Musical Instruments

Chauvet 4BAR Chauvet 4BAR Tri LED Light-Black 15-channel DMX-512 LED wash light system. RGB control of 4 separate lights. Built-in automated programs via master/slave or DMX. Built-in sound activated programs via master/slave or DMX. Includes footswitch with 33ft cable tripod with bag and transport case for lights. Independent positioning of each light. Low-profile lights are 1.7in deep. Adjustable stand from 56in to 91in. Trigger built-in static or automated programs (includes RGB fades).

The revolutionary r16 from zoom is now reborn as the r24 with added features including a built-in sampler, drum machine, 8 additional recording tracks and 6 channels of phantom-power.

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2-channel DMX LED derby-effect light system Linkable with KintaX & Double Derby Mount multiple units together with adjustable bracket Coverage angle: 130 Additional power output: max 37 units

Product Features: Musical Instrument Type: Studio Equipment and Accessories; Studio Equipment Type: Mixing Consoles, Production Stations, Racks, Recorders and Duplicators

Simply put, Mackie Control Pro Series controllers give your music production software what it needs to feel complete.

Same as Light Co-Pilot II system except includes 2 separate 4 channel relay packs instead of the LC-8SP.

Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors.

Chauvet LEDrain 64C DMX LED narrow beam fixture The LEDrain 64C is a 3 or 7 channel DMX LED narrow beam fixture that features static, dimmer, and strobe functions. The unit can switch between sound-active and automatic modes, with static colors and color mixing available from 183 red, green and blue LEDs with or without DMX control. A hanging bracket converts to a floor stand for versatility. Power is daisy-chainable to 25 units, allowing for shorter cable runs.

4 stereo input channels with balanced and ubalanced 1/4" jack 4 mono input channels with XLR, balanced and unbalanced 1/4" jack All mono channels with 3-band equalizer Phantom power with LED indicator for condenser microphone All channels with aux send controlMaster, control room, and headphone outputs10 3/5" W x 1 3/5" H x 8 9/10" D

The 280A has dual 80W Power Amplifier Crown’s Commercial Audio amplifiers deliver legendary Crown quality to the commercial audio industry. These high-value amplifiers provide both 4-ohm and constant-voltage outputs (70V and 100V) for use in a wide range of commercial applications including schools, hospitals, factories, restaurant/retail, houses of worship, fitness facilities, A/V boardrooms, prisons, and small offices. Easily configured for a range of uses such as paging, background music, security, and evacuation instructions, Crown’s Commercial Audio units are the smart choice for commercial sound. Ideal for commercial and industrial use, Expandable by adding Crown Commercial Audio Series mixers or mixer-amplifiers, Balanced Phoenix-type inputs; touch-proof screw-terminal speaker outputs, Three-Year, No-Fault, Fully Transferable Warranty, completely protects your investment and guarantees its specifications (photo shown 280A with 180A&1160A)

The Steinberg CMC-CH pours the virtual channel controls of Cubase into a real-world hardware device. Featuring an innovative, high-resolution touch fader with visual feedback, a green-lit rotary encoder and 16 illuminated rubber buttons, this small-sized yet incredibly versatile USB-controller is designed to streamline your recording, editing and mixing workflow.

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SPECIFICATIONS- CONTROL PROTOCOL: DMX-512- POWER REQUIREMENTS: 120VAC 50/60Hz, 20 Amps- PREHEAT: Soft start control- EXTERNAL FUSES: 5 Amp, 250V each channel- FULL LOAD VOLTAGE DROP: 3VAC- EFFICIENCY: 97%- ADDRESSING: 512 channels- CONTROL CONNECTIONS: Dual 5 pin XLR connectors- FILTER RISE TIME: 350 microseconds- CURVE: Modified square law- RESPONSE TIME: 8.3 milliseconds- CONDUCTION ANGLE: 0 - 180 degreesOptional Accessories :UB 12 Amp Mains Circuit Breaker, 1440 Watts Total Load $14.95UT Twist lock Power Input Connector $39.00230V 230 Volt Operation $39.00

Zoom takes its revolutionary R16 and turbo-charges it with a sampler and drum machine, 8 additional recording tracks and 6 channels of phantom-power on the all-new R24. The R24 combines four production tools into one incredibly versatile device. In addition to 24-track playback and 8-track simultaneous recording using SD memory cards, the R24 is a digital multi-track recorder, an audio interface, a control surface and a pad sampler.

20 Channel and 4 BUS for live sound / 16 Channel / 12 Segment LED / 60mm Faders All Channels / XLR and 1/4" Main Outs

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7-channel DMX-512 dual rotating LED scanner Individual control of Red, Green & Blue LEDs for each side (with strobing) Individual control of motor direction & speed for each side Instantly set motors &/or LEDs into sound activated programs Built-in automated programs via master/slave or DMX Built-in sound activated programs via master/slave or DMX High-power, 3W (700 mA) LEDs Additional power output: max 25 units @ 120V

prepackaged system upsell from the stage pak 1 includes a 24 channel board 3 dimmers and 3 x 25 ft cables in a color POP display box

The Chauvet Pro-D6 is a versatile 6-channel DMX-512 dimmer and switch pack which provides dimmer curve selection for each channel-square, switch, or linear. Each channel can be set as either dimmer or relay and sent to any DMX address. The Chauvet Pro-D6 also gives you an individual switch, circuit breaker, and plug per line, while accommodating different voltages per line.

This newest version of the world's most popular beltpack offers a single channel with 3-pin female and male XLR, 4-pin male XLR headset connector, 2.5mm AUX headset connector and an RS-232 data connector. All the performance and durability of the world standard plus TW compatibility. Allows use on a TW line (Audio on Channel B) without loading down channel A.Clear-Com continues its leadership in party line technology with the latest generation RS-600 Series beltpacks. The world's most advanced party line beltpack is designed to serve the needs of all users, whether first-time or experienced pros. All models offer a host of leading-edge features with simple-to-use straightforward operation. They provide excellent audio quality and are rugged enough to survive the day-in, day-out abuse of demanding professional applications. Like all Clear-Com beltpacks before them, the RS-600 Series offer the best sounding party line in the business. Exclusive audio shaping; powerful, high-headroom headphone amps, noiseless switching and built in mic limiters are key parts of the package.With all the standard-setting performance and features of the 500 Series incorporated, Clear-Com has added additional features like TW compatibility, headset call tone and a seven-segment LED to assist in selection of on-board setup options (no opening the beltpack or counting of "beeps" required).

SPECIFICATIONS- CONTROL PROTOCOL: Manual local / DMX-512- EXTERNAL FUSES: 5 Amp, 250V each channel- FULL LOAD VOLTAGE DROP: 3VAC- EFFICIENCY: 97%- ADDRESSING: 512 channels- CONTROL CONNECTIONS: Dual 5 pin XLR connectors- FILTER RISE TIME: 150 microseconds- CURVE: Modified square law- RESPONSE TIME: 8.3 milliseconds- CONDUCTION ANGLE: 0 - 180 degreesOptional Accessories :UB 12 Amp Mains Circuit Breaker, 1440 Watts Total Load $14.95UT Twist lock Power Input Connector $39.00230V 230 Volt Operation $39.00

The Marshall AR-AM4 is a 4-channel stereo analog audio monitoring system. It features stereo loudspeakers in a compact 1RU form factor, with analog amplification and digital processing. At only 6.0" deep, the AR-AM4 can be installed in many shallow rack cases or placed on any level surface. This unit is enhanced with four balanced XLR inputs, along with a balanced XLR output for interfacing to downstream equipment. Controls include separate headphone and speaker volume with master balance. A powerful DSP-controlled EQ (coupled with a limiting compressor) provides unparalleled, pristine sound and speaker protection.

The T8 Transformer Eight is a high quality totally passive audio interface that uses 8 transformers to separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The T8's audio transformers have flat and wide frequency response and handle high signal levels while maintaining an isolated balanced output. This gives the T8 a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1 1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms. Connection versatility sets the T8 apart from other isolation boxes. The T8 provides balanced XLR, 1 4" phone, and RCA type phono connections on all inputs and outputs simultaneously. The T8 fits easily into virtually any audio system and is a clean patch point between all types of systems. The T8s mounting ears are reversible so you can have either the XLRs on the front or The 1 4" and RCA phono jacks on the front.

The PreSonus Studio Channel is a professional channel strip combining a Class A tube preamplifier, a VCA-based compressor, and a 3-band parametric equalizer. The Studio Channel is perfect for all levels of studios. Ideal for all types of microphones, instruments, keyboards, and synths, the PreSonus Studio Channel has the sonic power and flexibility to achieve any tone you can dream of, including luscious in-your-face vocals, crystal-clear acoustic guitars, fat, solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks, and more. Enhance your signal path The Presonus Studio Channel was designed to outperform preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big, fat, tube tonality but also complete control of your tone and sounds.

The Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, compressor, and three-band parametric equalizer. The microphone preamplifier features variable input impedance so that the Eureka can be matched and "tuned" for all types of microphones and recording applications. The Class A transformer-coupled microphone preamplifier also features "SATURATE" which adjusts the drain current on the input FET amplifier to simulate of the effects of tape saturation and tube "warmth".The Eureka's ultra fast compressor has both soft and hard knee compression as well as a separate make up gain stage and hi-pass side chain compression to deliver hard pumping to ultra transparent compression and everything in between. The Eureka's three-band fully parametric EQ gives you variable Q (bandwidth) on each band as well as an EQ pre COMP switch to put the EQ before the Compressor in the signal path.

System includes: • 1x Light Copilot II controller • 2x LC-4SP, 4-Ch. Power Packs (15A per pack) • 1x 25 ft. connector cable • 1x 10 ft.

Recommended amplifier power: 20-150W per channel Two 6-1/2 inch Dynamic Balance bilaminate composite woofers with rubber surround and 1-inch Dynamic Balance fabric/polymer composite tweeter with neodymium magnet for a balanced audioscape Nonresonan...

The MA215 is a 15 watt per channel high fidelity integrated stereo amplifier. It is designed for wall-mount or SMC installation. The integrated amplifier features a volume/gain, bass, treble and balance controls. Volume can be adjusted up and down in 76 steps. The MA215 is designed to meet the amplifier needs of custom installed systems where high-quality sound is a specific requirement.

S-com 4 - Four Channel Compressor/Gate The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a w