Musical Instruments

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The Global Specialties model 3600 32-channel logic analyzer allows the user to accurate analyze, validate and debug digital signals. This value-priced instrument performs like those of its higher priced. Internal/external clock selection to sample data. Convenient data search function. Zoom in and zoom out feature. Cursor feature. Simulation feature. Keyboard operation and sequence adjusting with knob. Input channel: 32 data sampling channels, 2 external clock channel. Threshold level: 6 individual adjustable threshold voltages adjusting range-6 V to +6 V. Resolution: 0.1 V. Input impedance: >100 kilohm. Input protection: Max input +/-40 V. Timing sample: 1 Hz to 100 MHz (10ns to 1 s resolution) Internal clock. Resolution: 10 ns. Sampling channels: Internal, external clock 1 and external clock 2 (1 Hz to 5 MHz). Sampling signals: internal code generator, external signal source. Sample controls: single sampling, continues repetitive sampling. Storage depth: 260 K sampling points per channel. Triggering conditions: 32 bits start select, 32 bits start-compare word. Trigger limit: by select switch > , = , <. Event counter: 1 to 999 times. Trigger select: by ON/OFF switch. Store delay: 1 to 260, 000 sample cycles. Display format: 8 channels timing waveforms 18 rows data lists. Screen display: 5.7" color LCD screen, resolution 320 by 240 points. Waves rolling: 32 channels vertical rollling display, 256 K data points plane. Waveform zoom: horizontal zoom 1 - 100 times, scale 1 ns/div to 4s/div. Floating cursor: floats arbitrarily in display screen and does not move together with waveform. Sticking cursor: as a reference point stick on the waveforms lists and moves together. Cursor measure: moving the position of cursor dynamically displays the data values of the cursors and address distance of the two cursors and address distance and the interval of the two cursors. Trigger cursor: sample point suits the trigger condition.

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16 Channel 24-bit 192kHz A/D Audio Converter Benchmarks philosophy is very clear: digital converters should preserve all of the glorious nuances of the source so that the listener can simply engage with the music. Benchmarks converters are world-renowned for fulfilling this mandate. Benchmarks ADC16 is, yet again, another successful actualization of this philosophy. With the ADC16, Benchmarks storied sonic purity can span across an entire multi-track recording session. This 16-channel A/D converter conquers the digital demons that plague so many converters on the market. The ADC16 delivers the industrys Benchmark for performance in a package that is simultaneously full-featured, functionally flexible, intuitive, aesthetically alluring, and surprisingly affordable. Flexibility across DAW's The ADC16 has a slot for an optional Firewire card. With a Firewire connection to the computer, the ADC16 can operate as the sole interface to native DAWs, including Pro Tools 9, without the need for any other hardwa

Hand-made in the UK and crafted to the highest standards, using machine-tooled, half-inch thick claret red anodised aluminium. Fully discrete and balanced classic VCA-based dynamics offer superb low noise and distortion, and excellent common-mode rejection. Stereo switch for true stereo operation from a single set of controls. An easily-read illuminated porthole window VU shows signal level or gain change (switched). Key inputs available independently on each channel via firm-response illuminated push-button switches.

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Presonus ACP88 8 Channel compressor, limiter, and gate The ACP88 gives you total dynamics control for multi-tracking and live sound reinforcement. Eight compressor/limiters deliver transparent dynamics control. Eight full featured gates seamlessly control unwanted noise and bleed-through. Control vocals, tame drums, protect speakers, tighten the low-end – all from just two rack spaces of powerful processing. Features • Eight Full Featured Compressor/Limiters • Eight Full Featured Gates • Side Chain on Every Channel • Trigger Inputs on Every Channel • Balanced/Unbalanced I/O • Comprehensive Linking via Unique Power Summing Bus • Takes the Place of Multiple Processors • Crystal Clear Compression&Gating for Multi-Tracking&Live Sound • Allows Spectral Processing&Gate Keying via Separate Jacks • +4/-10 Stereo Operating Level

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American DJ Flat PAR Tri18 The ADJ Flat Par TRI18 is a professional low profile LED Par Can with extremely bright output. It features eighteen 3-Watt TRI LEDs (3-in-1 RGB) and will not cast any RGB shadows. The units low profile and dual hanging brackets make it ideal for mobile entertainers, permanent installations and for inserting into truss for uplighting.The Flat Par TRI18 has 7 different DMX channel modes, and may also run in Sound Active or Master/Slave modes.

The DJM-1000 employs Pioneer's expertise in audio technology to create a high-end reference audio mixer that is easily connected to traditional DJ equipment as well as other digital devices like samplers, effectors and digital turntables - giving professional DJs uncompromised performance and the flexibility to perform the best possible sets.

The TASCAM DM-3200 has more of everything that made the DM-24 a studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and more. It has 32 full-featured channels and 16 returns for a total of 48 channels at mixdown - even at its full 96kHz / 24-bit audio resolution. It has 4-band fully parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning.

The Drawmer S2 is a dual channel tube compressor that features a host of creative processing possibilities. BIG- Retains bass frequencies and minimizes undesirable 'pumping' by rolling off the detection signal at 75, 125 or 250Hz (user switchable). A fully variable level control allows for the desired amount of Big processing and an in/out switch provides the option to remove from the signal path for A/B comparison. BRIGHT- A dynamic high-frequency enhancer to keep compressed audio sounding fresh and bright with continuously variable frequency control (500Hz to 20kHz) and amount of dynamic enhancement. DRY- Mixes user defined amount of 'uncompressed' signal with the compressed signal to create 'parallel compression effect' without the need for external mixing devices.2 Channel soft-knee tube compressor Fully balanced internal signal path Class A design Isolation transformers IN and OUT 'Alltube' circuit design Variable attack and release with optional 'Program Dependent' auto release operation Dual mono or stereo link operation Switchable 'peak' or 'VU' metering to display transients Switchable +10db or +20db meter re-scale modes 8 segment gain reduction metering 'Big' mode for retaining low frequencies 'Bright' mode for enhancing high frequencies 'Dry' mix mode for 'parallel compression effect' Balanced XLR inputs/outputs

The Aviom AN-16/i Input Module is a single rack space unit that serves as the A/D input for the digital snake. It converts sixteen line level analog audio channels into uncompressed, full bandwidth digital data transmitted via Aviom's proprietary A-Net protocol. All inputs are balanced 1/4" TRS jacks. There is a Thru jack available for each input, which allows the Aviom AN-16/i Input Module to be inserted into an existing audio signal path. On the front panel, the Aviom AN-16/i has a four-position gain switch +22, +4, 0, and -10dB, stereo channel link switches, and signal present and clip LEDs. The rear panel of the Aviom AN-16/i has two rows of sixteen 1/4" TRS jacks for analog audio Input and Thru. For system network connections, there is an A-Net Out jack and an A-Net Expansion jack. The A-Net Expansion jack allows multiple Aviom AN-16 units to be combined. The modular system is easily reconfigured at a moments notice.

2-channel Microphone and Line-level Preamplifier with 4-band Equalizer and All-discrete, Balanced Circuitry Trident's A-Range channel strip gives you two channels of legendary console sound. A 2-channel, rackmountable version of the legendary Trident A-Range console, the A-Range gives you the sound of both the preamplifier and the 4-band equalizer used on countless hit records from the early '70s and on. In fact, it features the same all-discrete circuitry developed by Malcolm Toft and Barry Porter and found in the original A-Range consoles, only 13 of which were ever made. Whether you're recording to a modern DAW or old-school analog tape, the Trident A-Range channel strip is the front end you need! Trident A-Range Dual-channel All-discrete Preamp and 4-band Equalizer at a Glance: The sound and the circuitry of the recording console used of countless hit records A flexible signal path that's perfect for both microphones and instruments LED peak limiters help you achieve perfect gain-staging throughout your s

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Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.

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Soundcraft GB8-24 24 Channel, 8-Bus Professional Mixing Console (32 Channel version shown) Augmenting the already highly successful GB4 console range is the new GB8 8-bus console. Available in frame sizes from 16 to 48 channels, each with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include 1kHz oscillator and a meter bridge with three LED meters that very closely emulate the ballistics of VU meters. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with eleven feeds t

Product Features: Musical Instrument Type: Live Performance Equipment and Accessories; Live Performance Equipment: Lighting and Lasers, Dimmers

The GB4 offers a comprehensive set of functions and facilities in a small and cost-effective footprint, and delivers the high performance and reliability you would expect from a Soundcraft product Available in frame sizes from 12 to 40 channels, the GB4 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs. Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier

A League Of Its Own.Over the years, the Trident Series 80 console has heard its praises time and time again for its excellent quality, pristine accuracy, and most of all, its premium vintage equalizer. This powerful combination produced an enormous amount of hit records and is still revered as one of the best analog recording consoles made to date. With so much history behind the Trident name, Toft Audio Designs is proud to announce that the Series 80 boards have been redesigned by the original designer himself, Malcolm Toft. The end result is none other than the new Toft ATB Series Consoles.Best EQ Money Can Buy.The Toft ATB Console packs the same powerful equalizer that was used on the Trident Series 80 boards. The ATB's EQ section is regarded as one of the best sounding Equalizers on the market today! The super musical four-band EQ on the Toft ATB unleashes all your creativity without any limits or boundaries. The Toft ATB equalizer is your ultimate tool in your arsenal.FEATURES:8 Premium Channel Strip Module8 Mix Busses with outputsDirect Outs on every channelInline Monitoring for every input channel stripAdditional 8 Monitor Returns in Group SectionVintage Series 80 EQ for every input channel6 Aux Sends every input channel strip8 Fully-Dedicated Stero Aux ReturnsSuper Accurate 12-Stage LED MeterOptional Meter BridgeOptional ADAT/SPDIF digtial outputFully balanced outputs

SOUNDCRAFT GB4-32+2, live desk, 32 mono- und 2 stereo inputs, 4 band EQ with 2x para. mids, 8 aux ( 4x pre, 4x pre/post switchable ), LED segm. and 48V per chanel, 4 subgroups, 7x4 matrix, 4 mutegroups, recording output with int. limiter, int.powersupply, size: 130 x 65, 6 x 16, 9 cm, weight: ca. 32 kg PA/Live Equipment / Mixing Consoles

Tascam DM-4800 Mixer. The ultimate digital console for professional users.. The TASCAM DM-4800 is the ultimate digital console for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A "fat channel" strip

The standard in professional compression. The dbx160SL is a rackmountable stereo compressor/limiter in the tradition of the industry standard dbx160. The signal path consists of a high-precision input stage followed by the world's widest dynamic range, voltage-controlled amplifier--the dbx V8 VCA--and a high-performance output stage. Features hard-knee and classic dbx Overeasy compression threshold functions. Also has attack and release controls as well as program-dependent time constants selectable with an auto switch.The dbx160SL has a high-precision, high-drive, transformer-coupled output stage capable of performing with incredible accuracy and sonic transparency in virtually any audio environment. Click the additional manufacturer information and PDF links below to get the full scoop on this powerful compressor!

Drawmer S2 Signature Series Dual Channel Tube Compressor

2-channel Microphone and Line-level Preamplifier with 4-band Equalizer and All-discrete, Balanced Circuitry The Sound of a Classic Trident Recording Console! The Trident Series 80B channel strip lets you put the sound of a legendary Series 80 console in your studio rack! Based on the discrete circuitry developed by Malcolm Toft back in the late 1970s, the 2-channel Series 80B channel strip gives you the original transformer-coupled preamplifier and 4-band equalizer found in the full-sized classic console. Trident Series 80B 2-channel Preamplifier and 4-band Equalizer at a Glance: The sound and the circuitry of the consoles used to record countless hit records A versatile set of preamplifiers that are great for both microphones and outboard gear Trident's epic 4-band equalizer lets you tune your sound to perfection The sound and the circuitry of the consoles used to record countless hit records In the late '70s Malcolm Toft developed a new series of recording consoles to update Trident's sound for a new genera

TWO 19" Rack Mount SSL 4000 Series Channel Strip. This unit has Mic Pre, Dynamics, and EQ. Includes Power Supply The unit that everyone has been waiting for has finally arrived! This is not a copy or knock off, it is the Real Deal! Early last year we came out with an original SSL 4000 Series Channel Strip in a single 19 Rack Unit. Due to the demand, we decided to go ahead and develop more. We re-engineered our metal work and faceplates for better looks and functionality. We also took some

Store Home View Feedback New Arrivals Demos B-Stock Used Items Description Remote-controllable version of the HV-3D-8 8-channel Microphone Preamplifier, via Ethernet with PC software interface. Unrestricted Capacity, Uncompromised Clarity...Remote-controllable version of the HV-3D-8. Ethernet control with PC software interface. MIDI control for plug and play with Pro Tools HD Millennia HV-3R 8-channel Remote Microphone PreAmp Features :Control up to 792 channels (99 units) at once via Ethernet:

GTC2 Dual Channel Compressor by Aurora Input impedance = 10Kohms, transformer balanced and floating Balanced and floating output will drive any impedance from 600 Frequency response = 20Hz to >20KHz +/- 1dB Total Harmonic Distortion = <0.1% @ 1KHz @ +20dBu Noise = <-75dBu filtered 22Hz to 22KHz at unity gain Threshold = -10dBu to +30dBu Ratio = 1.5:1 to 10:1 Attack Time = 500uS to 5mS Release Time = 100mS to 3 Seconds Gain Make up = 0dB to +20dB Dimensions = 19 x 2U x 11 deep (482.6mm x 88.9mm x 280mm) Weight = 16lbs (7.25Kg)