Rosanna - Let's Go Count Down - Japan CD - NEW

Bear Family (Germany) ( February 15, 1994 ), Genre: Oldies

Collectables Records ( March 14, 2006 ), Genre: Pop Vocal

After years of beating their collective head against the post of hard rock stardom, Y&T finally succumbed to the commercial conventions of the '80s and bowed to the synthesizer gods with 1985's Down for the Count. Under the guidance of new producer Kevin Beamish (REO Speedwagon, Saxon), Y&T joined the perm-haired masses then issuing like dandruff out of the California dust to redefine the meaning of the word "dumb." Not exactly a smash hit, the record is littered with faceless, going-nowhere-fast rockers like "Anything for Money" and "Looks Like Trouble." Even the relatively amusing "Don't Tell Me What to Wear" sounds completely forced when coming from a bunch of supposedly grown men. Out of this mucky muck, "Hands of Time" stands out as a fine, dramatic power ballad in the Y&T tradition -- anthemic and cheesy in all the right quantities. Following Down for the Count, Y&T's long-running relationship with A&M would finally come to and end, but the band would find small comfort at their new home, Geffen. ~ Edua

Eagle Rock (USA)

Personnel: Mitch Mitchell , Jim Pollard, Kevin Fennell, Robert Pollard, Tobin Sprout, Greg Demos.Their first record since 2004's Half Smiles of the Decomposed, Let's Go Eat the Factory finds Robert Pollard and Guided by Voices reuniting to put out their first album of new material in eight years. Though it's been a while since listeners have heard from the iconic indie band, the album finds GBV keeping with their traditional lo-fi sound and rapid-fire, bite-sized indie rock gems.

Temporary Residence ( October 01, 2005 ), Genre: Rock & Pop

Candlelight Records ( August 25, 2009 ), Genre: Rock & Pop

Japan: David Sylvian (vocals, guitar), Rob Dean (guitar, vocals), Richard Barbieri (keyboards, vocals), Mick Karn (bass, vocals), Steve Jansen (drums, vocals).Additional personnel: Ray Singer (background vocals).Recorded at Audio International Studios, London, England.The second Japan album followed their debut by a mere six months and, like its predecessor, the cover art suggested glam-rock. In the heady days of punk, it was largely ignored in England, but the band did begin to find acceptance in Japan--surprise, surprise! Mick Karn's elegant, flexible bass playing is more prominent, and David Sylvian's vocals settled on a very Bowie-esque style--circa THE MAN WHO SOLD THE WORLD. With these elements in place, the band was on their way to developing their signature sound.The album contains two classic Japan tracks, "Rhodesia" and "Suburban Berlin." The first of these is welded to a reggae-influenced guitar line and lyrics that make passing references to racism, masturbation, and Nazis, while the second, with

MA Recordings

Pandisc Records