Sun Dial * by Sun Dial (CD, Mar-2010, Shrunken Head ...

Recording information: Third Eye Studios (1989); Third Eye Studios (1990).Sun Dial's first album came out in 1990, but it was as determinedly retro an effort as anything released that year; Gary Ramon and his bandmates clearly worshiped at the altar of all that was psychedelic, and there wasn't the smallest bit of irony in their approach on Other Way Out. Many latter-day psych bands sound as if they're trying as hard as they can to capture the lysergic sound of the late '60s, but Sun Dial never betray any such effort: they simply seem to have dropped through a wormhole in time from the UFO Club into Balham Market, and their natural and unaffected embrace of drifting melodic structures, guitars floating on clouds of fuzz, phase shift and wah-wah, splashy drumming that colors the music as much as keeping time and firm, thick basslines that anchored the music in some sort of reality are genuine enough to convince most folks who haven't looked at the liner notes that this was put to tape in 1969, not 1989. Sun Di

Recording information: Third Eye Studios (1989); Third Eye Studios (1990).Sun Dial's first album came out in 1990, but it was as determinedly retro an effort as anything released that year; Gary Ramon and his bandmates clearly worshiped at the altar of all that was psychedelic, and there wasn't the smallest bit of irony in their approach on Other Way Out. Many latter-day psych bands sound as if they're trying as hard as they can to capture the lysergic sound of the late '60s, but Sun Dial never betray any such effort: they simply seem to have dropped through a wormhole in time from the UFO Club into Balham Market, and their natural and unaffected embrace of drifting melodic structures, guitars floating on clouds of fuzz, phase shift and wah-wah, splashy drumming that colors the music as much as keeping time and firm, thick basslines that anchored the music in some sort of reality are genuine enough to convince most folks who haven't looked at the liner notes that this was put to tape in 1969, not 1989. Sun Di

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Magna Carta ( April 11, 2000 ), Genre: Rock & Pop

Warner Bros. Records (Record Label) ( March 01, 2005 ), Genre: Rock & Pop

Personnel: Charlie Saufley (vocals, guitars, tamboura, bass instrument, percussion); Camilla Saufley (vocals, flute, keyboards, bass instrument); Evan Reese, Christina Mansfield, Brett Constantino (vocals); Jefferson Marshall (guitar, bass instrument, percussion); Tim Green (E-bow, vibraphone); Cindi Kazarian (viola); Anderson Lanbridge (Moog synthesizer, Theremin); Michael Landas (drums).Audio Mixer: Tim Green .Recording information: Louder Studios, San Francisco, CA.With layered guitar lines and aural effects that hang like dispersed dandelion seeds in a summer breeze, WHEN SWEET SLEEP RETURNED finds San Francisco's Assemble Head in Sunburst Sound perfecting their trippy symphonics across eight sweeping tracks. For this, their third full-length, the former trio expanded to a quintet and continued to leave fans wondering if they are the planet's biggest acid indulgers or if they just have extensive record collections by those that were. No matter, as tracks like "The Slumbering Ones" and "Two Birds" continua

Teepee Records ( May 20, 2003 ), Genre: Rock & Pop

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Personnel: Patrick Walker (vocals, guitar); William Spong (bass guitar, percussion); Christian Leitch (drums, percussion).Audio Mixer: William Spong.Recording information: The Library Studio, London (10/2010).Photographer: Barry Fisher.The reference points for Patrick Walker's emotionally searing, purely melodic brand of doom metal are Justin Broadrick's Jesu project, Bob Mould's bleak rock (à la Black Sheets of Rain), and Michael Stipe's singing at his most nakedly confessional -- though he sounds like no one but himself. Walker's former band, Warning, released one of doom metal's classics in 2006's Watching from a Distance, which created high expectations for any subsequent project. The Inside Room doesn't disappoint. A trio fronted by Walker and featuring engineer William Spong on bass and former Warning drummer Christian Leitch, 40 Watt Sun deliver five songs (ranging from just under seven minutes to nearly 11) that draw on all of his strengths. His protagonists are tortured people; they're literally ripp