ETHEL WATERS LENA HORNE LOUIS ARMSTRONG 43 Coin or Pill Box: MADE IN USA!

At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 74th annual Academy Awards in 2002, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne, " as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne herself -- to give us the defining portrait of an American icon. Gavin has gotten closer than any other writer to the celebrity who has lived in reclusion since 1998. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, Arthur Laurents, and several of Horne's fellow chorines from Harlem's Cotton Club, Stormy Weather offers a fascinating portrait of a complex, even tragic Horne -- a stunning talent who inspired such giants of showbiz as Barbra Streisand, Eartha Kitt, and Aretha Franklin, but whose frustrations with racism, and with tumultuous, root-less childhood, left wounds too deep to heal. The woman who emerged was as angry as she was luminous. From the Cotton Club's glory days and the back lots of Hollywood's biggest studios to the glitzy but bigoted hotels of Las Vegas's heyday, this behind-the-scenes look at an American icon is as much a story of the limits of the American dream as it is a masterful, ground-breaking biography.

At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 74th annual Academy Awards in 2002, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne, " as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne herself -- to give us the defining portrait of an American icon. Gavin has gotten closer than any other writer to the celebrity who has lived in reclusion since 1998. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, Arthur Laurents, and several of Horne's fellow chorines from Harlem's Cotton Club, Stormy Weather offers a fascinating portrait of a complex, even tragic Horne -- a stunning talent who inspired such giants of showbiz as Barbra Streisand, Eartha Kitt, and Aretha Franklin, but whose frustrations with racism, and with tumultuous, root-less childhood, left wounds too deep to heal. The woman who emerged was as angry as she was luminous. From the Cotton Club's glory days and the back lots of Hollywood's biggest studios to the glitzy but bigoted hotels of Las Vegas's heyday, this behind-the-scenes look at an American icon is as much a story of the limits of the American dream as it is a masterful, ground-breaking biography.

Draws on previously untapped sources and first-person interviews to profile the mid-twentieth-century Hollywood actress and singer, evaluating her painful childhood, the challenges she faced as a barrier-breaking African-American performer, and the ways in which she inspired such performers as Barbra Streisand, Eartha Kitt, and Aretha Franklin.

THE “DEFINITIVE” (VANITY FAIR ) BIOGRAPHY OF LEGEND LENA HORNE—THE CELEBRATED STAR OF STAGE, MUSIC, AND FILM WHO BLAZED A TRAIL FOR AFRICAN AMERICANS IN HOLLYWOOD AND BEYONDDrawing on a wealth of unmined material and hundreds of interviews— one of them with Lena Horne herself—critically acclaimed author James Gavin gives us a “deftly researched” (The Boston Globe) and authoritative portrait of the American icon. Horne broke down racial barriers in the entertainment industry in the 1940s and ’50s even as she was limited mostly to guest singing appearances in splashy Hollywood musicals. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, and Bobby Short, Stormy Weather reveals the many faces of this luminous, complex, strong-willed, passionate, even tragic woman—a stunning talent who inspired such giants as Barbra Streisand, Eartha Kitt, and Aretha Franklin.

"Don't be surprised, Pussycat, " said Helen Gurley Brown, still flirtatious at eighty-four, "We're all survivors and proud of it. We want to talk about it."And they do. Eighty of America's most famous eighty year-olds reflect on their journeys to the big 8-0 and describe the passions that keep them young. They all have opinions about today's world what is good about being eighty and what keeps them vital. The members of this generation have spent eighty-plus years honing the art of living and they have secrets to share. Their personal stories are truly inspirational."My answer to growing old at any age, whether you're growing to be twenty , or forty, or sixty or eighty, is to fall in love and stay in love." --Ray Bradbury, 86, author"It's interesting to me--my career has taken off now that I'm ninety-five. It's totally taken off. I had to wait 'til I was ninety-five to be this popular." --Kitty Carlisle Hart, 95, singer"I say quite sincerely that this is the best time of my life." --Hugh Hefner, 80, founder and editor-in-chief of PlayboyContributors to the book include:Mike Wallace, Helen Thomas, Sid Caesar, Carl Reiner, Lena Horne, Kitty Carlyle Hart, Ray Bradbury, Art Buchwald, Norman Lear, Robert Byrd, George McGovern, and Jack Valenti.Advanced Praise for 80:"Everyone from 9-90 needs this book, because save for the two or three mad people in the world, everyone wants to live & never die. The selected people in "80" have with, charm and ensusiance revealed how they have survived, with passion, compassion, humor and style. I hope Gardner and Bellows will do another one on 90 - I am in for the long run."--Maya Angelou"80 is the new young! These inspiring stories of vibrant, active octogenarians are the best kind of tonic for warding off worries about old age."--Tom Brokaw"Once, almost nobody was eighty. Now many of us are and more of us are going to be soon. So Gerald Gardner and Jim Bellows give us a wonderful book about being eighty and more."--Jimmy Breslin"A joy to read and a guaranteed attitude adjustment. These people are hope! And Gerald Gardner and Jim Bellows know how to edit down their famous lives to the fearless truths."--Gail Sheehy, author of Passages and Sex and the Seasoned Woman"Jim Bellows' and Gerald Gardner's 80 made me laugh, 80 made me think, and 80 actually made me look forward to reaching and to enjoying that Grand Age"--Mark Shields, syndicated columnist and PBS commentator"80 is the most heartening book on old age I've read since De Senectute (Cicero, you callow sub-octogenarians, Cicero). The 80 old folks in 80 make 80 sound so fascinating, I feel short-changed by being forced to wait until 2010 to be among their number."--Tom Wolfe"I love this book. What a pleasure: great interviews, lovely wise people."--Ånnie Lamott, author of Grace (Eventually): Thoughts on Faith

Louis "Satchmo" Armstrong was not only jazz's greatest musician and innovator, but also arguably its most famous entertainer and the frontal figure in the development of contemporary popular music. Overcoming social and political obstacles, he created a long and impressive career and an enormous musical output. Now, his ground breaking musical career is amassed and detailed in this discography of all his works, from professionally made commercial releases, to amateur and unissued recordings.All of Me is a comprehensive, chronological discography born out of love and admiration for Louis Armstrong, and devotion to years of collecting his musical accomplishments. Author Jos Willems has meticulously compiled all of Satchmo's known recordings—both studio and live performances—and with assistance from internationally renowned specialists, has assembled an impressively detailed, accurate, and complete listing. This volume is superbly formatted and presented, logically organized, and thoroughly indexed by song title and individual. Researchers, collectors, and enthusiasts can easily look up any detail of a recording: issues and releases of particular songs; publishing companies; producers; catalog numbers; dates, times, and locations of recordings; musicians Armstrong played with; and format, be it 78 or 45 RPM records, LPs, CDs, or media appearances. Every detail of Armstrong's career is listed in this impressive volume, shedding light on the enormity of his impact on jazz and popular culture. This is the ultimate reference guide for the complete works of Louis Armstrong.

Published in cooperation with Carnegie Museum of Art With an introduction by Deborah Willis The famous faces of Lena Horne, Louis Armstrong, Josephine Baker, Muhammad Ali, Jackie Robinson, and John F. Kennedy appear among the nearly eighty thousand photographs of Charles “Teenie” Harris (1908–1998). But it’s in the images of other, ordinary people and neighborhoods that Harris shows us a city and an era teeming with energy, culture, friendship, and family. In jazz clubs, Little League games, beauty contests, church functions, boxing matches, political events, protest marches, and everyday scenes, Teenie Harris captured the essence of African American life in Pittsburgh. Harris’s career began as America emerged from the Great Depression and ended after the civil rights movement. As a photographer for the Pittsburgh Courier, one of the nation’s most influential black newspapers, Teenie hit the streets to record historic events and the people who lived them. The archive of Harris’s photography, part of the permanent collection of Carnegie Museum of Art, represents one of the most important documentations of twentieth-century African Americans and their communities. Today, even as Teenie Harris’s photography stands alongside that of Harlem’s famed James VanDerZee, his work in Pittsburgh’s Hill District surpasses that of all other photographers in its breadth and rich portrayal of black urban America.

Published in cooperation with Carnegie Museum of Art With an introduction by Deborah Willis The famous faces of Lena Horne, Louis Armstrong, Josephine Baker, Muhammad Ali, Jackie Robinson, and John F. Kennedy appear among the nearly eighty thousand photographs of Charles “Teenie” Harris (1908–1998). But it’s in the images of other, ordinary people and neighborhoods that Harris shows us a city and an era teeming with energy, culture, friendship, and family. In jazz clubs, Little League games, beauty contests, church functions, boxing matches, political events, protest marches, and everyday scenes, Teenie Harris captured the essence of African American life in Pittsburgh. Harris’s career began as America emerged from the Great Depression and ended after the civil rights movement. As a photographer for the Pittsburgh Courier, one of the nation’s most influential black newspapers, Teenie hit the streets to record historic events and the people who lived them. The archive of Harris’s photography, part of the permanent collection of Carnegie Museum of Art, represents one of the most important documentations of twentieth-century African Americans and their communities. Today, even as Teenie Harris’s photography stands alongside that of Harlem’s famed James VanDerZee, his work in Pittsburgh’s Hill District surpasses that of all other photographers in its breadth and rich portrayal of black urban America.

Louis Armstrong was not only a virtuoso musician, singer, composer and actor, but also a dedicated writer who carried a typewriter with him on his constant travels around the globe, turning out hundreds of letters and reminiscences. The man never stopped creating. His unique verbal, musical and visual content and style permeated everything he touched. Included in this career biography are the major events of his life, his artistic innovations and cultural achievements, a detailed survey of his recordings and live performances, and in-depth discussions of his screen performances--not only Hollywood feature films but short films, European concert films, and dozens of television shows.

In the twentieth century, African Americans not only helped make popular music the soundtrack of the American experience, they advanced American music as one of the preeminent shapers of the world's popular culture. Vast numbers of black American musicians deserve credit for this remarkable turn of events, but a few stand out as true giants. David Stricklin's superb new biography explores the life of one of them, Louis Armstrong.The life story of this great instrumentalist, bandleader, and entertainer illustrates much of the black entertainer's impact on American culture and illuminates how popular culture often intersects with politics and economics. Armstrong emerged from a precarious background and triumphed over almost impossible odds, becoming a transcendent public figure and an international icon. Mr. Stricklin concentrates on Armstrong's musical talent, something many observers called a thing of genius. But he also pays special attention to Armstrong's identity a black man in America and the ways in which he triumphed over the mistreatment and disrespect dealt countless people like him. The creativity and exuberance he shared with the world came from his unique vantage as an artist and as an African American with a striking and lively spirit of freedom. He might have been able to demonstrate that determination in any line of work, but his story has special urgency because he expressed his creative power through music. With 16 black-and-white photographs.