. By the way, of my several thousand customers, I know of only 3 that own a set of calipers.Each Cup is unique! There is no standard "C cup shape" based on my experience. The shape of the Curry 1C cup is quite a bit more "bucket" shaped than my 1 1/4C cup, which is definitely more of a "bowl" shape. The different cup depths (XS through B cups) within each size were calculated from the original C cup, the exceptions being the "Chicago" models, the Deep Cornets, the Vintage Cornets, and the Flugelhorn cups.The "undercut" of each mouthpiece is unique! the undercut, or backbite, or whatever you want to call it, is the first slope or radius into the cup from the bite (GR Technologies expresses this as the "alpha" angle.) This is the most misunderstood and least discussed area of the mouthpiece. It is the most important part of the mouthpiece in three respects:Clear Articulation. A mouthpiece with a "soft" undercut can hinder clean attacks and slurs. this is usually because players with moderate lip intrusion can feel the inside of the cup with their lips. This results in a "blurred release point" from which the embouchure has trouble vibrating freely. This can result in missed notes and a veiled sound. As the players lip's swell, this problem becomes even more pronounced.Embouchure support. Most players, to some degree, use the undercut to either close or open the aperture. This can vary from player to player, depending on their embouchure strength, teeth formation, and their approach to playing the instrument. The ideal undercut allows both clean articulation and will provide embouchure support when the players needs it.Total Cup Volume. The undercut angle, being at the "widest" inside diameter of the

One of the more common Bach Trombone mouthpiece, the 6 1/2AL provides the player with round and more mellow tone.

A carefully selected Bach mouthpiece can help improve a trombone player's embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach parts today."Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." -Vincent Bach..

A carefully selected Bach mouthpiece can help improve a trombone player's embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach parts today."Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." -Vincent Bach

A carefully selected Bach mouthpiece can help improve a player s embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today. Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities. Vincent Bach

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.

A carefully selected Bach mouthpiece can help improve a trumpet player's embouchure, attack, tonguing and endurance.Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today."Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities." -Vincent Bach

The Bach Trumpet Mouthpiece in Silver has been the standard since being created by trumpet master Vincent Bach. This series of Bach trumpet mouthpiece is available in a variety of sizes to meet the needs of the individual player. The Bach mouthpiece numbering system is arranged in an orderly progression from the largest to smallest diameters numbered from low to high.