HAEMORRHAGE - The Kill Sessions CD Goregrind, RARE, NEW

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Product DetailsOriginal Title:In Session: Mixed and Compiled by Innate Condition: NEWFormat: CDArtist: InnateLanguage: EnglishGenre: DanceTrack Listing: "Disk 11. Louis Strange ? Spectre (Tarantella & Redanka Reprise / Remix)2. Xzique ? Your Mind (F**k Me Up Dub)3. Minilogue ? In A Deeper Motion4. Andy Moor featuring Liiane Brookson ? No More5. Sleepfreaks ? PHB (Director?s Cut)6. Innate ? Changes7. Tilt featuring Maria Naylor ? Headstrong (Parks & Wilson Scalpel Mix)8. Manticore ? Slaves (Brancaccio & Aisher Remix)9. Interflow featuring Anna Robinson ? Storyreel (Satoshi Tomiie Dub / Vocal)10. Innate ? OutroDisk 21. Quivver ? Bozboz (Transport Mix)2. Neil Himmons ? Play3. 2 Boys 1 Girl ? Twisted4. Sworn ? Dark Ammendments5. Hybosh ? Playing With My Mind (Sleepfreaks Mix)6. Innate ? Roots Rock Cry (Cry Tuff Dub)7. Jay Welsh ? Four Horsemen (Tilt Subsonic Voice Remix)8. Odessi ? Moments of Space"Your browser does not support iframes.

Collectables Records ( August 28, 2007 ), Genre: Jazz Instrument

Eyes Set to Kill: Alexia (vocals, guitar, piano); Brandon (vocals, keyboards); Greg (guitar); Anissa (bass guitar); Caleb (drums).Personnel: Lukas Vesely (keyboards); Tom Breyfogle (programming).Audio Mixer: Thomas Flowers.Recording information: Intersonic Sound; The Half Way House, LA, CA.Photographer: Nathan Taylor.There is no shortage of metal-related bands that offer a "Beauty and the Beast" approach when it comes to juxtaposing female vocals and male vocals. "Beauty" is often a female lead singer with an ethereal, decidedly goth vocal style, while "The Beast" might favor either death metal's Cookie Monster growl or black metal's sinister rasp. But Eyes Set to Kill put a different spin on the "Beauty and the Beast" school of metal on THE WORLD OUTSIDE. The clean lead vocals of Alexia Rodriguez are contrasted with the "Beast" vocals of keyboardist Brandon Anderson, who offers neither a death metal growl nor a black metal rasp but, instead, abrasive screaming of the metalcore/hardcore/screamo variety. Eyes

After the overwhelming success of the White Stripes, the rock & roll rulebook changed. In this new rock order, size was no longer everything--the fewer band members, the better (boy/girl duos preferred). Minimalism replaced decadence, and drum machines even supplanted drummers without ridicule.The Kills tested these ideas on the duo's 2003 debut, KEEP ON YOUR MEAN SIDE, to considerable accolades, and the group's second album, NO WOW, further strips down their aesthetic. In a seductive drawl, Alison Mosshart (AKA VV) tells you how she's "lost a lot of cool, " and how she "hates the way you love, " over and over just to make sure you heard. Jamie Hince (AKA Hotel) concerns himself with spitting out trashy guitar riffs, knowing that more than four chords per song would be wasteful. These are repetitive, deliberate rock mantras designed for a kinetic stage show. Of course, the Kills' brand of Velvet Underground-meets-PJ Harvey rock is a far cry from VV's former work with punk icons Discount, but it's no less cool--

!k7 Records ( August 11, 2009 ), Genre: Electronic

The Who: Pete Townsend (vocals, guitar, keyboards); John Entwistle (vocals, bass); Roger Daltrey (vocals); Keith Moon (drums).Producers include: Paul Williams, Jimmy Grant, Brian Willey, Bill Bebb, Michael Appleton.Recorded at De Lane Studio, Aeolian Hall Stuido 2, The Playhouse, IBC Stuidos, and Presentation Studio B Television Centre, London, England between 1965 and 1973. Includes liner notes by Andy Neill.Digitally remastered by John Astley.On the 30th anniversary of LIVE AT LEEDS, the Who released this 25-track collection of material recorded between 1965 and 1973. This fascinating aural document provides insight the development of this seminal band from R&B-crazed mods into technically brilliant purveyors of original material. Although the sound quality of the earlier recordings varies a bit, the Who's tight playing and musical nuances (like the group's often-overlooked harmonies) point to greater triumphs in the future.This quartet of soul fans mixes in familiar hits by the Olympics ("Good Lovin'") and

Two CD set recorded live from Shady Grove, Washington, D.C. 1973 and The Beacon Theatre, NYC 1976. Steve Miller Band first emerged in late 60s and issued a string of blues influenced albums which while being critically acclaimed and well received, never achieved the huge commercial success that they were to achieve in the mid '70s with the more polished AOR Rock. This two CD set perfectly captures the two distinct phases of Steve Miller’s career. Disc One, recorded just after the release of The Joker in 1973, strongly echoes the blues roots of the band while Disc Two, recorded in 1976, showcases a band who had evolved into a multi-million selling act, able to challenge The Eagles and Fleetwood Mac as one of the biggest names in Rock. Snapper. 2007.

Castle Music America

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Product DetailsOriginal Title:Freedom Sessions, TheCondition: NEWFormat: CDArtist: Sarah McLachlanLanguage: EnglishGenre: Alternative RockTrack Listing: "Disk 11. Elsewhere [#]2. Plenty [#]3. Mary [#]4. Good Enough [#]5. Hold On [#]6. Ice Cream [#]7. Ice [#]8. Ol' 55 [#]"Your browser does not support iframes.

Restless Records (USA) ( May 13, 2003 ), Genre: Hardcore/Punk