Books

The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving.The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.

People interested in Anglican Church history and liturgical development will appreciate this historic edition of the Book of Common Prayer. Black imitation-leather binding, gilt blocking.

The scene: a sleeping car on the North-Western express, somewhere between Preston and Carlisle. The weapon: a small-caliber revolver. The victims: two young newlyweds, with little money and no known enemies. The puzzle: everyone in the car has an alibi, and no one was seen to leave. Here are all the ingredients for another gripping detective story. The Oxford Book of English Detective Stories gathers 33 engrossing tales of crime, ranging from the birth of the genre to the present day. Arthur Conan Doyle, G.K. Chesterton, Agatha Christie, Dorothy Sayers, Margery Allingham, P.D. James, Ruth Rendell, Robert Barnard, and Simon Brett--all the giants of English mystery are here, as well as Christianna Brand, Ngaio Marsh, Michael Innes, Reginald Hill, Nicholas Blake, Michael Underwood, and many more. Editor Patricia Craig treats us to Sherlock Holmes, indefatigably tracking the details of the theft of Colonel Ross's prize horse, Silver Blaze, and the murder of its trainer. In "The Oracle of the Dog, " G.K. Chesterton's Father Brown sits calmly in his study, solving at a distance the perplexing murder of Colonel Druce: was it the foreign Dr. Valentine, the foppish lawyer Traill, or Floyd, the exuberant American secretary? P.D. James sends Chief Superindentant Dalgliesh on the trail of a mysterious death from some seventy years before--a case with a final, darkly ironic twist. And Robert Barnard grimly lampoons English academe in "The Oxford Way of Death." In addition to this dazzling array of stories, Craig provides a concise introduction which surveys the origins and development of this enduring genre. Ingenious, gothic, morbid, satirical--the English detective story ranks among the most dynamic and gripping fiction. In The Oxford Book of English Detective Stories, Patricia Craig presents some of the best ever written, in an absorbing tour of the world of crime, detection, and retribution.

The Book of Indian Butterflies describes 734 species of butterflies that commonly occur in the Indian subcontinent. Most descriptions are illustrated with color images of specimens from the Bombay Natural History Society's collection as well as with color photographs of butterflies from across the country in their natural habitats. The book also includes color photographs showing the life history of different butterfly groups and their adaptation techniques.Besides highlighting the rich biodiversity of India's butterfly fauna, this book is a highly enjoyable guide for nature lovers. Isaac Kehimkar discusses the biology and identification of butterflies, as well as butterfly watching, photography, and rearing. Written by an expert in the field, The Book of Indian Butterflies is a comprehensive and updated guide to India's butterflies.

First published in 1996 to great critical and popular acclaim, the Grove Book of Operas, is a collection of synopses and descriptions of over 250 operas. Each succinct yet insightful entry is written by a leading authority on the opera and includes a full synopsis of the plot, a cast list, a note on the singers in the original production, and information on the origins of the work and its literary and social background. Contributions conclude with a brief comment on the particular work's place in operatic history. A glossary offers brief and accessible definitions of terms that may be unfamiliar to the reader. And indices of role names and of arias and ensembles allow the reader to find operas containing their favorite aria or a well-known character. The second edition brings the book up to date with several recently composed operas and a fascinating introductory essay by David Levin on opera performance in the 21st century. Recent additions to the operatic repertory included for the first time in this edition include Nicholas Maw, Sophie's Choice; Poul Ruders, A Handmaid's Tale; John Adams, Death of Klinghoffer; and Mark Adamo, Little Women.Covering all operas in the current repertory along with some less-well-known early and very modern ones, this is an ideal volume for the general opera lover.

In order to describe the world perfectly, one must describe it in its own terms. In this ambitious and comprehensive book, Theodore Sider argues that for a representation to be fully successful, truth is not enough; the representation must also use the right concepts - concepts that "carve at the joints" - so that its conceptual structure matches reality's structure. There is an objectively correct way to "write the book of the world".Sider's argument begins from the assertion that metaphysics is about the fundamental structure of reality. Not about what's necessarily true; not about what properties are essential; not about conceptual analysis; and not about what there is. While inquiry into necessity, essence, concepts, or ontology might help to illuminate reality's structure, the ultimate goal is insight into this structure. Part of Sider's theory of structure is an account of how structure connects to other concepts. For example, structure can be used to illuminate laws of nature, explanation, reference, induction, physical geometry, substantivity, conventionality, objectivity, and metametaphysics. Another part is an account of how structure behaves. Since structure is a way of thinking about fundamentality, Sider's account implies distinctive answers to questions about the nature of fundamentality. These answers distinguish his theory of structure - which is a generalization and extension of David Lewis's theory of natural properties - from other recent theories of fundamentality, including Kit Fine's theory of ground and reality, the theory of truthmaking, and Jonathan Schaffer's theory of ontological dependence. The book concludes by applying the theory of structure to four topics: ontology, logic, time, and modality.

In the tradition of Iona and Peter Opie's Oxford Book of Children's Verse comes this anthology by the award-winning poet and children's book author Donald Hall. Bringing together "poems written for children and also poems written for anybody which children have enjoyed, " the book includes anonymous works, ballads, and recitation pieces, beginning with the Calvinist verses of the seventeenth century.Hall has collected poems from Sunday School magazines, Christmas annuals for children, and children's periodicals such as St. Nicholas and Youth's Companion. Many marvelous writers, some no longer remembered, wrote almost every month for these nineteenth and twentieth century publications. In addition to the expected names of Longfellow and Whittier, we find Sarah Josepha Hale ("Mary Had a Little Lamb"), Mary Mapes Dodge (creator of Hans Brinker), and Palmer Cox (with his marvelous Brownies). Twentieth century authors abound: Ogden Nash, T.S. Eliot, John Updike, Theodore Roethke, to name just a few. The book concludes with the fabulous nonsense of present-day writers like Shel Silverstein and Nancy Willard.About the Editor:Donald Hall's many books include The Oxford Book of American Literary Anecdotes, Kicking the Leaves, and Ox-Cart Man, which won the Caldecott Medal for children's literature.

Compiled by the award-winning poet and author of children's books, Donald Hall, this delightful anthology follows in the tradition of Iona and Peter Opie's classic Oxford Book of Children's Verse. Hall brings together poems written specifically for children and also those written for anyone and enjoyed by children and adults alike. He presents over two hundred fifty poems written by over one hundred different American poets--including anonymous works, ballads, and recitation pieces--that range from the Calvinist verses of the seventeenth century to the fabulous nonsense poems of the present.Drawing on literally thousands of sources--including Sunday School magazines, Christmas annuals for children, and such wonderful children's periodicals as St. Nicholas and Youth's Companion--Hall gives the modern reader a rich sampling of many poems never before anthologized. He includes everyone's favorites, from Clement Clarke Moore's "A Visit from St. Nicholas" (a.k.a. "The Night Before Christmas") to the classic lines of Longfellow and Whittier. Along with Sarah Josepha Hale's famous poem, "Mary's Lamb, " we find poetry by Emily Dickinson, Mary Mapes Dodge, Palmer Cox, Sarah Orne Jewett, Laura E. Richards, and Gelett Burgess. He also covers the twentieth-century with verse by T.S. Eliot, Edna St. Vincent Millay, Langston Hughes, Ogden Nash, Dr. Seuss (Theodore Geisel), and Randall Jarrell, just to name a few. Hall concludes with the poetry of present-day writers such as Shel Silverstein and Nancy Willard.A testament to a captivating tradition in American literature, this anthology will encourage many hours of nostalgic browsing and reading aloud to children.

How many of one's favourite poems are story poems? This is a wonderful collection of over sixty narratives in verse with thrilling tales, silly nonsense rhymes, tragic poems that will keep you in suspense, and funny, quirky poems that will delight over and over again. All the classic poems you would expect to see are here, such as 'Jabberwocky', 'The Pied Piper of Hamelin', 'The Highwayman', 'The Lady of Shalott', and 'The Owl and the Pussycat' and these combine with more modern but equally satisfying poems to make a rich and varied anthology. Authors include Hilaire Belloc, Edward Lear, Walter de la Mare, J.R.R. Tolkien, James Reeves, Roger McGough, and Michael Rosen.

American children's poetry began with Native American cradle songs, moved on to a rhymed alphabet, blossomed in the 19th century with "A Visit from St. Nicholas, " expanded widely in the 20th century, and continues with vigor into the new millennium. Some of the best of these poems, however, have been neglected or forgotten. This collection, edited by acclaimed children's author and poet Donald Hall, returns to us the forgotten treasures of American children's poetry. Featuring some of the best of children's book illustration-including archival selections from rare and early editions and pictures from now defunct 19th- and early-20th-century children's magazines-this anthology revives not only the classic poems but also the atmosphere of the periods in which they were written and read.Starting with anonymous Native American verses and a selection from the 1727 New England Primer, "Alphabet, " this book spans two centuries of American children's poetry. Immediately recognizable names, including Emily Dickinson, Robert Frost, Carl Sandburg, and T. S. Eliot are joined by talented contemporary poets like Gwendolyn Brooks, Sandra Cisneros, Janet S. Wong, and others. Perennial favorites-such as "The Three Little Kittens" and "Casey at the Bat"-are mixed in with new classics, such as Shel Silverstein's "Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out." Poems about holidays appear with verses for recitation, nursery rhymes, poems for laughter, bedtime verses, scary poems, and animal poems. In recognition of America's diverse nature, the selections in this anthology reflect a variety of backgrounds and experiences. From anonymous African-American poets we step forward through the ages to admire the talents of Langston Hughes, Sonia Sanchez, and Francisco X. Alarc�n. Children will love discovering these gems, and both parents and teachers will delight in reading to children from this book.

Mark Twain once derided the Book of Mormon as "chloroform in print." Long and complicated, written in the language of the King James version of the Bible, it boggles the minds of many. Yet it is unquestionably one of the most influential books ever written. With over 140 million copies in print, it is a central text of one of the largest and fastest-growing faiths in the world. And, Grant Hardy shows, it's far from the coma-inducing doorstop caricatured by Twain. In Understanding the Book of Mormon, Hardy offers the first comprehensive analysis of the work's narrative structure in its 180 year history. Unlike virtually all other recent world scriptures, the Book of Mormon presents itself as an integrated narrative rather than a series of doctrinal expositions, moral injunctions, or devotional hymns. Hardy takes readers through its characters, events, and ideas, as he explores the story and its messages. He identifies the book's literary techniques, such as characterization, embedded documents, allusions, and parallel narratives. Whether Joseph Smith is regarded as author or translator, it's noteworthy that he never speaks in his own voice; rather, he mediates nearly everything through the narrators Nephi, Mormon, and Moroni. Hardy shows how each has a distinctive voice, and all are woven into an integral whole.As with any scripture, the contending views of the Book of Mormon can seem irreconcilable. For believers, it is an actual historical document, transmitted from ancient America. For nonbelievers, it is the work of a nineteenth-century farmer from upstate New York. Hardy transcends this intractable conflict by offering a literary approach, one appropriate to both history and fiction. Regardless of whether readers are interested in American history, literature, comparative religion, or even salvation, he writes, the book can best be read if we examine the text on its own terms.

The last twelve stories written about Holmes and Watson, these tales reflect the disillusioned world of the 1920s in which they were written. Some of the sharpest turns of wit in English literature are contrasted by dark images of psychological tragedy, suicide, and incest in a collection of tales that have haunted generations of readers.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Boasting almost one hundred pieces, The Oxford Book of Modern Science Writing is a breathtaking celebration of the finest writing by scientists--the best such collection in print--packed with scintillating essays on everything from "The Discovery of Lucy" to "The Terror and Vastness of the Universe." Edited by best-selling author and renowned scientist Richard Dawkins, this sterling collection brings together exhilarating pieces by a who's who of scientists and science writers, including Stephen Pinker, Stephen Jay Gould, Martin Gardner, Albert Einstein, Julian Huxley, and many dozens more. Readers will find excerpts from bestsellers such as Douglas R. Hofstadter's Godel, Escher, Bach, Francis Crick's Life Itself, Loren Eiseley's The Immense Journey, Daniel Dennett's Darwin's Dangerous Idea, and Rachel Carson's The Sea Around Us. There are classic essays ranging from J.B.S. Haldane's "On Being the Right Size" and Garrett Hardin's "The Tragedy of the Commons" to Alan Turing's "Computing Machinery and Intelligence" and Albert Einstein's famed New York Times article on "Relativity." And readers will also discover lesser-known but engaging pieces such as Lewis Thomas's "Seven Wonders of Science, " J. Robert Oppenheimer on "War and Physicists, " and Freeman Dyson's memoir of studying under Hans Bethe. A must-read volume for all science buffs, The Oxford Book of Modern Science Writing is a rich and vibrant anthology that captures the poetry and excitement of scientific thought and discovery.One of New Scientist's Editor's Picks for 2008

"With a single announcement from a herald, all the cities of Greece and Asia had been set free; only an intrepid soul could formulate such an ambitious project, only phenomenal valour and fortune bring it to fruition."Thus Livy describes the reaction to the Roman commander T.Q. Flamininus' proclamation of the freedom of Greece at the Isthmian games near Corinth in 196 BC. Half a century later Greece was annexed as a province of the Romans who burned the ancient city of Corinth to the ground. Books 31 to 40 of Livy's history chart Rome's emergence as an imperial nation and the Romans tempestuous involvement with Greece, Macedonia and the near East in the opening decades of the second century BC; they are our most important source for Graeco-Roman relations in that century. Livy's dramatic narrative includes the Roman campaigns in Spain and against the Gallic tribes of Northern Italy; the flight of Hannibal from Carthage and his death in the East; the debate on the Oppian law; and the Bacchanalian Episode. This is the only unabridged English translation of Books 31 to 40.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Release Date: December 31, 1968

The first anthology of Jewish mythology in English, Tree of Souls reveals a mythical tradition as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adams diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eves release of evil into the world with Pandoras). For ease of use, Schwartz divides the volume into ten books, Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah.

The debate between "new atheists" and religious apologists today is often hostile. Turning Images is a book that sets a new tone by locating the debate between theism and naturalism (most "new atheists" are self-described "naturalists") in the broader context of reflection on imagination and aesthetics. The eleven original essays will be of interest to anyone who is fascinated by the power of imagination and the role of aesthetics in deciding between worldviews or philosophies of nature. Representing a variety of points of view, authors include outstanding philosophers of religion and of science, a distinguished art historian, and a visual artist. Martin Kemp begins the book by looking at D'Arcy Thompson's vision of the natural world, combining poetry and visual images to set the stage for thinking about nature along teleological or non-purposive lines. Geoffrey Gorham then offers an overview and analysis of the images of nature found in early modern science and philosophy. Anthony O'Hear takes up the problem of accounting for the origin of mind or consciousness, highlighting some of the limitations of Darwinian evolutionary biology in terms of values. Dale Jacquette offers a thoroughgoing, naturalistic account of the emergence of intentionality and a unique argument about the emergence of art and the aesthetic appreciation of nature. E.J. Lowe advances some difficulties facing a naturalist approach to mental life. Douglas Hedley offers a cognitive account of the imagination and also advances reasons why naturalism faces deep challenges. Daniel N. Robinson offers a sweeping account of nature and naturalism, historically engaging Aristotle, Kant, Hegel and others. Conor Cunningham provides a take-no-prisoners critique of contemporary naturalism. Gordon Graham investigates the resources of naturalism in accounting for our sense of the sacred. Mark Wynn provides a subtle account of the imagination and perception, suggesting how these may play into the theism - naturalism debate. The book concludes with Jil Evans' reflections on the Galapagos Islands, that key, almost mythic place that became instrumental in shaping Darwin's development of his theory of evolution.

Newly updated with the stunning discovery of two new elements, A Guide to the Elements, 2nd Edition is still the easy-to-read, easy-to-understand resource to the periodic table that students and teachers of the physical sciences expect. A Guide to the Elements, Second Edition begins with an introductory section that explains some of the basic concepts of chemistry and traces the history and development of the periodic table of the elements. In clear, nontechnical language, Albert Stwertka takes complex ideas and terms easily understandable. Complemented with historical anecdotes and everyday examples, each fascinating article examines one element and is accompanied by photographs many in full color of practical applications. Middle school and high school students will find this a welcome reference, as will adults with no background in chemistry. This new edition includes: * A comprehensive list of informative websites * An epilogue on recent near-discoveries of new elements * An extensively updated further-reading listAn excellent "look up" resource as well as a superb introduction to chemistry, A Guide to the Elements, Second Edition is a good beginning step on the road to chemical literacy.

Japanese gods, too numerous to count, are known collectively as yaoyorozu-no-kamigami--the eight million. They are the cast of a vast, complex mythology that encompasses two religions, three cultures, and three millennia, one whose ancient deities are still hard at work today. Handbook of Japanese Mythology makes it easy to travel this vast yet little-known mythological landscape. The book reveals the origins of Japan's myths in the very different realms of Buddhism, Shinto, and folklore, and explores related mythologies of the Ainu and Okinawan cultures and recent myths arising from Japan's encounters with modernization. It then offers vivid retellings of the central Shinto and Buddhist myths, plus descriptions of major historical figures, icons, rituals, and events. For students or long-time enthusiasts, it is the ideal guide for investigating Japanese reverence for the sun, the imperial family, and the virtues of purity and loyalty. Readers will also learn why sumo wrestlers stomp before each match, how a fussy baby creates thunder, why Japan has a god for soccer, and much more.