Prince of Darkness COUNT DRACULA A3 art giclee print LE signed by artist

From the publishers of A Lovecraft Retrospective: Artists Inspired by H.P. Lovecraft.Drawing on 35 years of Stephen King in print, Centipede Press's second art book, Knowing Darkness: Artists Inspired by Stephen King, measures 11 x 15 inches.  It has 448 pages and over 500 illustrations, including 30 double-page foldouts. From Carrie to Just After Sunset, this definitive collection of art spans King's entire career, with newly commissioned artwork and reprinted art, most from publications long out-of-print that command premium prices.Scrupulously reproduced with fidelity, shot from the artists' original art or color-corrected computer scans, the art appears the way the artist had intended—a private gallery, as it were, showcasing the works of the most talented artists in the fantasy, science fiction, and horror fields.The book is printed on heavy matte paper, varnished for protection, and sports sewn signatures for repeated readings. The book is protected by a custom-fitted, illustrated slipcase.Representing every artistic medium—collages, scratchboard, oils, acrylics, watercolors, graphite pencil, photographs, and digital art—the art reproduced includes virtually all of the work published in King's impossible-to-find, out-of-print limited editions, trade book covers (hardback and paperback), and movie posters.Drawing on artists worldwide, this book includes work by Dave McKean, Bernie Wrightson, David Palladini, John Jude Palencar, Michael Whelan, Bob Eggleton, John Cayea, Rowena Morrill, Jill Bauman, Kinuko Y. Craft, Jason Eckhard, Les Edwards, David Ho, Allen Koszowski, Zach McCain, Alex McVey, John Picacio, Don Punchatz, Rick Berry, Douglas Smith, Thomas Canty, Glenn Chadbourne, David Christensen, Alan Clark, Ned Dameron, Linda Fennimore, Stephen Gervais, Mark Geyer, Phil Hale, Don Maitz, Steven Stroud, Drew Struzan, and Mark Ryden. As a special visual treat, some of the artists were asked to draw new pieces, based on their favorite King stories or novels, which will never appear anywhere else.The text for the book—the in-depth profiles, the interviews, the essays—is by George Beahm, whose definitive books about King include a companion book, a biography, a price guide, a travel guide, and collections of essays. Beahm, who has published 30 books on various subjects, has also written extensively about artists and has worked with numerous artists for decades. SIGNED EDITION: Comprised of two books, both laid in a matching traycase, this collectible is limited to only 300 copies worldwide. The art book has been signed by over thirty artists. A supplementary book of 20 prints (13x19 inches in full color) is also included. Note: The book is not signed by Mr. Stephen King, nor does it have any text by him.

From the publishers of A Lovecraft Retrospective: Artists Inspired by H.P. Lovecraft.Drawing on 35 years of Stephen King in print, Centipede Press's second art book, Knowing Darkness: Artists Inspired by Stephen King, measures 11 x 15 inches.  It has 448 pages and over 500 illustrations, including 30 double-page foldouts. From Carrie to Just After Sunset, this definitive collection of art spans King's entire career, with newly commissioned artwork and reprinted art, most from publications long out-of-print that command premium prices.Scrupulously reproduced with fidelity, shot from the artists' original art or color-corrected computer scans, the art appears the way the artist had intended—a private gallery, as it were, showcasing the works of the most talented artists in the fantasy, science fiction, and horror fields.The book is printed on heavy matte paper, varnished for protection, and sports sewn signatures for repeated readings. The book is protected by a custom-fitted, illustrated slipcase.Representing every artistic medium—collages, scratchboard, oils, acrylics, watercolors, graphite pencil, photographs, and digital art—the art reproduced includes virtually all of the work published in King's impossible-to-find, out-of-print limited editions, trade book covers (hardback and paperback), and movie posters.Drawing on artists worldwide, this book includes work by Dave McKean, Bernie Wrightson, David Palladini, John Jude Palencar, Michael Whelan, Bob Eggleton, John Cayea, Rowena Morrill, Jill Bauman, Kinuko Y. Craft, Jason Eckhard, Les Edwards, David Ho, Allen Koszowski, Zach McCain, Alex McVey, John Picacio, Don Punchatz, Rick Berry, Douglas Smith, Thomas Canty, Glenn Chadbourne, David Christensen, Alan Clark, Ned Dameron, Linda Fennimore, Stephen Gervais, Mark Geyer, Phil Hale, Don Maitz, Steven Stroud, Drew Struzan, and Mark Ryden. As a special visual treat, some of the artists were asked to draw new pieces, based on their favorite King stories or novels, which will never appear anywhere else.The text for the book—the in-depth profiles, the interviews, the essays—is by George Beahm, whose definitive books about King include a companion book, a biography, a price guide, a travel guide, and collections of essays. Beahm, who has published 30 books on various subjects, has also written extensively about artists and has worked with numerous artists for decades. SIGNED EDITION: Comprised of two books, both laid in a matching traycase, this collectible is limited to only 300 copies worldwide. The art book has been signed by over thirty artists. A supplementary book of 20 prints (13x19 inches in full color) is also included. Note: The book is not signed by Mr. Stephen King, nor does it have any text by him.

Work by black artists today is almost uniformly understood in terms of its "blackness, " with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness--his metaphorical "total darkness"--primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able--and black artists less willing--to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.

A stranger has come to Middleburg? Maryland ? a visitor from abroad with a mysterious purpose. But this quaint? affluent community has dark secrets of its own. And when the interloper? Peter Stewart? becomes involved with the bewitching? seductive ward of noted local author Kate More? the townsfolk fear the chilling past they are hiding will no longer be safe ? for Middleburg has a colonial history of malevolent sorceries and obscene sacrifice. And when the terrible pot is stirred? murder may be the least of the evils to emerge from the unholy brew.

Release Date: October 31, 1990

All iCanvasART art pieces arrive ready to be displayed right out of the box. Our artwork is made with 100% canvas material and is a great alternative to hanging up posters that have a low quality look. Giclee canvas artwork has the look and feel of fine art and is bright in color and full of details. To provide our customers with the best available products we manufacture on state of the art equipment - the latest technology available - with top of the line inks. Giclee art printing process is a sophisticated method of art production using bright, vivid, archival inks. The art is manufactured on museum-quality heavy-weight cotton canvas. Our wall art will add brilliance in color and exceptional detail to any space. Since 1999 iCanvasART has been offering the best selection and products to its growing customer base. We are a company of 70 hard working individuals operating together to ensure each and every customer's complete satisfaction. Our client base consists of over 75, 000+ satisfied customers. We operate in the US out of a state of the art facility with specialized equipment necessary for production of Giclee canvas art. Our daily goal is to earn our customer's respect, repeat business, and referrals. We have shipped high quality products to consumers in over 95 countries.

Dracula, Prince of Many Faces reveals the extraordinary life and times of the infamous Vlad Dracula of Romania (1431 - 1476), nicknamed the Impaler. Dreaded by his enemies, emulated by later rulers like Ivan the Terrible, honored by his countrymen even today, Vlad Dracula was surely one of the most intriguing figures to have stalked the corridors of European and Asian capitals in the fifteenth century.

Work by black artists today is almost uniformly understood in terms of its "blackness, " with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness--his metaphorical "total darkness"--primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able--and black artists less willing--to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.

• Beautiful artwork, renders, and concept art of all your favorite characters and much more.• Complete Prince of Persia strategy guide.• Exclusive high-quality concept art print.• Revealing in-depth interviews with key members of the team.• A detailed behind-the-scenes look at this year's biggest blockbuster.

Venice byHava is a Limited Edition Hand Signed individually numbered giclee on canvas  Now you can experience the individualistic and peculiar incandescence of Hava s photorealistic artwork. Venice will be a handsome addition to any home or office decor. Features: . Artwork s Medium: Giclee on canvas. 14 x 19 print with 2 white matte (16 x 21). Plate Signed & Numbered. Limited Edition . Certificate of authenticity included I use each day to bring my past to the lives of my children and all who appreciate my art. HavaThe Artist known as Hava was born 1962 in Israel. He migrated with his family to the United States in the late 1970 s bringing with him a lifetime of memories from his native Middle Eastern culture. Once taking up residency in New York City he was able to bring these memories of the people and landscape to life through his art. Working nightly in the Jazz clubs of New York as a clarinet player he dreamed of the day his first loved art form would be highly acclaimed enough to earn him the respect of his peers and his family. Working the spring and summer art shows of the area his landscape and figurative art began to be noticed for its detail and beauty. A show at an East village gallery brought his art before the collectors and critics of NYC.Moving west as the turn of the century approached Hava broadened his work to cover all the aspects his past of the middle eastern  culture.  He settled in Sante Fe New Mexico with his wife and 2 young children.