Sarah Truax in modern play The Spider's Web by john Hutchins cool postcard

Release Date: March 01, 1995

Can magic and science live happily ever after?When a local grocer zaps a shoplifter into a frog, Sarah and Ben know that something's afoot. After all, nothing they've learned in science class explains how this lady can turn troublemakers into toads. It's not surprising, then, that their teacher, Mr. Wyanth, doesn't believe a word of it. Undaunted, Sarah sets out, with Ben reluctantly in tow, to make a science project out of this mysterious magic-caster known as Anastasia Morningstar.But Mr. Wyanth doesn't like what they're up to, and his quest for reason threatens Anastasia and the magical butterfly she secretly harbors. Soon Sarah and Ben are swept up in a rescue operation prophesized in a half-forgotten poem. In the end, it takes both imagination and a little scientific know-how to save the enchanted butterfly -- and Anastasia's very soul -- from extinction.Originally published in an earlier version as Anastasia Morningstar and the Crystal Butterfly, Sarah and the Ma

Skinhead. Neo-Nazi. Lexi Jordan knows the names her friends use to talk about themselves, but she isn't quite sure what they mean. She knows her swastika tattoo and heavy boots are part of belonging. And Lexi wants to belong. When she sneaks out to meet her friends and make plans, she feels more at home than she does in her own house. And so far nothing they've done has been that bad. But Lexi begins to wonder just how safe she is when the group begins to do things that make her increasingly uneasy. After accidentally meeting Ursula Zeidler, an old woman with a terrifying secret, she sets off a chain of events that places everyone she cares about in danger and leads her to the biggest decisions of her life.

In December of 1940, Morgan Thomas Jones, Jr. enlisted in the New Mexico National Guard and chose his state's regiment to fulfill what was to have been one year of military service. Instead, Morgan ended up serving more than five years in the Army--most of that time as a Japanese prisoner of war. This memoir is one of the last written accounts of an American who survived the defense of the Philippines, the Bataan Death March, captivity in various prisoner of war camps, a torturous voyage on a Hell Ship, and forced labor in a copper mining camp in Kosaka, a town north of Tokyo, until the Americans were liberated.But the book does not end with his liberation. While in Kosaka, Morgan had struck up a relationship with his guard, Ogata San. Some thirty years after the war ended, Morgan traveled back to Japan in part to see his old friend and he shares the story of that 1978 journey in his last chapter. Ogata San passed away one year later, but even today Morgan still exchanges gifts with his guard's widow.In writing his memoir, Morgan drew on handwritten notes he made inside his Bible during the war, notations in a journal he kept as a prisoner, and a scrapbook his mother had put together while the Japanese held her only son. They, like Morgan's book, are testimonies that speak to values and faith too often forgotten in a more modern America.

Vicky Holden and Father John O'Malley find themselves on opposite sides of an investigation. When Arapaho Ned Windsong is shot to death, his fiancée Marcy is the only witness. Even though she identifies two Arapaho troublemakers, Ned's family clings to the belief that Marcy herself was responsible. Convinced of Marcy's innocence, Vicki agrees to represent the outsider- and finds herself at odds with her own people. She also finds herself at odds with Father John, because the mission priest has glimpsed something in the beautiful girl that shakes him to his core. And when the men Marcy has accused of murdering her fiancé are found dead in an abandoned barn, Vicky and Father John realize they are caught in a web of lies and deceit woven by a master.

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John Cobb comes from a blue collar, Fundamentalist home in Georgia. As a teenager in 1960's Georgia, his background seems a handicap that suggests little chance for great success in his life. His family and friends seek to put him on their chosen path tobecome a preacher. But John meets Sarah Clark, who shows him love and that he has potential for more in his life. Sarah's influence opens John's eyes to the smallness and bigotry of his background. Unfortunately the changes in John come at a price and cause a backlash that these star crossed lovers do not expect as a holy war is declared on Sarah. John loses Sarah and his own way, becoming destructive to himself and to others. Life takes him to new places and he becomes a man very different from the teenager he was. He is successful, moving far from his earlier background. Yet, dark times overwhelm him and when the light again comes, he finds that he must sacrifice everything to find what his heart desires most, Sarah.

Release Date: March 01, 2007

In December of 1940, Morgan Thomas Jones, Jr. enlisted in the New Mexico National Guard and chose his state's regiment to fulfill what was to have been one year of military service. Instead, Morgan ended up serving more than five years in the Army--most of that time as a Japanese prisoner of war. This memoir is one of the last written accounts of an American who survived the defense of the Philippines, the Bataan Death March, captivity in various prisoner of war camps, a torturous voyage on a Hell Ship, and forced labor in a copper mining camp in Kosaka, a town north of Tokyo, until the Americans were liberated.But the book does not end with his liberation. While in Kosaka, Morgan had struck up a relationship with his guard, Ogata San. Some thirty years after the war ended, Morgan traveled back to Japan in part to see his old friend and he shares the story of that 1978 journey in his last chapter. Ogata San passed away one year later, but even today Morgan still exchanges gifts with his guard's widow.In writing his memoir, Morgan drew on handwritten notes he made inside his Bible during the war, notations in a journal he kept as a prisoner, and a scrapbook his mother had put together while the Japanese held her only son. They, like Morgan's book, are testimonies that speak to values and faith too often forgotten in a more modern America.

Named one of the "Ten Best Plays of 2008" by The New Yorker“Sarah Ruhl’s bold, inventive, and ironic triptych [is] a meditation on devotion and its appropriation by the state. . . . Ruhl is an original; a storyteller with a fine mind evolving her own theatrical idiom.”—John Lahr, The New Yorker“It’s a different kind of morality play . . . an often wondrous work . . . with [Ruhl’s] own special lyrical blend of poetry, humor and grace.”—Frank Rizzo, VarietyPassion Play is Sarah Ruhl’s “biggest, most ambitious effort yet” (The New York Times), a three-and-a-half hour intimate epic, plunging the depths of the timely intersection of politics and religion. Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergua, Bavaria, as Hi