THE MEMBER OF THE WEDDING (1953) RARE ETHEL WATERS JULIE HARRIS CLASSIC POSTER !

The novel that became an award-winning play and a major motion picture and that has charmed generations of readers, Carson McCullers’s classic The Member of the Wedding is now available in small- format trade paperback for the first time. Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother’s wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin — not to mention her own unbridled imagination — Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. “A marvelous study of the agony of adolescence” (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.

The novel that became an award-winning play and a major motion picture and that has charmed generations of readers, Carson McCullers’s classic The Member of the Wedding is now available in small- format trade paperback for the first time. Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother’s wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin — not to mention her own unbridled imagination — Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. “A marvelous study of the agony of adolescence” (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.

Outspoken tomboy Frankie befriends the family s maid in one of the most beautiful plays ever written about loneliness and love. Tall, awkward, and lonely, Frankie Addams has a vivid imagination but no friends. Even her father calls her a great big long-legged 12-year-old blunderbuss, and the friendless girl spends most of her time in the kitchen, pouring out her heart to Berenice, the gentle and wise family cook and housekeeper. Frankie< >s jealousy of her brother< >s impending marriage, and her curious belief that she must accompany him and his bride on their honeymoon in order to belong, drives her to strange measures. She devises a desperate plan, reinventing herself as the seemingly sophisticated F. Jasmine, a gawky beauty in a pink dress who looks closer to 16 than 12. But she's ill prepared for what follows from this troubling game of make-believe. Carson McCullers captures the universal in the particular in this sensitive, nuanced portrayal of one girl's struggle into adulthood. A L.A. Theatre Works full-cast performance featuring: June Angela, John Cothran Jr., Ruby Dee, Daniel Henson, Victor Mack, Jena Malone, Lawrence Pressman, Jacquelyn Riggs and Tegan West.

Only a master could top the stunning success of For the Roses, and Julie Garwood has proven once again why she "attracts readers like beautiful heroines attract dashing heroes" (USA Today) with this joyous New York Times bestseller. Returning to the enchanting world of her classic The Bride, she brings the soaring adventure, love and rivalry of medieval Scotland to glorious life in a delightful tale her fans will adore. Journeying from England to Scotland to wed a highlander, Lady Brenna had resigned herself to the arranged match. But when a band of fierce, painted warriors captured her en route, she fearlessly met their demand to marry their leader -- the quick-tempered laird Connor MacAlister. She couldn't know that her capture was merely the first act of vengeance against her betrothed, Connor's sworn enemy. Brenna harbored no illusions that her husband was in love with her; after a hasty forest wedding, MacAlister assured her she could return home once she had borne him a son. But she could not deny that she had once proposed to MacAlister -- ten years ago, when she was just a child, and the visitor to her father's castle charmed her with his dazzling, unexpected smile. Now, as she sets out to win the brave chieftain whom she has come to adore, a legacy of revenge ensnares Brenna in a furious clan war -- and only her faith in her gallant hero can save her...

For forty years, collector Rob Roth has gathered rare examples of rock tour posters, advertising posters, rock memorabilia, original artwork and items of merchandise. His spectacular collection is so vast that it has never all been put on public display, but when visitors to his spacious New York loft apartment—visitors like Elton John and Alice Cooper—caught a glimpse of some of the material Roth has collected over the years, they were amazed and urged him to let rock fans see the dazzling array of artifacts. When designer John Varvatos saw the collection, he was so stunned by it that he begged Roth to lend him pieces for his new store in Las Vegas. More of Roth's pieces will be on display in the Varvatos Soho store and other upcoming locations in the fall of 2010. Varvatos has even offered to host a launch party in the Soho store for the book at its time of publication. For many, the items lovingly cataloged in the pages of The Art of Classic Rock will evoke nostalgic memories of their youth—of blazing lights, drifting smoke and of the all-pervading power of their favorite rock concerts. Unlike anything else on the market, The Art of Classic Rock is a lavishly produced presentation of the most vivid and exciting artwork from the rock world, as well as a guide to understanding the the most influential rock banks of our time. Each section of The Art of Classic Rock focuses on a well-known band, covering its defining tours and albums to show how the band's iconic designs and graphic styles changed, and to provide an overview of rock history from the period. An introduction to each section puts the images in context, outlining the stage the band and its acts had reached in their development when the particular images and designs displayed were used, and discussing the art and artists behind the work. Each piece of art also features a caption describing exactly what it is, while items with a particular story are accompanied by longer, more detailed text. The Rob Roth collection has been meticulously photographed specifically for this book by photographer Richard Marot who spent hundreds of hours working with a team of technicians to ensure that the images appearing in The Art of Classic Rock are a sumptuous and accurate representation of the truly stunning Rob Roth Collection.

For forty years, collector Rob Roth has gathered rare examples of rock tour posters, advertising posters, rock memorabilia, original artwork and items of merchandise. His spectacular collection is so vast that it has never all been put on public display, but when visitors to his spacious New York loft apartment—visitors like Elton John and Alice Cooper—caught a glimpse of some of the material Roth has collected over the years, they were amazed and urged him to let rock fans see the dazzling array of artifacts. When designer John Varvatos saw the collection, he was so stunned by it that he begged Roth to lend him pieces for his new store in Las Vegas. More of Roth's pieces will be on display in the Varvatos Soho store and other upcoming locations in the fall of 2010. Varvatos has even offered to host a launch party in the Soho store for the book at its time of publication. For many, the items lovingly cataloged in the pages of The Art of Classic Rock will evoke nostalgic memories of their youth—of blazing lights, drifting smoke and of the all-pervading power of their favorite rock concerts. Unlike anything else on the market, The Art of Classic Rock is a lavishly produced presentation of the most vivid and exciting artwork from the rock world, as well as a guide to understanding the the most influential rock banks of our time. Each section of The Art of Classic Rock focuses on a well-known band, covering its defining tours and albums to show how the band's iconic designs and graphic styles changed, and to provide an overview of rock history from the period. An introduction to each section puts the images in context, outlining the stage the band and its acts had reached in their development when the particular images and designs displayed were used, and discussing the art and artists behind the work. Each piece of art also features a caption describing exactly what it is, while items with a particular story are accompanied by longer, more detailed text. The Rob Roth collection has been meticulously photographed specifically for this book by photographer Richard Marot who spent hundreds of hours working with a team of technicians to ensure that the images appearing in The Art of Classic Rock are a sumptuous and accurate representation of the truly stunning Rob Roth Collection.

Only a master could top the stunning success of For the Roses, and Julie Garwood has proven once again why she "attracts readers like beautiful heroines attract dashing heroes" (USA Today) with this joyous New York Times bestseller. Returning to the enchanting world of her classic The Bride, she brings the soaring adventure, love and rivalry of medieval Scotland to glorious life in a delightful tale her fans will adore. Journeying from England to Scotland to wed a highlander, Lady Brenna had resigned herself to the arranged match. But when a band of fierce, painted warriors captured her en route, she fearlessly met their demand to marry their leader -- the quick-tempered laird Connor MacAlister. She couldn't know that her capture was merely the first act of vengeance against her betrothed, Connor's sworn enemy. Brenna harbored no illusions that her husband was in love with her; after a hasty forest wedding, MacAlister assured her she could return home once she had borne him a son. But she could not deny that she had once proposed to MacAlister -- ten years ago, when she was just a child, and the visitor to her father's castle charmed her with his dazzling, unexpected smile. Now, as she sets out to win the brave chieftain whom she has come to adore, a legacy of revenge ensnares Brenna in a furious clan war -- and only her faith in her gallant hero can save her...

Winner of the New York Drama Critics Circle Award: At the suggestion of her friend Tennessee Williams, Southern writer Carson McCullers adapted her novella The Member of the Wedding into a touching and poignant play that was an enormous success when it opened on Broadway in 1950, and has long since become a classic of the American theater.With compassion, veracity and wit, in The Member of the Wedding Carson McCullers depicts the intrinsically enmeshed lives of whites and blacks in the American South. Julie Harris became a star playing the awkward, twelve-year-old tomboy Frankie Adams, who falls deeply in love with her older brother and his fiance. Exhilarated by her naive conviction that being a member of their wedding means she will become what she calls the "we of me, " Frankie is devastated when she learns she is not invited on the honeymoon. Bernice Sadie Brown, who has experienced a lifetime of love and loss, is a surrogate mother for Frankie. Portrayed on stage and in the film versions by the great Ethel Waters, Bernice is an epic character, fiercely loyal, down-to-earth, and centered by deep faith.

Ethel Waters overcame her disadvantaged childhood to become the most famous African American actress, singer, and entertainer of her time. Her critically acclaimed move to Broadway in the mid 1920s—after having first triumphed in Black vaudeville during the Harlem Renaissance—brought the startlingly innovative and subtle character of Black Theatre into the mainstream. Ethel transformed such songs as "Dinah, " "Am I Blue?, " "Stormy Weather, " and Irving Berlin's "Heat Wave" into classics and inspired the next generation of Black female vocalists. She gave sophistication and class to the blues and American popular song, and she influenced countless singers including Judy Garland and Frank Sinatra.Tough, uncompromising, courageous, and ambitious, Ethel Waters became one of the first African American women to be given equal billing with white stars on the Broadway stage. In 1943, the film version of her Broadway success, Cabin in the Sky, established her as Hollywood's first Black-leading lady. In such plays as Mamba's Daughters and films including The Member of the Wedding, she shattered the myth that Black women could perform only as singers. For her work in Pinky, she received an Academy Award nomination for Best Supporting Actress, the second African American to be so honored.Although she was arguably the most influential female blues and jazz singer of the 1920s and 1930s, as well as a major Black figure in 20th century theatre, cinema, radio, and television, she is now the least remembered. In Ethel Waters: Stormy Weather, Stephen Bourne documents the career of this monumental figure in American popular culture, offering new insights into the work of this forgotten legend. Supplemented by fourteen photographs, this biography leaves little doubt as to why—for decades—no other Black star was held in such high regard.

Ethel Waters overcame her disadvantaged childhood to become the most famous African American actress, singer, and entertainer of her time. Her critically acclaimed move to Broadway in the mid 1920s—after having first triumphed in Black vaudeville during the Harlem Renaissance—brought the startlingly innovative and subtle character of Black Theatre into the mainstream. Ethel transformed such songs as "Dinah, " "Am I Blue?, " "Stormy Weather, " and Irving Berlin's "Heat Wave" into classics and inspired the next generation of Black female vocalists. She gave sophistication and class to the blues and American popular song, and she influenced countless singers including Judy Garland and Frank Sinatra.Tough, uncompromising, courageous, and ambitious, Ethel Waters became one of the first African American women to be given equal billing with white stars on the Broadway stage. In 1943, the film version of her Broadway success, Cabin in the Sky, established her as Hollywood's first Black-leading lady. In such plays as Mamba's Daughters and films including The Member of the Wedding, she shattered the myth that Black women could perform only as singers. For her work in Pinky, she received an Academy Award nomination for Best Supporting Actress, the second African American to be so honored.Although she was arguably the most influential female blues and jazz singer of the 1920s and 1930s, as well as a major Black figure in 20th century theatre, cinema, radio, and television, she is now the least remembered. In Ethel Waters: Stormy Weather, Stephen Bourne documents the career of this monumental figure in American popular culture, offering new insights into the work of this forgotten legend. Supplemented by fourteen photographs, this biography leaves little doubt as to why—for decades—no other Black star was held in such high regard.