ETHER AZAMA Cool Heat LP mono orig Liberty Marty Paich

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Liner Note Author: Johnny Magnus.Photographer: Ed Thrasher.Arranger: Marty Paich.The title The Rock-Jazz Incident tends to suggest something strange or disastrous occurred during the recording of this album, which is hardly the case, though this set from arranger and bandleader Marty Paich ends up having only so much to do with either rock or jazz. On The Rock-Jazz Incident, Paich takes a handful of well-known pop tunes of the day (which in this case was 1966) along with a few originals and dresses them up with contemporary big-band arrangements, dominated by horns, keyboards, and a tight, well-mannered rhythm section. While Paich was a respected figure in West Coast jazz with an impressive résumé, these sessions have more of a middle-of-the-road feel, lacking the élan and sense of adventure of his best work; this often sounds more like a film or television score than anything else, through Paich and his accompanists deliver strong, muscular work on these 11 cuts and their take on numbers like "Call Me, " "It'

Rca/import, Genre: Easy Listening

Jazzed Media

Personnel: Buddy Rich (drums); Bill Pittman , Sam Herman (guitar); Buddy Collette (flute, baritone saxophone); Earle Warren, Phil Woods (alto saxophone); Bob Cooper Quartet & Quintet, Al Cohn, Benny Golson (tenor saxophone); Stephen Perlow (baritone saxophone); Joe Ferrante, Conrad Gozzo , Emmett Berry, Harry "Sweets" Edison , Pete Candoli, Jimmy Nottingham, Stan Fishelson (trumpet); Eddie Bert, Frank Rosolino, Jimmy Cleveland, Willie Dennis , Billy Byers (trombone); Bob Enevoldsen (valve trombone); Jimmy Rowles, John Bunch (piano).Liner Note Authors: Stewart Clay; John Sippel.Recording information: 08/24/1956-04/10/1959.Author: Buddy Rich.Arrangers: Ernie Wilkins; Marty Paich.

Digipak pressing containing the first two LPs by Buddy Rich and his Big Band in their entirety. Both This One's For Basie (1956) and Richcraft (1959) feature great stars from the East and West Coast plus splendid arrangements by Mary Paich and Ernie Wilkins. 17 tracks. Jazz Beat.

The two albums compiled on this CD provide the only existing testimony of singer/drummer Mel Tormé accompanied by the great Art Pepper. The combination is sublime, for Pepper’s sound seems to fit particularly well behind Tormé’s voice. The other important collaboration on these sessions is the one between Tormé and celebrated arranger Marty Paich. However, these are by no means their only works together as they collaborated many times. The two albums contained on this CD present two different concepts. The first one gives us extraordinary Paich arrangements of Broadway standards, some of them well-known melodies that became Jazz standards, while others have passed into relative obscurity. The second LP is a reunion of the famous Tormé vocal group, The Mel-Tones, which made its first recordings in 1944. 24 tracks. Lonehill. 2007.

Digipak pressing containing the first two LPs by Buddy Rich and his Big Band in their entirety. Both This One's For Basie (1956) and Richcraft (1959) feature great stars from the East and West Coast plus splendid arrangements by Mary Paich and Ernie Wilkins. 17 tracks. Jazz Beat.