Cassettes - Faster Pussycat - set of 2 albums

Tura Satana

Varla (Tura Satana), Billie (Lori Williams), and Rosie (Haji) are three fed-up go-go dancers who drive out into the California desert to let off some steam. When they encounter squeaky clean couple Tommy (Ray Barlow) and Linda (Sue Bernard), also out for a desert joyride, the girls' invitation to drag race turns ugly. After a fistfight, Varla leaves Tommy for dead and kidnaps Linda. The three dangerous beauties then catch word of a feeble old man (Stuart Lancaster) out in the desert who is reportedly sitting on a large amount of money, and they set out to beat it out of him and his two sons. FASTER, PUSSYCAT!, though made for the raincoat crowd in the mid-1960s, has since transcended its humble origins to become a beloved cult classic. While treading territory similar to MOTORPSYCHO, director Russ Meyer's previous film, PUSSYCAT! turns the convention on its ear with what is possibly the toughest (and most glamorous) trio of femme fatales ever to hit the screen. As Varla, the iconic Satana creates a character

Vivien Leigh

Personnel: Xristian Simon, Michael Thomas , Ed Mundell (guitar); Chad Stewart (drums).Recording information: Across The United States; The Graveyard, Hollywood, CA.Out of all the glam/hair bands that infiltrated the rock world circa the late '80s, Faster Pussycat was certainly one of the sleaziest and loosest -- especially when it came to performing their three-chord anthems on the concert stage. But during the group's peak, they never got around to issuing a live album. However, when singer Taime Downe decided to put together a whole new Faster Pussycat lineup circa the early 21st century, the time had finally come for the group's first official live set, 2009's Front Row for the Donkey Show. Interestingly, although Faster Pussycat's 2006 studio comeback, The Power and the Glory Hole, was a decidedly electro/industrial-based affair, this live set reflects more of the group's earlier direction. And an obvious reason for this is the presence of quite a few vintage Pussycat ditties, including "Cathouse, " "House

Elektra Entertainment ( October 25, 1990 ), Genre: Heavy Metal

Black & White/83 Minutes Includes Four Rare Trailers FASTER PUSSYCAT, KILL! KILL! is the story of a new breed of SUPERWOMEN emerging out of the ruthlessness of our times. We are introduced to three BUXOM Go-Go girls: VARLA, ROSIE, and BILLIE, wildly dancing the Watusi before the leers, jeers and lecherous come-ons of their drooling all-male audience. The violence, implicit in the girls' tease, is quickly moved out of the microcosmic bar into the outside world as they literally let go of themselves, embarking on a wild, violent, deadly journey of vengeance on all men. VARLA, the outrageously abundant KARATE MASTER leader of the pack, breaks the arms and back of one man, runs her Porsche over two others, grinds a fourth, a muscleman, against a wall and, eventually, deliberately goes down the path of her own self-destruction, dragging her two BUXOTIC cohorts along with her.

Black & White/83 Minutes Includes Four Rare Trailers FASTER PUSSYCAT, KILL! KILL! is the story of a new breed of SUPERWOMEN emerging out of the ruthlessness of our times. We are introduced to three BUXOM Go-Go girls: VARLA, ROSIE, and BILLIE, wildly dancing the Watusi before the leers, jeers and lecherous come-ons of their drooling all-male audience. The violence, implicit in the girls' tease, is quickly moved out of the microcosmic bar into the outside world as they literally let go of themselves, embarking on a wild, violent, deadly journey of vengeance on all men. VARLA, the outrageously abundant KARATE MASTER leader of the pack, breaks the arms and back of one man, runs her Porsche over two others, grinds a fourth, a muscleman, against a wall and, eventually, deliberately goes down the path of her own self-destruction, dragging her two BUXOTIC cohorts along with her.

Faster Pussycat: Taime Downe (vocals); Greg Steele, Brent Muscat (guitar, background vocals); Eric Stacy (bass, background vocals); Mark Michals (drums).Compilation producers: Craig DeGraff, Mark Pinkus.Recorded between 1987 and 1992. Includes liner notes by Dewey Ludden.Digitally remastered by Bob Fisher (Pacific Multimedia).Faster Pussycat: Taime Downe (vocals); Greg Steele, Brent Muscat (guitar); Mark Michals (bass guitar); Eric Stacy (drums).Audio Remasterer: Bobby Fischer.Photographer: Marty Temme.Back in the early '70s, the New York Dolls were easily the sleaziest and most rockingest bunch of cross-dressers around. And while they never were able to translate it all into commercial success, they left quite an impression on the West Coast. After all, by the mid- to late '80s, the Sunset Strip was crawling with groups that attempted to look and sound like the Dolls. A case in point is Faster Pussycat. With mile-high hair and songs that came straight out of the pages of Hustler magazine, the group seemed li

Faster Pussycat: Taime Downe (vocals); Greg Steele, Brent Muscat (guitar, background vocals); Eric Stacy (bass, background vocals); Mark Michals (drums).Compilation producers: Craig DeGraff, Mark Pinkus.Recorded between 1987 and 1992. Includes liner notes by Dewey Ludden.Digitally remastered by Bob Fisher (Pacific Multimedia).Back in the early '70s, the New York Dolls were easily the sleaziest and most rockingest bunch of cross-dressers around. And while they never were able to translate it all into commercial success, they left quite an impression on the West Coast. After all, by the mid- to late '80s, the Sunset Strip was crawling with groups that attempted to look and sound like the Dolls. A case in point is Faster Pussycat. With mile-high hair and songs that came straight out of the pages of Hustler magazine, the group seemed like a sure-fire hit for the times. And while they did score a moderate-sized hit or two, they never matched the lofty heights obtained by local rivals Guns N' Roses. At only ten tra

An appealing, free-floating lunacy fuels What's New Pussycat?, and there's enough of it bubbling around to carry the movie past its many defects. The cast is like a collection of terribly attractive people stumbling over each other at a disorganized cocktail party--they aren't always witty, and some of them are drunk, but there's enough going on to keep you distracted. Peter O'Toole plays a swinging London womanizer seeking help for his addiction, who makes the mistake of consulting one Dr. Fritz Fassbender (Peter Sellers), a demented psychoanalyst. Woody Allen made his movie debut here and wrote the script (much altered, to Allen's chagrin, in the filmmaking process). This movie and Casino Royale--which also features Sellers, Allen, Ursula Andress, and a Burt Bacharach song--are overstuffed '60s artifacts, brimming with mod chaos. Alas, neither film is as funny as it should be. --Robert Horton