Musical Instruments

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6 Aux Outputs Individual +48V Phantom Power switch 4-band EQ with sweep mids Peak & Signal LEDs on input channels Each input features the high-performance GB30 Mic Pre and GB30 Equalizer designs of the GB4 and GB8

Usually 3-5 Days. The LX7II24 combines the essential Soundcraft live mixer qualities with basic recording-oriented features, in a compact frame that's light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues such as small halls and community centres, while its direct channel outputs make the LX7II24 an ideal choice for bands who need a live desk that can double up in the studio. Housed in a 24 channel frame, LX7II24 provides 32 inputs - with no less than 13 separate bus outputs.

The GB4 console sets a new standard in affordable high-end mixing. It is laden with capabilities and quality features: GB30 mic preamps, reengineered circuit topology and EQ designs, rigid steel chassis, high-quality vertically mounted fiberglass PCB channel strips, individually nutted potentiometers, angled rear panel that allows patching from the front, and more-above all, the quality, engineering, and design for which Soundcraft is famous. The GB4-16 is 16-channel, 4-bus console designed and constructed to ensure rugged reliability under stressful tour conditions. All input modules have individual vertically-mounted PCB's fitted to the steel chassis.It is designed for performance venue installation or small touring system applications. The dual-mode topology allows it to to be used for FOH or monitor duties, with fader control of group or aux outputs.Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping

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16 x 7 Channel Live/Recording Console

Soundcraft GB8-24 24 Channel, 8-Bus Professional Mixing Console (32 Channel version shown) Augmenting the already highly successful GB4 console range is the new GB8 8-bus console. Available in frame sizes from 16 to 48 channels, each with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include 1kHz oscillator and a meter bridge with three LED meters that very closely emulate the ballistics of VU meters. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds t

includes built-in 24 bit Lexicon digital effects processor with 32 FX settings Stereo 18dB/octave 100Hz high-pass filter Direct outputs for multi-track recording individually switch-able for pre-post-fade operation Rear connector panel can be repositioned on back for rackmounting 26 inputs

GB30 Mic preamp and precision EQ on inputs Switchable +48V phantom power on every mic input Direct outputs on every channel Total Inputs to Mix: 26 (when Mics used on stereo input) Rack mountable

SOUNDCRAFT GB2-16R, live desk, 16 mono inputs, 4 band EQ with 2x para. mids, 6 aux ( 2x pre, 2x pre/post switchable, 2x post ), 2 seg. LED ( signal+peak ) and 48V per chanel, 2 groups as stereo group, mute switch, built in power supply, dim.: 53, 5 x 44, 1 x 20, 8 cm PA/Live Equipment / Rack- and small Mixers

The hugely successful and popular Soundcraft LX7 console has received an upgrade to the LX7ii — both in terms of audio specification and cosmetics. The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft's 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles. "The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre's we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market, " reports Blyth in a rare interview. "We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp. "The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency 'mush' and delivering a clearer sound. We've a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time." Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs. The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

The GB2 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix. Intended for installed-sound and Audio-Visual applications, the GB2 is available in frame sizes of 16, 24 and 32 mono inputs, each with 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equalizer designs of the GB4 and GB8, along with 6 Aux buses. Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono. The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the Line input to the local channel overrides the Mic inputs.

The hugely successful and popular Soundcraft LX7 console has received an upgrade to the LX7ii — both in terms of audio specification and cosmetics. The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft's 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles. "The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre's we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market, " reports Blyth in a rare interview. "We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp. "The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency 'mush' and delivering a clearer sound. We've a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time." Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs. The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

The hugely successful and popular Soundcraft LX7 console has received an upgrade to the LX7ii — both in terms of audio specification and cosmetics. The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft's 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles. "The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre's we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market, " reports Blyth in a rare interview. "We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp. "The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency 'mush' and delivering a clearer sound. We've a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time." Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs. The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

This compact 12-channel Soundcraft Spirit M4 mixer sports dozens of features that are smarter without being pricier. And Spirit never cuts corners where it matters. Full 100mm faders for smooth precision control, pro-grade connectors, special grounding features to eliminate crosstalk, and high-end mic preamps combine to rival the signal integrity of very expensive mixing consoles. Radically sharp-looking metal rack-rail covers provide extra support for the Soundcraft mixer. 4 mono input channels plus 4 stereo inputs and 4 stereo returns with level control and peak LED. Master gain on AUX inputs. Switchable direct outs, balanced XLRs and 1/4" jacks plus signal detect and peak LEDs on all inputs, with 12-segment LEDs on the main stereo mix. The Soundcraft Spirit M4 Mixer has a logical, intuitive, roomy layout and monitoring flexibility. A/D converter and digital out. All this and much, much more ensure pro performance for stage or studio.

The Soundcraft EFX Series combines all the features of the popular Soundcraft EPM mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose

The hugely successful and popular Soundcraft LX7 console has received an upgrade to the LX7ii — both in terms of audio specification and cosmetics. The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft's 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles. "The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre's we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market, " reports Blyth in a rare interview. "We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp. "The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency 'mush' and delivering a clearer sound. We've a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time." Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs. The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

RCA phono stereo playback inputs and record outputs 3-band EQ with a swept mid on mono inputs TRS insert sockets and inserts on all mono inputs Ten-segment LED output metering Easily rack mountable

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product Available in frame sizes from 12 to 40 channels, the GB4 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs. Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier

Soundcraft's MFXi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA. 8, 12 and 20 mono input MFXi mixers are empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects (see opening page). All MFXi mixers include 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source. For increased versatility, each model in the MFXi range has two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can be used for effects sends or to provide a foldback monitor mix for artists.

True stereo mixer with pan pots on each channel 2 x 500W into 4 Ohms 3 band EQ on all inputs Dual 7 band graphic equalizers Digital FX with 10 preset sounds, to Main and Monitor paths

Product Features: Musical Instrument Type: Studio Equipment and Accessories; Studio Equipment Type: Mixing Consoles

The Soundcraft EPM8 is a 8x2 frame size mixer that places emphasizes on quality, audio performance, and an easy to understand, uncluttered control surface. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly transparent GB30 mic preamps-designed by Graham Blyth and used on the larger LX7ii and GB Series consoles-feature high-resolution adjustment over a wide gain range of 55dB, and provide a stunning +22dB headroom through the console. True professional 48-volt phantom power caters to condenser microphones of all types. Unique signal monitoring watches for overload in several channel strip locations and illuminates the LED more brightly as the signal approaches peak. 60mm high-quality faders are used. The monitor and headphone outputs work in parallel so that performers can listen on phones while an engineer listens to studio monitors.

SOUNDCRAFT GB4-32+2, live desk, 32 mono- und 2 stereo inputs, 4 band EQ with 2x para. mids, 8 aux ( 4x pre, 4x pre/post switchable ), LED segm. and 48V per chanel, 4 subgroups, 7x4 matrix, 4 mutegroups, recording output with int. limiter, int.powersupply, size: 130 x 65, 6 x 16, 9 cm, weight: ca. 32 kg PA/Live Equipment / Mixing Consoles

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Free delivery within mainland UK - Soundcraft's MPMi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA.The MPMi versions replace the MFXi¹s internal FX send with a third Aux send for operators prefer

The emphasis with the Soundcraft EPM Series is very firmly on quality audio performance, with an easy-to-understand control surface uncluttered by unnecessary features. The EPM6 features Soundcraft's premium GB30 mic preamp (as used on the large-format LX7ii and GB Series desks) to provide high headroom and precision control of mic signals.

Soundcraft MFX20i - 20-channel mixer, 20 mono inputs, 2 stereo inputs, insert per channel, 1x FX send, 2x pre/post aux sends, solo/mute switch, integrated Lexicon FX with 32 effect presets and tap delay, integrated power supply. Dimensions: 688 x 94 x 405mm. Weight: 9.3kg PA/Live Equipment / Rack- and small Mixers

True, professional +48V phantom power for condenser microphones Professional insert points for external processing 6, 8 and 12 mono input channel frame sizes, each with two stereo inputs 2 Aux sends, each globally switchable pre or post-fade Has GB30 Mic amps, featureing high-resolution adjustment over a wide gain range of 55dB, providing +22dB headroom through the console

Soundcraft Si Compact 32 32-channel Digital Console Small on size but packed with features, the Si Compact mixers from Soundcraft are a perfect fit for the house of worship that's ready to make the leap from analog to digital. Not only do you get a ton of signal routing options, but Soundcraft also endowed the Si Compact mixers with the same processing power and effects that made the larger Si mixers such a hit. A very cool "FaderGlow" feature gives you important visual feedback, and an interac