PAMELA AUSTIN WEARING TENNIS OUTFIT COLUMBO ORIGINAL 1972 NBC TV PHOTO

Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition.Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal.The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.

Follows the adventures of ordinary people who wake up with extraordinary abilities, including Nakamura who controls time, Claire Bennet who is invulnerable, and Micah Sanders who can communicate with machines.

Release Date: September 01, 2007

Seinfeld, Friends, Frasier, ER, Cheers, Law & Order, Will & Grace…Here is the funny, splashy, irresistible insiders’ account of the greatest era in television history -- told by the actors, writers, directors, producers, and the network executives who made it happen…and watched it all fall apart.Warren Littlefield was the NBC President of Entertainment who oversaw the Peacock Network’s rise from also-ran to a division that generated a billion dollars in profits.  In this fast-paced and exceptionally entertaining oral history, Littlefield and NBC luminaries including Jerry Seinfeld, Jason Alexander, Kelsey Grammer, Matt LeBlanc, Lisa Kudrow, Julianna Marguiles, Anthony Edwards, Noah Wylie, Debra Messing, Jack Welch, Jimmy Burrows, Helen Hunt, and Dick Wolf vividly recapture the incredible era of Must See TV. From 1993 through 1998, NBC exploded every conventional notion of what a broadcast network could accomplish with the greatest prime-time line-up in television history. On Thursday nights, a cavalcade of groundbreaking comedies and dramas streamed into homes, attracting a staggering 75 million viewers and generating more revenue than all other six nights of programming combined. The road to success, however, was a rocky one. How do you turn a show like Seinfeld, one of the lowest testing pilots of all time, into a hit when the network overlords are constantly warring, or worse, drowning in a bottle of vodka?   Top of the Rock is an addictively readable account of the risky business decisions, creative passion, and leaps of faith that made Must See TV possible. Chock full of delicious behind-the-scenes anecdotes that run the gamut from hilarious casting and programming ploys to petty jealousies and drug interventions, you’re in for a juicy, unputdownable read.

An irresistible guide to modern-retro style, celebrating the legacies of two iconic women. The hit TV show Mad Men recently featured an ad campaign with two images of a model in her underwear. As a brunette, she sips from a china teacup. As a blonde, she swirls a cocktail. Debutante or bombshell? Sometimes women want to be both. On the surface, Jacqueline Kennedy Onassis and Marilyn Monroe could not be more different, but they had more in common than just JFK. Are You a Jackie or a Marilyn? is a fun way to explore the classic madonna/ whore conundrum while becoming fabulous in all aspects of life. Readers start by taking the definitive quiz to determine where they fall on the Jackie/ Marilyn spectrum, and then it's on to customized advice on beauty and style, sex and marriage, power and career, decorating and entertaining, and more. Any woman who has aspired to Marilyn's sultry allure or Jackie's unstoppable elegance (or who wants to balance sexy and serious) will love t

The pristine grass and white uniforms of Wimbledon and the aggressive hard courts of the U.S. Open have inspired tens of thousands of amateur tennis players in North America. Millions of people watch the tournaments each year on television and the stars of recent decades are household names, but relatively few people know the history of the game. In the Middle Ages and the Renaissance it was a “jeu de paume, ” a game played at French and English royal courts with hands rather than rackets.  The modern game, however, dates from 1874, when Major Walter Clopton Wingfield developed a variation on the game for the amusement of his house guests in Wales. After he laid out the basic rules, the game spread quickly—the first championship at Wimbledon was held in 1877, followed soon after by the first American tournament in 1880. Published in association with the All England Lawn Tennis Club—better known as Wimbledon—this attractive, collectible book examines the history of the rules of tennis from their first codification to the present day. Included is a fascinating introduction by John Barrett, the BBC’s now retired “voice of tennis” who played in twenty-one consecutive Wimbledon Championships, that looks at the circumstances of the composition of the first rules, their scope, and evolution. The Original Rules of Tennis is a must for spectators and players alike.

She was just writing a story.When Anna Koval decides to creatively kill time at her library job in Austin by teaching herself HTML and posting partially fabricated stories about her life on the Internet, she hardly imagines anyone besides her friend Dale is going to read them. He's been bugging her to start writing again since her breakup with Ian over a year ago. And so what if the "Anna K" persona in Anna's online journal has a fabulous boyfriend named Ian? It's not like the real Ian will ever find out about it. The story started writing itself.Almost instantly Anna K starts getting e-mail from adoring fans that read her daily postings religiously. One devotee, Tess, seems intent on becoming Anna K's real-life best friend and another, a male admirer who goes by the name of "Ldobler, " sounds like he'd want to date Anna K if she didn't already have a boyfriend. Meanwhile, the real Anna can't help but wonder if her newfound fans like her or

'An indispensable guide to our craft -- from an indispensable guy in our craft' - Brian Williams, Anchor and Managing Editor, NBC News Al Tompkins reminds students about a disarmingly simple truth about broadcast journalism: people remember what they feel. If you aim for the heart with the copy you write and the sound and video you capture, you will never fail to grab your viewers and compel them to keep watching. With humor, honesty and directness, Tompkins bottles his years of experience and insight in a new second edition that offers students the fundamentals they need to master, with the practical know-how they can immediately put to use. Aim for the Heart is as close as you can get to having Tompkins's training sessions at the ready, from which students: / learn to listen when interviewing; / write an inviting lead; / get a memorable soundbite; / see how to light, crop, frame and edit compelling video; / learn the art of being a one man band, and / translate their broadcast story into an interactive online story.

 America’s First Network TV Censor: The Work of NBC’s Stockton Helffrich is a unique examination of early television censorship, centered around the papers of Stockton Helffrich, the first manager of the censorship department at NBC. Set against the backdrop of postwar America and contextualized by myriad primary sources including original interviews and unpublished material, Helffrich’s reports illustrate how early censorship of advertising, language, and depictions of sex, violence, and race shaped the new medium.              While other books have cited Helffrich’s reports, none have considered them as a body of work, complemented by the details of Helffrich’s life and the era in which he lived. America’s First Network TV Censor explores the ways in which Helffrich’s personal history and social class influenced his perception of his role as NBC-TV censor and his tendency to ignore certain political and cultural taboos while embracing others.Author Robert Pondillo considers Helffrich’s life in broadcasting before and after the Second World War, and his censorial work in the context of 1950s American culture and emerging network television. Pondillo discusses the ways that cultural phenomena, including the arrival of the mid-twentieth-century religious boom, McCarthyism, the dawn of the Civil Rights era, and the social upheaval over sex, music, and youth, contributed to a general sense that the country was morally adrift and ripe for communist takeover.Five often-censored subjects—advertising, language, and depictions of sex, violence, and race—are explored in detail, exposing the surprising complexity and nuance of early media censorship. Questions of whether too many sadistic westerns would coarsen America’s children, how to talk about homosexuality without using the word “homosexuality, ” and how best to advertise toilet paper without offending people were on Helffrich’s mind; his answers to these questions helped shape the broadcast media we know today.   

NBC ME MY LIFE AS A PAGE IN A BOOK (A MOCK MEMOIR OF MY BIG '80s DAZE WITH THE PEACOCK NETWORK) From May 1984 to December 1985, actor/author/TV producer/singer Herbie J Pilato worked as a Page for NBC-TV in Burbank, California. Many Pages were excited by the frequent showbiz interactions that were accessible and provided by a major TV network facility. Some found work within and outside of the industry. Others found their job only uncovered a depressing, even insulting Hollywood experience. For