1923 Composer-Accompanist Ethel Marie Springer Songs Photo Print Ad

Release Date: June 01, 1998

SINGER AND ACCOMPANIST The Performance of Fifty Songs by GERALD MOORE. PREFACE: IT has not been my intention in the following pages to attempt critical analyses of the fifty songs under review although an analytical note may occasionally have crept in but rather to explain how the execu tants might sing and play them above all to suggest lines they could think along when practising, rehearsing, and performing them. I hope the word suggest 5 will be noted. I have used it advisedly for there are many roads to heaven and while I am confident that my road will not lead to destruction, I do not claim that it is the only way. Let him who disagrees with my ideas make his own investigation and find out what suits him best. I shall be happy if this book has this stimulating effect. I believe that equal consideration has been given to the two partners, but if more attention than is usual in a book on song interpret ation has been bestowed on the accompaniment I make no apology it has been done for the good of the song and should prove of ultimate benefit to the singer. There is no law, human or divine said Ernest Newman in 1907, to compel the composer to limit his expressiveness to the voice alone. The Schubert, Wolf, Faure songs to mention three composers at random included here can be called great songs. To the question What are Beethovens Mailied, Rachmaninoffs Spring Waters, Hahns Offrande doing in such distinguished company 5 I would answer that the first song presents difficulties to the singer a the second teases the pianist, while the Hahn song is intriguing if only for its wide dissimilarity to the undeniably finer settings of the same poem by Debussy and Faur6. The only rule I observed when selecting my fifty songs was that they should be interesting interesting either for their intrinsic worth or for the problems they pose for the singer or the accompanist or both partners. The reader who is indulgent enough to imagine there is any benefit to be reaped by a study of this book, should dip into it rather than attempt to read it steadily from cover to cover. Let him see which of these songs he possesses and then after numbering the bars on his score to help him follow me on my wanderings through the song have his music beside him as he reads. He will thus be in a much better position to laugh with me or at me to see how unerringly I hit the nail on the head or how lamentable is my aim.

Release Date: September 30, 2008

SINGER AND ACCOMPANIST The Performance of Fifty Songs by GERALD MOORE. PREFACE: IT has not been my intention in the following pages to attempt critical analyses of the fifty songs under review although an analytical note may occasionally have crept in but rather to explain how the execu tants might sing and play them above all to suggest lines they could think along when practising, rehearsing, and performing them. I hope the word suggest 5 will be noted. I have used it advisedly for there are many roads to heaven and while I am confident that my road will not lead to destruction, I do not claim that it is the only way. Let him who disagrees with my ideas make his own investigation and find out what suits him best. I shall be happy if this book has this stimulating effect. I believe that equal consideration has been given to the two partners, but if more attention than is usual in a book on song interpret ation has been bestowed on the accompaniment I make no apology it has been done for the good of the song and should prove of ultimate benefit to the singer. There is no law, human or divine said Ernest Newman in 1907, to compel the composer to limit his expressiveness to the voice alone. The Schubert, Wolf, Faure songs to mention three composers at random included here can be called great songs. To the question What are Beethovens Mailied, Rachmaninoffs Spring Waters, Hahns Offrande doing in such distinguished company 5 I would answer that the first song presents difficulties to the singer a the second teases the pianist, while the Hahn song is intriguing if only for its wide dissimilarity to the undeniably finer settings of the same poem by Debussy and Faur6. The only rule I observed when selecting my fifty songs was that they should be interesting interesting either for their intrinsic worth or for the problems they pose for the singer or the accompanist or both partners. The reader who is indulgent enough to imagine there is any benefit to be reaped by a study of this book, should dip into it rather than attempt to read it steadily from cover to cover. Let him see which of these songs he possesses and then after numbering the bars on his score to help him follow me on my wanderings through the song have his music beside him as he reads. He will thus be in a much better position to laugh with me or at me to see how unerringly I hit the nail on the head or how lamentable is my aim.

Store Search search Title, ISBN and Author Songs of Dream (1903) by Ethel Clifford Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 1437057063 ISBN-13 9781437057065 Title Songs of Dream (1903) Author Ethel Clifford Format Paperback Year 2008 Pages 152 Publisher Kessinger Publishing Dimensions 6 in. x 0.3 in. x 9 in. About Us Grand Eagle Retail is the ideal place for all your reading and entertainment needs! With fast shipping, low prices, friendly service

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

I am your accompanist. You do not know me. I am the guy who sits behind the upright in the unflattering fluorescent light of the dance studio, a bottle of water on the floor, a half-eaten Power Bar on the bench, and your audition in my hands. Award-winning New York theatre composer and pianist Andrew Gerle pulls no punches in this irreverent, fly-on-the-wall guide to everything you ve never been taught about auditioning for musical theatre. From the unique perspective of the pianist s bench, he demystifies the audition process, from how to put together your book and speak to an accompanist to the healthiest and savviest ways to approach the audition marketplace and your career. By better understanding the dynamics of professional auditions, you will learn to present yourself in the strongest, most castable way while remaining true to your own special voice - the one that, in the end, will get you the job.

Ethel Waters overcame her disadvantaged childhood to become the most famous African American actress, singer, and entertainer of her time. Her critically acclaimed move to Broadway in the mid 1920s—after having first triumphed in Black vaudeville during the Harlem Renaissance—brought the startlingly innovative and subtle character of Black Theatre into the mainstream. Ethel transformed such songs as "Dinah, " "Am I Blue?, " "Stormy Weather, " and Irving Berlin's "Heat Wave" into classics and inspired the next generation of Black female vocalists. She gave sophistication and class to the blues and American popular song, and she influenced countless singers including Judy Garland and Frank Sinatra.Tough, uncompromising, courageous, and ambitious, Ethel Waters became one of the first African American women to be given equal billing with white stars on the Broadway stage. In 1943, the film version of her Broadway success, Cabin in the Sky, established her as Hollywood's first Black-leading lady. In such plays as Mamba's Daughters and films including The Member of the Wedding, she shattered the myth that Black women could perform only as singers. For her work in Pinky, she received an Academy Award nomination for Best Supporting Actress, the second African American to be so honored.Although she was arguably the most influential female blues and jazz singer of the 1920s and 1930s, as well as a major Black figure in 20th century theatre, cinema, radio, and television, she is now the least remembered. In Ethel Waters: Stormy Weather, Stephen Bourne documents the career of this monumental figure in American popular culture, offering new insights into the work of this forgotten legend. Supplemented by fourteen photographs, this biography leaves little doubt as to why—for decades—no other Black star was held in such high regard.

Store Search search Title, ISBN and Author Songs of the Soul by Marie Hilton Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 1436376408 ISBN-13 9781436376402 Title Songs of the Soul Author Marie Hilton Format Paperback Year 2008 Pages 72 Publisher Xlibris Corporation Dimensions 6 in. x 0.2 in. x 9 in. About Us Grand Eagle Retail is the ideal place for all your reading and entertainment needs! With fast shipping, low prices, friendly service and over 1, 000